- Page 1 and 2: Copyright by Darius Andre Arya 2002
- Page 3 and 4: The Goddess Fortuna in Imperial Rom
- Page 5 and 6: Acknowledgements This study of Fort
- Page 7 and 8: the moment I arrived in Texas, this
- Page 9 and 10: influenced the image of Tyche as mu
- Page 11 and 12: Fortuna: multivalent (beneficent an
- Page 13 and 14: Fortuna “installations” in the
- Page 15 and 16: The Antonines and Severans ........
- Page 17 and 18: unique creation from Sparta, which
- Page 19 and 20: slightly to the viewer’s left; th
- Page 21 and 22: The mural crown of Tyche was derive
- Page 23 and 24: Vergil’s Aeneid (6.626-670), whic
- Page 25 and 26: shoulders his father, Anchises (who
- Page 27: mural crown itself. Two gates are o
- Page 31 and 32: By virtue of the depiction of the w
- Page 33 and 34: of Augustus. 51 The emperor also cr
- Page 35 and 36: agora analogous to the Tyche statue
- Page 37 and 38: The basic information about the sta
- Page 39 and 40: figured prominently in other Seleuc
- Page 41 and 42: vicinity of the Theater of Marcellu
- Page 43 and 44: ecame visually canonized through he
- Page 45 and 46: Most scholars, instead, identify th
- Page 47 and 48: coinage in the East. The city becam
- Page 49 and 50: triad. 103 The Tyche of Antioch sea
- Page 51 and 52: emperor. The first Tyche statue con
- Page 53 and 54: fortune of a city, and the fortune
- Page 55 and 56: eginnings. Ferre, “to bring,” a
- Page 57 and 58: SCOPE OF THE STUDY Recent studies o
- Page 59 and 60: as many scholars often conclude. 13
- Page 61 and 62: characteristics of Tyche has obscur
- Page 63 and 64: goddess was a central feature in th
- Page 65 and 66: Initial inquiries into the relation
- Page 67 and 68: Chapter 2: The interrelationship be
- Page 69 and 70: Fortuna” does not necessarily des
- Page 71 and 72: conquered one’s own city). 154 Th
- Page 73 and 74: Fortuna: multivalent (beneficent an
- Page 75 and 76: Respiciens (Cicero, leg., 2.28), an
- Page 77 and 78: cases, the two Fortuna goddesses ar
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adorned the bronze 178 cult statue
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econstruction of the entire site at
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Max. 1.8.11, Ovid, Fasti, 6.569-572
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Cornucopia The account of one of th
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chthonic deities. 213 By the first
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grain, e.g., the Tychai of Alexandr
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fourth century depict the goddess w
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the relief, has questioned the iden
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an independent symbol of power. 252
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The concept of Tyche standing preca
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statuary depicting Fortuna holding
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an apple tree branch in her left ha
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The wheel, in a negative sense, as
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Tyche in the sixth century BCE rema
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securely-identified Fortuna-type fi
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a term; indeed, the Romans never de
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artistic representations (discussed
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In particular, the Tabula of Cebes,
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Hellenistic depictions of Tyche, ac
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Writing in Greek, Plutarch defines
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two essays on Alexander served as a
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“ἤόόὶάὶίίίὴ
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depended on its dedicator, the circ
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disagreements on Plutarch’s trans
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features common to her artistic rep
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stormy sea crossing (319B-D). This
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individuals. 355 In Plutarch’s hi
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Arete-Tyche topos Plutarch’s essa
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Historians also recognized Tyche’
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In On the Fortune of the Romans, Pl
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protecting Rome throughout history
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Plutarch reveals that the reigns of
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the East as early as the second cen
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honor gods, speak to and for cities
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the demise of Greek power and the r
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defeats of Philip V and Antiochus I
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Fortune of the Romans, however, dem
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Chapter 3: Fortuna and the late Rep
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throne, another, naked, holding a g
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of the period immediately after the
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including Stoicism. Indeed, the Tyc
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individual identified as such. 439
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The Greek city states and citizens
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great influence in Caesarian and Au
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events that took place in the fifth
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Roman deities, 474 became less the
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Personal relations with Fortuna in
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Primigenia, Antium, and the Tyche o
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epiphany of the god, akin to appear
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goddess, successfully blended with
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(8.26.3). Both Greek terms underlin
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uncertain deity and ensurer of vict
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architectural complex, in particula
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had just been rebuilt recently, was
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of the round temple and long portic
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associative iconography of the Roma
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Pythagorean doctrines, which flouri
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to Dem, 153, 474). Triptolemus was
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and Augustus. 575 The Temple of For
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Sulla, 34.3). He designated Lucullu
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mural crown). 586 The affinity betw
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Sulla also fostered personal relati
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constructed a massive temple dedica
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essentially muscled in on Lucullus
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archaeological remains justify Coar
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Capitoline), thereby demonstrating
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the Augustan building program, in t
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This new attribution of the Fortuna
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symbolic ramifications. 639 Not onl
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his household in 12 CE to the shrin
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creation of the cult of divus Iuliu
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BCE. Indeed, recent study suggests
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tyche. 665 The association between
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Through his subsequent dedication o
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pietas, reflects Lucius’ fraterna
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Valeria and Sulla and to the Graeco
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In conclusion, the Late Republican
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of Hellenistic Alexandria, created
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According to the new study, the ter
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the sea with a fisherman’s vessel
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generals, that Victory and Good For
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eligio-political Augustan program i
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audience and context. As a result o
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With the victory of Octavian over M
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the fact that the entrances faced o
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entrance into Augustus’ Mausoleum
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studies, Caesar’s role in these p
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Agrippa, 741 would actually succeed
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libraries. In doing so, Caesar join
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Nile, a common feature of Isiac san
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echoed in the creation of the Tycha
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the Italian Fortuna cult by the end
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The planning (and possible construc
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The Augustan Campus Martius related
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and the sentiments of victory that
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The earliest mention of the water b
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dedicated on September 23, Augustus
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Apollo from nearby Seleucia; Apollo
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Chapter 5: Fortuna in Augustan Rome
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of dynastic succession, for the Jul
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complexity of these cults in Rome.
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two stanzas of I.35, Nisbet and Hub
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Fortuna as other deities of Rome, a
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asking Fortuna to protect Augustus,
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Rome (both of which utilized Antium
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with an actual prayer to the goddes
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Through her many epithets (90), 855
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In the second century CE, the priva
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predominant, private and public shr
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Aurelius Urbanus/ ex voto” next t
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well as goddess who could turn arou
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FORTUNA IN THE MARS ULTOR PEDIMENT
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The pairing of Fortuna and Venus in
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Lucan's choice of the mural crown f
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lituus, in the Mars Ultor panel as
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[Aram Fortunam Reducis ante ae]des
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Historical background: grain shorta
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The altar in relationship to nearby
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identified with the Muses and assoc
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the structure where the general cha
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he later celebrated this diplomatic
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to Parthia, Trajan stopped at Antio
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archaeological park of S. Omobono.
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i.e., without figural panels. 965 G
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of the altar, December 15 (Degrassi
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Apollo were paired in cult settings
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theme of Fortuna’s role in time,
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general. 984 Although the literary
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presents the double gate next to th
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Nova. 997 However, he flatly reject
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the “gate” (a triumphal arch ac
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esponse to the famine that was reco
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the early fifth century CE. 1022 De
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studies. 1027 The Marcus Aurelius
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elief, the relief has been dated to
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Nortia and Nemesis, were aspects th
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vengeance on imperial monuments, su
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second and third centuries CE, and
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administered by slaves (see below).
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later, they were both slaves and fr
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Fortuna Augusta are common in the A
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The association between non-elites
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society and was readily adopted by
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The inscriptional evidence for the
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demonstrates that the city became a
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society. The dialogue that began ce
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of plenty capped with a twin of Dru
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Sejanus and Galba represent two ind
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officially joined Fortuna Redux as
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The rise of the Flavians signaled a
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Hadrian, reminiscent of the scene f
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Many other episodes demonstrate the
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the cultural setting of Rome, accor
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Bibliography Abramenko, A. (1993).
- Page 387 and 388:
Bemmann, K. (1992). Füllhörner in
- Page 389 and 390:
Cahn, H. A. (1981). "Abundantia," L
- Page 391 and 392:
_________. (1993). Lazio, (Guide Ar
- Page 393 and 394:
Dohrn, T. (1960). Die Tyche von Ant
- Page 395 and 396:
Forni, G. (1989). La Fortuna dei Ro
- Page 397 and 398:
Gersht, R. (1984). "The Tyche of Ca
- Page 399 and 400:
Hallett, C. H. (1995). “Kopienkri
- Page 401 and 402:
Hornum, M. B. (1993). Nemesis, The
- Page 403 and 404:
Koeppel, G. (1983). “Die historis
- Page 405 and 406:
Levi, M. A. (1980). “’Fortuna-f
- Page 407 and 408:
Martin, H. G. (1987). Römische Tem
- Page 409 and 410:
Naumann, F. (1983). Der Ikonographi
- Page 411 and 412:
Perry, B. E. (1967). The Ancient Ro
- Page 413 and 414:
________. (1994). “Caesar: civil
- Page 415 and 416:
________. (1992). “Der Capricorn
- Page 417 and 418:
____________. (2000). “Nero and t
- Page 419 and 420:
Tobin, J. (1993). "Some new thought
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Viscogliosi, A. (1996). “Il tempi
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Zanker, P. (1984) Il Foro di August