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Digit 2005-04 - Clevernotions.com

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eviews<br />

ColorEdge CG220<br />

LCD monitor<br />

format Mac OS X 10.2/3, Windows 2000/XP<br />

price £3,189 plus VAT; Eye-One calibrator £177 plus VAT<br />

<strong>com</strong>pany Eizo, www.eizo.co.uk<br />

contact Eizo, 01483 719 500<br />

pros The best handling of colour available from an LCD monitor,<br />

and fantastic display quality. Good ergonomics and high-level of<br />

user control.<br />

cons Hugely expensive – a CRT could match it for quality at<br />

a fraction of the price, if you could buy one.<br />

<strong>Digit</strong> Rating ★★★★★<br />

W<br />

e’ve only seen one LCD monitor<br />

so far that could be said to truly<br />

challenge the colour ability of<br />

the CRT: Barco’s Coloris Calibrator.<br />

Unfortunately, that model was withdrawn<br />

in December 20<strong>04</strong> due to issues with the<br />

quality of <strong>com</strong>ponents, and with CRTs on<br />

their last legs, there’s a gap in the market<br />

for high-end displays for creatives.<br />

Now, Eizo is attempting to tackle the<br />

issue with its latest ColorEdge monitor for<br />

designers, the CG220. It offers the same<br />

focus on colour – being the first LCD<br />

monitor capable of displaying the whole<br />

gamut of the Adobe RGB colour space<br />

– and has an inevitably high price.<br />

For an LCD, the ColorEdge 220 is<br />

enormous – though it will still take up<br />

less of your desk space than a LaCie<br />

electron22blue, for example. The 22-inch<br />

screen is surrounded by a thick black<br />

bezel and supported by a tree-trunk of<br />

a base. Around the monitor sits a small<br />

hood for keeping ambient glare off the<br />

screen. Part of the hood slides off to<br />

allow a calibration device to hang without<br />

having to remove the whole thing.<br />

Eizo does it<br />

A calibration device is a must. Eizo ships<br />

the CG220 with its own ColorNavigator<br />

software, which is designed to work<br />

with GretagMacbeth’s Eye-One device.<br />

ColorNavigator works with both Macs<br />

and PCs. It’s simple to use and offers<br />

a wide level of control.<br />

After calibrating your monitor – and<br />

even before – the quality of the CG220<br />

is immediately obvious. Even to the<br />

naked eye, the level of colour accuracy<br />

and depth is better than LaCie’s<br />

90 d<br />

Colours visible to the<br />

human eye<br />

Colour space<br />

displayed on<br />

monitor<br />

Adobe RGB space<br />

Photon20vision II, which is currently<br />

the LCD of choice for designers.<br />

Assuming the rest of your workflow<br />

from input (camera, scanner) to output<br />

(proofer, press) is properly calibrated,<br />

there’s currently no better way of making<br />

sure that what you see is what you get.<br />

We examined the colour profile<br />

created by ColourNavigator and the<br />

Eye-One in Chromix ColorThink 2.1. The<br />

colour range available for output by the<br />

CG220 is the largest available on any<br />

LCD display we’ve seen by a wide margin<br />

– though it didn’t quite cover the Adobe<br />

RGB gamut (see diagram, above). It was<br />

also one of the most accurate we’ve seen.<br />

The 1,920-x-1,200 resolution allows a<br />

large amount of detailed information to<br />

be shown: an A4 spread – plus palettes<br />

– was perfectly readable in InDesign.<br />

Only the slow response rate of 37ms<br />

is a disappointment – but this monitor<br />

isn’t aimed at video professionals.<br />

The ColorEdge CG220 is a fantastic<br />

monitor but the price is going to be<br />

too high for the majority of designers<br />

– though you can reduce it a bit by<br />

going for the Colour Confidence<br />

DisplayProof System bundle from<br />

TypeMaker, which essentially bundles<br />

the Eye-One calibrator and a colour<br />

management guide for the same £3,189<br />

plus VAT price. TypeMaker also claim to<br />

check the monitor to a higher standard.<br />

You’re essentially paying over £3,000<br />

for a monitor created to match £700<br />

CRTs. However, if your clients require<br />

that level of colour accuracy (or you’re<br />

just rich), the CG220 is an exceptional<br />

product. Those on lower budgets may<br />

want to wait for LaCie’s forth<strong>com</strong>ing<br />

321 LCD Monitor, which claims to match<br />

CRTs for colour but is more affordable<br />

at just over £950 plus VAT.<br />

Neil Bennett<br />

specifications<br />

Viewable area: 22.2-inch Dot pitch: 0.294mm Native resolution:<br />

1,920-x-1,200 Connection: 2x DVI-I Response rate: 37ms Horizontal<br />

viewing angle: 170 degrees Vertical viewing angle: 170 degrees<br />

Brightness: 200cd/m2 Contrast ratio: 400:1 10-bit gamma correction: yes<br />

Dimensions (W-x-H-x-D): 565-x-452.5-x-272mm Weight (with base): 6.6kg<br />

Modes: 1 Speakers: no Ports: USB (for calibrator) Software:<br />

ColorNavigator Specified calibrator: GretagMacbeth Eye-One Hood: yes

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