The Face of Time - POV - Aarhus Universitet
The Face of Time - POV - Aarhus Universitet
The Face of Time - POV - Aarhus Universitet
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A Danish Journal <strong>of</strong> Film Studies 57<br />
3) Be aware <strong>of</strong> your resources. Don't go overboard worrying about<br />
production values. Concentrate more on communicating your story<br />
clearly.<br />
4) For a very first project just make sure you get your point across.<br />
Films are a form <strong>of</strong> communication.<br />
5) <strong>The</strong> two most important ingredients in a film are the script and<br />
the actors, and in that order. Camera work, sound, production<br />
design is important but secondary.<br />
6) Don't neglect sound on the set. Good production sound saves you<br />
many hours in post production and adds to the audience's illusion<br />
<strong>of</strong> reality.<br />
7) Don't be scared. Fear, self-censorship makes many people quit or<br />
never even try. I almost didn't do this project for that reason and I<br />
would have severely regretted that. I can say all this with the benefit<br />
<strong>of</strong> hindsight.<br />
Is there anything else you would care to add about the making <strong>of</strong> Bean<br />
Cake, or about storytelling?<br />
I think reaction shots (shots <strong>of</strong> the people listening to the conversation<br />
instead <strong>of</strong> the participants) are very important. <strong>The</strong>y are the<br />
first things that get cut from a student shot list when you're running<br />
out <strong>of</strong> time on a set. I used a ton <strong>of</strong> them in the classroom scenes to<br />
elongate certain moments and tell the audience how I wanted them<br />
to feel about each moment <strong>of</strong> Taro's predicament. Reaction shots are<br />
very helpful.<br />
4 October 2001