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The Face of Time - POV - Aarhus Universitet

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A Danish Journal <strong>of</strong> Film Studies 3<br />

p.o.v.<br />

Number 13, March 2002<br />

CONTENTS<br />

THE FACE OF TIME, Elefteria Kalogritsa (Sweden, 2000, 10 min.)<br />

Data on the film and the director<br />

Elefteria Kalogritsa. <strong>The</strong> storyboard for <strong>The</strong> <strong>Face</strong> <strong>of</strong> <strong>Time</strong><br />

Richard Raskin. An interview with Elefteria Kalogritsa<br />

on <strong>The</strong> <strong>Face</strong> <strong>of</strong> <strong>Time</strong><br />

Kirsten Sørensen and Mette Bahnsen. <strong>Time</strong>, body and experience<br />

in <strong>The</strong> <strong>Face</strong> <strong>of</strong> <strong>Time</strong><br />

Thomas Bjørner. <strong>The</strong> <strong>Face</strong> <strong>of</strong> <strong>Time</strong> and life's trajectory<br />

Edvin Kau. A moving picture: between life and death<br />

BEAN CAKE, David Greenspan (USA, 2001, 12 min.)<br />

Data on the film and the director<br />

David Greenspan. <strong>The</strong> storyboard for Bean Cake<br />

Richard Raskin. An interview with David Greenspan on Bean Cake<br />

Mark Le Fanu. Bean Cake, or the emperor's new clothes<br />

Anemone Platz. Ohagi: glimpses <strong>of</strong> a not-so-old Japan<br />

THE OFFICE, Krzyszt<strong>of</strong> Kieslowski (Poland, 1967, 6 min.)<br />

Data on the film and the director<br />

Ib Bondebjerg. A visual Kafka in Poland<br />

Laurence Green. Kieslowski's Grey<br />

On other short films<br />

Antti Pönni. On Wind: a question <strong>of</strong> ethics<br />

Data on Kitchen Sink and Alison Maclean<br />

Richard Raskin. An interview with Alison Maclean on Kitchen Sink<br />

On documentary filmmaking<br />

Kirsten Sørensen, Mette Bahnsen, Henrik Holch, Gitte Hvid and Lise<br />

Otte. Guidelines for producing a short documentary<br />

David Wingate. Confessions <strong>of</strong> a teacher. Documentarists and Fictionalists<br />

– thoughts about selecting students for a documentary course<br />

<strong>The</strong> contributors<br />

5<br />

7<br />

9<br />

17<br />

23<br />

29<br />

33<br />

39<br />

41<br />

43<br />

49<br />

59<br />

63<br />

71<br />

73<br />

75<br />

85<br />

89<br />

91<br />

99<br />

101<br />

111<br />

113<br />

129<br />

139

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