The Goddess Fortuna in Imperial Rome: Cult, Art, Text - University of ...

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The reasons for the inception of the altar and its location ................ 293 Historical background: grain shortage and the cura annonae ........... 296 The altar in relationship to nearby structures .................................... 298 Profectio, adventus, and the Parthian standards................................ 301 Fortuna Soteira and the appearance of the altar ................................ 306 Fortuna Redux and other Fortuna-related cults in the Augustan Roman calendar........................................................................ 310 Fortuna Redux .......................................................................... 311 Cults of Felicitas, Genius, and Venus on the Capitoline.......... 312 Bonus Eventus.......................................................................... 314 Verrius Flaccus and Fortuna .................................................... 314 The Temple of Fortuna Redux in Rome..................................................... 316 The reason for its inception............................................................... 317 Location............................................................................................. 317 Phases of the temple.......................................................................... 325 The iconography of Fortuna Redux (and its meaning) in the context of her temple in Rome ................................................. 328 Fortuna as Fortuna Redux and Fortuna Augusta: imperial cult, death and society, and the guarantor of dynastic succession............................. 336 Fortuna in the imperial cult in the West............................................ 339 Pompeii..................................................................................... 340 Africa........................................................................................ 343 Women as Fortuna: empresses, non-elites, and the role of Fortuna in death ..................................................................................... 344 Fortuna for better and worse: the issue of succession....................... 350 The role of Fortuna at Praeneste in the imperial period........... 351 Augustus’ ill-fated heirs: Fortuna’s early role in imperial succession........................................................................ 353 The Julio-Claudians.................................................................. 355 Aborted attempts to become emperor: Sejanus and Galba ...... 357 The Flavians ............................................................................. 360 xiv
The Antonines and Severans .................................................... 362 Conclusion.................................................................................................. 367 Bibliography........................................................................................................ 370 Vita… .................................................................................................................. 409 xv
Page 1 and 2: Copyright by Darius Andre Arya 2002
Page 3 and 4: The Goddess Fortuna in Imperial Rom
Page 5 and 6: Acknowledgements This study of Fort
Page 7 and 8: the moment I arrived in Texas, this
Page 9 and 10: influenced the image of Tyche as mu
Page 11 and 12: Fortuna: multivalent (beneficent an
Page 13: Fortuna “installations” in the
Page 17 and 18: unique creation from Sparta, which
Page 19 and 20: slightly to the viewer’s left; th
Page 21 and 22: The mural crown of Tyche was derive
Page 23 and 24: Vergil’s Aeneid (6.626-670), whic
Page 25 and 26: shoulders his father, Anchises (who
Page 27 and 28: mural crown itself. Two gates are o
Page 29 and 30: The Sparta Tyche head, with the fig
Page 31 and 32: By virtue of the depiction of the w
Page 33 and 34: of Augustus. 51 The emperor also cr
Page 35 and 36: agora analogous to the Tyche statue
Page 37 and 38: The basic information about the sta
Page 39 and 40: figured prominently in other Seleuc
Page 41 and 42: vicinity of the Theater of Marcellu
Page 43 and 44: ecame visually canonized through he
Page 45 and 46: Most scholars, instead, identify th
Page 47 and 48: coinage in the East. The city becam
Page 49 and 50: triad. 103 The Tyche of Antioch sea
Page 51 and 52: emperor. The first Tyche statue con
Page 53 and 54: fortune of a city, and the fortune
Page 55 and 56: eginnings. Ferre, “to bring,” a
Page 57 and 58: SCOPE OF THE STUDY Recent studies o
Page 59 and 60: as many scholars often conclude. 13
Page 61 and 62: characteristics of Tyche has obscur
Page 63 and 64: goddess was a central feature in th
Page 65 and 66:
Initial inquiries into the relation
Page 67 and 68:
Chapter 2: The interrelationship be
Page 69 and 70:
Fortuna” does not necessarily des
Page 71 and 72:
conquered one’s own city). 154 Th
Page 73 and 74:
Fortuna: multivalent (beneficent an
Page 75 and 76:
Respiciens (Cicero, leg., 2.28), an
Page 77 and 78:
cases, the two Fortuna goddesses ar
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adorned the bronze 178 cult statue
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econstruction of the entire site at
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Max. 1.8.11, Ovid, Fasti, 6.569-572
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Cornucopia The account of one of th
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chthonic deities. 213 By the first
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grain, e.g., the Tychai of Alexandr
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fourth century depict the goddess w
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the relief, has questioned the iden
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an independent symbol of power. 252
Page 97 and 98:
The concept of Tyche standing preca
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statuary depicting Fortuna holding
Page 101 and 102:
an apple tree branch in her left ha
Page 103 and 104:
The wheel, in a negative sense, as
Page 105 and 106:
Tyche in the sixth century BCE rema
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securely-identified Fortuna-type fi
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a term; indeed, the Romans never de
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artistic representations (discussed
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In particular, the Tabula of Cebes,
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Hellenistic depictions of Tyche, ac
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Writing in Greek, Plutarch defines
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two essays on Alexander served as a
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“ἤόόὶάὶίίίὴ
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depended on its dedicator, the circ
Page 125 and 126:
disagreements on Plutarch’s trans
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features common to her artistic rep
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stormy sea crossing (319B-D). This
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individuals. 355 In Plutarch’s hi
Page 133 and 134:
Arete-Tyche topos Plutarch’s essa
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Historians also recognized Tyche’
Page 137 and 138:
In On the Fortune of the Romans, Pl
Page 139 and 140:
protecting Rome throughout history
Page 141 and 142:
Plutarch reveals that the reigns of
Page 143 and 144:
the East as early as the second cen
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honor gods, speak to and for cities
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the demise of Greek power and the r
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defeats of Philip V and Antiochus I
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Fortune of the Romans, however, dem
Page 153 and 154:
Chapter 3: Fortuna and the late Rep
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throne, another, naked, holding a g
Page 157 and 158:
of the period immediately after the
Page 159 and 160:
including Stoicism. Indeed, the Tyc
Page 161 and 162:
individual identified as such. 439
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The Greek city states and citizens
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great influence in Caesarian and Au
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events that took place in the fifth
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Roman deities, 474 became less the
Page 171 and 172:
Personal relations with Fortuna in
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Primigenia, Antium, and the Tyche o
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epiphany of the god, akin to appear
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goddess, successfully blended with
Page 179 and 180:
(8.26.3). Both Greek terms underlin
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uncertain deity and ensurer of vict
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architectural complex, in particula
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had just been rebuilt recently, was
Page 187 and 188:
of the round temple and long portic
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associative iconography of the Roma
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Pythagorean doctrines, which flouri
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to Dem, 153, 474). Triptolemus was
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and Augustus. 575 The Temple of For
Page 197 and 198:
Sulla, 34.3). He designated Lucullu
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mural crown). 586 The affinity betw
Page 201 and 202:
Sulla also fostered personal relati
Page 203 and 204:
constructed a massive temple dedica
Page 205 and 206:
essentially muscled in on Lucullus
Page 207 and 208:
archaeological remains justify Coar
Page 209 and 210:
Capitoline), thereby demonstrating
Page 211 and 212:
the Augustan building program, in t
Page 213 and 214:
This new attribution of the Fortuna
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symbolic ramifications. 639 Not onl
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his household in 12 CE to the shrin
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creation of the cult of divus Iuliu
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BCE. Indeed, recent study suggests
Page 223 and 224:
tyche. 665 The association between
Page 225 and 226:
Through his subsequent dedication o
Page 227 and 228:
pietas, reflects Lucius’ fraterna
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Valeria and Sulla and to the Graeco
Page 231 and 232:
In conclusion, the Late Republican
Page 233 and 234:
of Hellenistic Alexandria, created
Page 235 and 236:
According to the new study, the ter
Page 237 and 238:
the sea with a fisherman’s vessel
Page 239 and 240:
generals, that Victory and Good For
Page 241 and 242:
eligio-political Augustan program i
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audience and context. As a result o
Page 245 and 246:
With the victory of Octavian over M
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the fact that the entrances faced o
Page 249 and 250:
entrance into Augustus’ Mausoleum
Page 251 and 252:
studies, Caesar’s role in these p
Page 253 and 254:
Agrippa, 741 would actually succeed
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libraries. In doing so, Caesar join
Page 257 and 258:
Nile, a common feature of Isiac san
Page 259 and 260:
echoed in the creation of the Tycha
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the Italian Fortuna cult by the end
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The planning (and possible construc
Page 265 and 266:
The Augustan Campus Martius related
Page 267 and 268:
and the sentiments of victory that
Page 269 and 270:
The earliest mention of the water b
Page 271 and 272:
dedicated on September 23, Augustus
Page 273 and 274:
Apollo from nearby Seleucia; Apollo
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Chapter 5: Fortuna in Augustan Rome
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of dynastic succession, for the Jul
Page 279 and 280:
complexity of these cults in Rome.
Page 281 and 282:
two stanzas of I.35, Nisbet and Hub
Page 283 and 284:
Fortuna as other deities of Rome, a
Page 285 and 286:
asking Fortuna to protect Augustus,
Page 287 and 288:
Rome (both of which utilized Antium
Page 289 and 290:
with an actual prayer to the goddes
Page 291 and 292:
Through her many epithets (90), 855
Page 293 and 294:
In the second century CE, the priva
Page 295 and 296:
predominant, private and public shr
Page 297 and 298:
Aurelius Urbanus/ ex voto” next t
Page 299 and 300:
well as goddess who could turn arou
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FORTUNA IN THE MARS ULTOR PEDIMENT
Page 303 and 304:
The pairing of Fortuna and Venus in
Page 305 and 306:
Lucan's choice of the mural crown f
Page 307 and 308:
lituus, in the Mars Ultor panel as
Page 309 and 310:
[Aram Fortunam Reducis ante ae]des
Page 311 and 312:
Historical background: grain shorta
Page 313 and 314:
The altar in relationship to nearby
Page 315 and 316:
identified with the Muses and assoc
Page 317 and 318:
the structure where the general cha
Page 319 and 320:
he later celebrated this diplomatic
Page 321 and 322:
to Parthia, Trajan stopped at Antio
Page 323 and 324:
archaeological park of S. Omobono.
Page 325 and 326:
i.e., without figural panels. 965 G
Page 327 and 328:
of the altar, December 15 (Degrassi
Page 329 and 330:
Apollo were paired in cult settings
Page 331 and 332:
theme of Fortuna’s role in time,
Page 333 and 334:
general. 984 Although the literary
Page 335 and 336:
presents the double gate next to th
Page 337 and 338:
Nova. 997 However, he flatly reject
Page 339 and 340:
the “gate” (a triumphal arch ac
Page 341 and 342:
esponse to the famine that was reco
Page 343 and 344:
the early fifth century CE. 1022 De
Page 345 and 346:
studies. 1027 The Marcus Aurelius
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elief, the relief has been dated to
Page 349 and 350:
Nortia and Nemesis, were aspects th
Page 351 and 352:
vengeance on imperial monuments, su
Page 353 and 354:
second and third centuries CE, and
Page 355 and 356:
administered by slaves (see below).
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later, they were both slaves and fr
Page 359 and 360:
Fortuna Augusta are common in the A
Page 361 and 362:
The association between non-elites
Page 363 and 364:
society and was readily adopted by
Page 365 and 366:
The inscriptional evidence for the
Page 367 and 368:
demonstrates that the city became a
Page 369 and 370:
society. The dialogue that began ce
Page 371 and 372:
of plenty capped with a twin of Dru
Page 373 and 374:
Sejanus and Galba represent two ind
Page 375 and 376:
officially joined Fortuna Redux as
Page 377 and 378:
The rise of the Flavians signaled a
Page 379 and 380:
Hadrian, reminiscent of the scene f
Page 381 and 382:
Many other episodes demonstrate the
Page 383 and 384:
the cultural setting of Rome, accor
Page 385 and 386:
Bibliography Abramenko, A. (1993).
Page 387 and 388:
Bemmann, K. (1992). Füllhörner in
Page 389 and 390:
Cahn, H. A. (1981). "Abundantia," L
Page 391 and 392:
_________. (1993). Lazio, (Guide Ar
Page 393 and 394:
Dohrn, T. (1960). Die Tyche von Ant
Page 395 and 396:
Forni, G. (1989). La Fortuna dei Ro
Page 397 and 398:
Gersht, R. (1984). "The Tyche of Ca
Page 399 and 400:
Hallett, C. H. (1995). “Kopienkri
Page 401 and 402:
Hornum, M. B. (1993). Nemesis, The
Page 403 and 404:
Koeppel, G. (1983). “Die historis
Page 405 and 406:
Levi, M. A. (1980). “’Fortuna-f
Page 407 and 408:
Martin, H. G. (1987). Römische Tem
Page 409 and 410:
Naumann, F. (1983). Der Ikonographi
Page 411 and 412:
Perry, B. E. (1967). The Ancient Ro
Page 413 and 414:
________. (1994). “Caesar: civil
Page 415 and 416:
________. (1992). “Der Capricorn
Page 417 and 418:
____________. (2000). “Nero and t
Page 419 and 420:
Tobin, J. (1993). "Some new thought
Page 421 and 422:
Viscogliosi, A. (1996). “Il tempi
Page 423 and 424:
Zanker, P. (1984) Il Foro di August
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