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The Goddess Fortuna in Imperial Rome: Cult, Art, Text - University of ...

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archaic Tyche statue is doubtful. 208 A lack <strong>of</strong> numismatic representations <strong>of</strong><br />

Tyche before the mid-fourth century BCE supports Fullerton’s hypothesis. He<br />

argues that Pausanias may have confused the archaic sculptor Boupalos with the<br />

homonymous Hellenistic sculptor. 209 Fullerton suggests that Tyche statuary<br />

gradually accumulated its implements, beg<strong>in</strong>n<strong>in</strong>g <strong>in</strong> the mid- to late fourth<br />

century BCE, not before. Recently, his argument has found favor among many<br />

archaeologists and art historians. 210<br />

Despite the recent question<strong>in</strong>g <strong>of</strong> the Boupalos Tyche statue, by the late<br />

sixth century BCE, literary sources def<strong>in</strong>e the cornucopia as an agrarian symbol<br />

and the horn <strong>of</strong> Amaltheia. 211 It appears on vases by the second quarter <strong>of</strong> the<br />

fifth century BCE. 212 In the fifth century, the cornucopia becomes the attribute <strong>of</strong><br />

208 Orig<strong>in</strong>al statuary masterpieces and later “copies” <strong>of</strong> them have been the subject <strong>of</strong> several<br />

<strong>in</strong>dividual studies <strong>of</strong> <strong>Fortuna</strong> and Tyche statuary. See Palagia (1982) on the statue <strong>of</strong> Agathe<br />

Tyche <strong>in</strong> the Athenian agora, Nippe (1989) on the stylistic and typological study <strong>of</strong> the <strong>Fortuna</strong><br />

Braccio Nuovo type, Edwards (1990) on a Tyche statue with Nemesis attributes <strong>in</strong> the Cor<strong>in</strong>thian<br />

agora, and Traversari (1993), on the workshop that produced the Tyche <strong>of</strong> Prusias ad Hypium.<br />

See below.<br />

209 Fullerton (1990) 85-102. It is plausible that Pausanias mistook a statue with archaistic<br />

features for the archaic statue by Boupalos (if, <strong>in</strong> fact, it had existed, and was lost or destroyed).<br />

See Ridgway (1993) 303-319 for a discussion <strong>of</strong> archaic, archaiz<strong>in</strong>g, and archaistic statues. For a<br />

more recent (and different) attempt to def<strong>in</strong>e these terms, see Fullerton (1998b) 69-77. Indeed, a<br />

reproduction <strong>of</strong> a lost orig<strong>in</strong>al may not have been a faithful reproduction, depend<strong>in</strong>g on the aims <strong>of</strong><br />

the sculptor and patron: Bartman (1992), Ridgway (1984), de Grummond and Ridgway (2000).<br />

210 E.g., Palagia (1994) 65, fn. 4 for a recent bibliography <strong>of</strong> authors who argue the Tyche statue<br />

was created by a Hellenistic sculptor Boupalous and not the archaic sculptor.<br />

211 Phokylides, Frg. 7 (ed. T. Bergk, PLG II), Anakreon, Frg. 8 (ed. T. Bergk, PLG III), Bemmann<br />

(1994) 16.<br />

212 Bemmann (1994) 18.<br />

71

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