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The Goddess Fortuna in Imperial Rome: Cult, Art, Text - University of ...

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<strong>Fortuna</strong> Augusta are common <strong>in</strong> the African prov<strong>in</strong>ces as well, for the well-be<strong>in</strong>g<br />

<strong>of</strong> the emperor and the imperial family as well as private vows. 1079<br />

Women as <strong>Fortuna</strong>: empresses, non-elites, and the role <strong>of</strong> <strong>Fortuna</strong> <strong>in</strong> death<br />

Empresses frequently appeared <strong>in</strong> statuary and co<strong>in</strong>age as Roman<br />

goddesses. 1080 <strong>Fortuna</strong> was no exception. Although the identification <strong>of</strong><br />

members <strong>of</strong> the imperial family <strong>in</strong> the guise <strong>of</strong> <strong>Fortuna</strong> is not guaranteed by a<br />

cornucopia or mural crown alone, 1081 the two most frequently-identifiable<br />

empresses as <strong>Fortuna</strong> are Faust<strong>in</strong>a the Younger, and Julia Domna, <strong>of</strong> the Anton<strong>in</strong>e<br />

and Severan periods, respectively, co<strong>in</strong>cid<strong>in</strong>g with the contemporary proliferation<br />

<strong>of</strong> <strong>Fortuna</strong> <strong>in</strong> <strong>in</strong>scriptions and on historical reliefs <strong>in</strong> <strong>Rome</strong>. 1082<br />

<strong>The</strong> ma<strong>in</strong> reason for the empresses’ appearance as <strong>Fortuna</strong> and appeal to<br />

<strong>Fortuna</strong> directly lies <strong>in</strong> the unique role that <strong>Fortuna</strong> cult held <strong>in</strong> <strong>Rome</strong>. Her<br />

venerable cults, <strong>in</strong>clud<strong>in</strong>g those <strong>of</strong> <strong>Fortuna</strong> Muliebris and Virilis, were among the<br />

1079 Kajanto (1988) passim, Pensabene (1992) passim.<br />

1080 Wrede (1981). Matheson (1996) 182-193, Mikocki (1995), both reviewed by D’Ambra<br />

(1998) 546-553.<br />

1081 D’Ambra (1998) 546-553 discusses some <strong>of</strong> the shortcom<strong>in</strong>gs <strong>of</strong> Mikocki’s identifications.<br />

An <strong>in</strong>scription or rudder, globe, and wheel are more certa<strong>in</strong> attributes <strong>of</strong> <strong>Fortuna</strong> than a sole<br />

cornucopia or mural crown. Uncerta<strong>in</strong> images <strong>of</strong> <strong>Fortuna</strong> <strong>in</strong>clude the <strong>Fortuna</strong>/ Oikoumene figure<br />

crown<strong>in</strong>g Augustus on the Gemma Augustea: Kle<strong>in</strong>er (1992) 69-72 with bibliography. Another<br />

questionable <strong>Fortuna</strong> figure is located on one <strong>of</strong> the Sebasteion relief panels: Zanker (1988a) 301<br />

fig. 235, Kle<strong>in</strong>er (1992) 158-161. Ironically, after Nero’s failed attempt to kill his mother,<br />

Agripp<strong>in</strong>a M<strong>in</strong>or, she remarked to him that his <strong>Fortuna</strong> saved her from death: benignitate deum et<br />

<strong>Fortuna</strong> eius (Tac., Ann. 14.6).<br />

1082 Mikocki (1995) 98-100.<br />

344

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