Issue 27 - Columbia: A Journal of Literature and Art
Issue 27 - Columbia: A Journal of Literature and Art
Issue 27 - Columbia: A Journal of Literature and Art
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T.<br />
54<br />
"How ironic," the man said, laughing. "And now he is going<br />
to become the model for a dove statue."<br />
For a while both were silent, the man's h<strong>and</strong> moving while<br />
H<strong>and</strong> peered intently at what he was drawing.<br />
"Damn! Stop moving," the man said.<br />
"He's a living thing," H<strong>and</strong> said. "Can't be helped."<br />
"That's your line <strong>of</strong> work, isn't it? Can't you do something so<br />
he won't move?" the man asked.<br />
"Impossible."<br />
"In that case," the man said, resting his h<strong>and</strong> <strong>and</strong> speaking<br />
suddenly in a serious tone, "you can at least grab hold <strong>of</strong> him, can't<br />
you?"<br />
H<strong>and</strong> blinked a few times quickly, as if calculating something<br />
in the process, <strong>and</strong> then nodded, "Yes."<br />
The two men began consulting in hushed voices.With wrinkled<br />
brows, fingers drawing circles <strong>and</strong> lines in the air, <strong>and</strong> looking<br />
around in all directions, they bargained for a long time. With the<br />
clap <strong>of</strong> the man's h<strong>and</strong>s <strong>and</strong> H<strong>and</strong>'s hesitant nods, mouth shut, the<br />
negotiations seemed to conclude.<br />
H<strong>and</strong> grabbed hold <strong>of</strong> me. Even though I hadn't completed<br />
my daily task he took a bag <strong>of</strong> birdseed out <strong>of</strong> his pocket <strong>and</strong> filled<br />
up my feeder. "Eat up," he said in an extremely kind voice.<br />
"Are you sad?" the man said from behind.<br />
"Of course I am," H<strong>and</strong> replied, angrily.<br />
I was put into my box as always. However, the place I was<br />
taken to was not the show tent. Instead, it was to a room with a<br />
medicinal odor in a large, dark building. There I was lain face up,<br />
the feathers on my chest were pushed apart, <strong>and</strong>, with a sharp<br />
scalpel, I was cut open. My insides were scooped out <strong>and</strong>, like<br />
taking <strong>of</strong>f a shirt, I was reduced to just my skin. My insides were<br />
at once thrown into a pot, boiled, <strong>and</strong> eaten. Then my skin was<br />
filled with padding, supported by a skeleton <strong>of</strong> steel wire. I became<br />
a stuffed bird.<br />
I was put in the box again <strong>and</strong> then carried to the man's studio.<br />
The man placed me on a model's st<strong>and</strong> <strong>and</strong> arranged the angle<br />
<strong>of</strong> my wings <strong>and</strong> the position <strong>of</strong> my head. I passively let him do all<br />
<strong>of</strong> this. The man kneaded <strong>and</strong> scraped clay while staring at me.<br />
Judging by appearances, one might think that this incident was<br />
really no big deal for me.=fiut, on the contrary, it was a vast change.<br />
Beside the fact that naturally I had lost my life, I had become an<br />
object; not only that, I had become a concept. No, actually, I was<br />
in the process <strong>of</strong> becoming solely a concept. In the man's h<strong>and</strong>s I<br />
was being molded into a concept. Isn't that a big difference? My<br />
existence, which had been no more than a sum total <strong>of</strong> sensations,<br />
was being transformed into one comprised solely <strong>of</strong> meaning.<br />
The completions <strong>of</strong> the transformation occurred one summer<br />
day due to the hasty, imperfect preservation job done on me. My<br />
skin began to collapse from the inside as maggots began to devour<br />
me. I was thrown into the stove <strong>and</strong> burned up but, under his<br />
h<strong>and</strong>s, I had become instead the "Dove Statue." Then, suddenly, I<br />
understood the meaning <strong>of</strong> everything.<br />
I am now the statue "Dove <strong>of</strong> Peace." I have a clear meaning;<br />
I am meaning itself. However, I, myself, cannot just be myself, by<br />
myself. Simply put, only through the actions <strong>of</strong> those supporting<br />
me can I exist. For that reason I was erected at this intersection. I<br />
suppose it was also at a crossroads for power politics.<br />
Anyway, let's go back to where we left <strong>of</strong>f. H<strong>and</strong> is about to<br />
finish sawing through my second ankle. However, if I don't say<br />
something about how things got this way, H<strong>and</strong>s appearance may<br />
seem too sudden, too coincidental. H<strong>and</strong> must have been feeling<br />
serious regret over having sold my life for a few dollars. After that<br />
he appeared almost every day at the intersection <strong>and</strong>, for the time<br />
it took him to smoke a cigarette, he would stare at me. Returning<br />
H<strong>and</strong>s feeble stare I was able to underst<strong>and</strong> many things. H<strong>and</strong> was<br />
having more <strong>and</strong> more trouble getting by. It seemed that he<br />
became exhausted by the delusion that his daily misfortunes were<br />
due to his having sinned against me. Of course, it was no more<br />
than a delusion. But, from his perspective, it was clearly reality. He<br />
finally couldn't bear to keep this secret to himself. Then he would<br />
tell every person he met about my fate. This was to pull me down<br />
from "a symbol <strong>of</strong> peace" to the level <strong>of</strong> his fate.<br />
One day this voice <strong>of</strong> H<strong>and</strong> caught the ear <strong>of</strong> an antipacifist....but<br />
I'll come back to that later. H<strong>and</strong> has finished cutting<br />
through both my ankles.