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The Face of Time - POV - Aarhus Universitet

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A Danish Journal <strong>of</strong> Film Studies 57<br />

3) Be aware <strong>of</strong> your resources. Don't go overboard worrying about<br />

production values. Concentrate more on communicating your story<br />

clearly.<br />

4) For a very first project just make sure you get your point across.<br />

Films are a form <strong>of</strong> communication.<br />

5) <strong>The</strong> two most important ingredients in a film are the script and<br />

the actors, and in that order. Camera work, sound, production<br />

design is important but secondary.<br />

6) Don't neglect sound on the set. Good production sound saves you<br />

many hours in post production and adds to the audience's illusion<br />

<strong>of</strong> reality.<br />

7) Don't be scared. Fear, self-censorship makes many people quit or<br />

never even try. I almost didn't do this project for that reason and I<br />

would have severely regretted that. I can say all this with the benefit<br />

<strong>of</strong> hindsight.<br />

Is there anything else you would care to add about the making <strong>of</strong> Bean<br />

Cake, or about storytelling?<br />

I think reaction shots (shots <strong>of</strong> the people listening to the conversation<br />

instead <strong>of</strong> the participants) are very important. <strong>The</strong>y are the<br />

first things that get cut from a student shot list when you're running<br />

out <strong>of</strong> time on a set. I used a ton <strong>of</strong> them in the classroom scenes to<br />

elongate certain moments and tell the audience how I wanted them<br />

to feel about each moment <strong>of</strong> Taro's predicament. Reaction shots are<br />

very helpful.<br />

4 October 2001

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