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The Goddess Fortuna in Imperial Rome: Cult, Art, Text - University of ...

The Goddess Fortuna in Imperial Rome: Cult, Art, Text - University of ...

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<strong>of</strong> the round temple and long portico attached to the temple’s porch recreate the<br />

form <strong>of</strong> the tessera, <strong>in</strong>dicative <strong>of</strong> the important role that the Temple <strong>of</strong> <strong>Fortuna</strong><br />

Huiusce Diei played <strong>in</strong> the distribution <strong>of</strong> gra<strong>in</strong> <strong>in</strong> <strong>Rome</strong>. 546<br />

Cicero’s jok<strong>in</strong>g remark, then, refers to the happy occasion dur<strong>in</strong>g which<br />

Roman citizens may partake <strong>in</strong> the gra<strong>in</strong> dole, accord<strong>in</strong>g to Coarelli. In this way<br />

has the day <strong>of</strong> Catulus’ victory been immortalized to associate the temple with the<br />

gra<strong>in</strong> dole <strong>in</strong> the city, as sort <strong>of</strong> guarantor <strong>of</strong> the Roman citizens’ “daily bread.” 547<br />

It is more probable, however, that Cicero’s <strong>of</strong>fhand remark is more ironic.<br />

Coarelli considers the temple and the gra<strong>in</strong> dole <strong>in</strong> a positive light, but, s<strong>in</strong>ce<br />

gra<strong>in</strong> shortages were anyth<strong>in</strong>g but uncommon <strong>in</strong> <strong>Rome</strong> and the political position<br />

to oversee the gra<strong>in</strong> supply was very politicized, 548 Cicero seems to be much more<br />

flippant than Coarelli’s assessment first suggests. A brief analysis <strong>of</strong> the gra<strong>in</strong><br />

supply <strong>in</strong> <strong>Rome</strong> illustrates the feel<strong>in</strong>g <strong>of</strong> uncerta<strong>in</strong>ty that pervaded the city<br />

regard<strong>in</strong>g food for the general population and the suitability <strong>of</strong> the imagery <strong>of</strong><br />

<strong>Fortuna</strong> with the gra<strong>in</strong> distribution.<br />

546 Coarelli (1997) 282-283. Coarelli also notes the similarity between the shape <strong>of</strong> the Temple<br />

Huiusce Diei and the Temple <strong>of</strong> Hercules Musarum <strong>in</strong> the Circus Flam<strong>in</strong>ius, which may have been<br />

another architectural model for Catulus’ temple: Coarelli (1997) 476-484. In this discussion,<br />

Coarelli also notes that the architecture <strong>of</strong> the Hercules’ temple may have <strong>in</strong>fluenced the design <strong>of</strong><br />

the Verrius Flaccus’ monument <strong>in</strong> Praeneste (480ff), which he has reconstructed <strong>in</strong> Coarelli<br />

(1987), discussed <strong>in</strong> Chapter 5. LTUR (1996) A. Viscogliosi, “Hercules Musarum, aedes,” III.17-<br />

19, dates the construction <strong>of</strong> the temple between 187 and 179 BCE.<br />

547 Coarelli (1997) 289.<br />

548 Garnsey (1988) 167ff.<br />

172

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