Â˘Î¿‰· / Lefkada - Grimaldi Group
Â˘Î¿‰· / Lefkada - Grimaldi Group
Â˘Î¿‰· / Lefkada - Grimaldi Group
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ÙÂÙÚ¿‰· ÙˆÓ ÌÂ۷ȈÓÈÎÒÓ ·ÚÈÛÙÔ˘ÚÁËÌ¿ÙˆÓ, ÂÓ<br />
̤ÚÂÈ ÎÙÈṲ̂ÓÔ Ì ٷ ÏÔ‡ÙË Ù˘ ÃÚ˘Û‹˜ ∂Ô¯‹˜<br />
Ù˘ ›˙·˜, fiÙ·Ó Ë fiÏË ‹Ù·Ó Ì›· ·fi ÙȘ<br />
Ó·˘ÙÈÏȷΤ˜ ‰˘Ó¿ÌÂȘ Ù˘ ªÂÛÔÁ›Ԣ. ∆Ô<br />
·Ú¯¤Ù˘Ô ÙÔ˘ ηı‰ÚÈÎÔ‡ Ó·Ô‡, ¯·Ú·ÎÙËÚÈÛÙÈÎfi<br />
Ù˘ ªÂ۷ȈÓÈ΋˜ ·Ú¯ÈÙÂÎÙÔÓÈ΋˜ Ù˘ ›˙·˜,<br />
¿Ú¯ÈÛ ӷ ηٷÛ΢¿˙ÂÙ·È ÙÔ 1063 Ì ÙÔÓ ÊfiÚÔ<br />
Ù˘ ‰ÂοÙ˘ ·fi ÙȘ µ·Ï·ڛ‰Â˜ Ó‹ÛÔ˘˜, ηÈ<br />
ηı·ÁÈ¿ÛÙËΠÙÔ 1118.<br />
√ ηı‰ÚÈÎfi˜ Â›Ó·È ¤Ó· ·ÚÈÛÙÔ‡ÚÁËÌ· Ù˘<br />
Ù¤¯Ó˘, Ì ٷ Ôχ¯ÚˆÌ· Ì¿ÚÌ·Ú· ÙÔ˘ Î·È ÙȘ<br />
ÔÏϷϤ˜ ÂÈÚÚÔ¤˜ ·fi ÙË §ÔÌ‚·Ú‰È΋ -<br />
∂ÌÈÏÈ·Ó‹, µ˘˙·ÓÙÈÓ‹ Î·È πÛÏ·ÌÈ΋ Ù¤¯ÓË. ∆Ô<br />
ı¤·Ì· ÙÔ˘ ‡ÚÁÔ˘ Â›Ó·È ÌÔÓ·‰ÈÎfi, ÂÓÒ ÙÔ<br />
µ·ÙÈÛÙ‹ÚÈÔ ı· ÂÎÙÈÌËı› Î·È ·fi ÙÔÓ ÈÔ<br />
··ÈÙËÙÈÎfi ÂÈÛΤÙË.<br />
∆Ô ÂÛˆÙÂÚÈÎfi ÙÔ˘ ηı‰ÚÈÎÔ‡, fiˆ˜ Ê·›ÓÂÙ·È<br />
‰Ò, ¯·Ú·ÎÙËÚ›˙ÂÙ·È ·fi ÙËÓ ÂÓ·ÏÏ·Á‹ Ì·‡ÚÔ˘<br />
Î·È Ï¢ÎÔ‡ Ì·ÚÌ¿ÚÔ˘, Î·È ÔÈ ÎÔÚÈÓıÈ·ÎÔ‡<br />
Ú˘ıÌÔ‡ ÎÔÏÒÓ˜ ·fi ÁÚ·Ó›ÙË ÚÔ¤Ú¯ÔÓÙ·È ·fi<br />
ÙÔ Ù¤ÌÂÓÔ˜ ÙÔ˘ ·Ï¤ÚÌÔ, ÎÂÈÌ‹ÏÈ· ÔϤÌÔ˘ ·fi<br />
ÙË Ó›ÎË ÙÔ˘ 1063.<br />
ª›· ·fi ÙȘ ·ÍÈfiÏÔÁ˜ ÏÂÙÔ̤ÚÂȘ ÙÔ˘<br />
ÂÛˆÙÂÚÈÎÔ‡ Â›Ó·È ÙÔ ÌˆÛ·˚Îfi Ù˘ ·„›‰·˜ Ì ÙËÓ<br />
ÂÈÎfiÓ· Ù˘ ·Ó·Á›·˜ Î·È ÙÔ˘ ∞Á›Ô˘ πˆ¿ÓÓË ÙÔ˘ ∂˘·ÁÁÂÏÈÛÙ‹, ¤ÚÁÔ Ô˘ ÔÏÔÎÏËÚÒıËΠÙÔ 1302<br />
·fi ÙÔÓ πÙ·Ïfi ˙ˆÁÚ¿ÊÔ Cimabue. ›Ûˆ ·fi ÙËÓ ·Á›· ÙÚ¿Â˙· ‚Ú›ÛÎÔÓÙ·È 27 ˙ˆÁÚ·ÊȤ˜ ·fi<br />
ÙÔ˘˜ ηχÙÂÚÔ˘˜ ˙ˆÁÚ¿ÊÔ˘˜ Ù˘ ∆ÔÛοÓ˘ ÙÔ˘ 16Ô˘ Î·È 17Ô˘ ·ÈÒÓ·. ªÂÙ¿ ı· ‰Â›Ù ÙÔÓ<br />
¿Ì‚ˆÓ·, ¤Ó· ·ÚÈÛÙÔ‡ÚÁËÌ· ÁÔÙıÈ΋˜ ÁÏ˘ÙÈ΋˜ ÙÔ˘ 14Ô˘ ·ÈÒÓ·, ¤ÚÁÔ ÙÔ˘ Giovanni Pisano, Ô˘<br />
·Ó··ÚÈÛÙ¿ ÛÎËÓ¤˜ ·fi ÙË ˙ˆ‹ ÙÔ˘ πËÛÔ‡. ÕÏϘ ·ÍÈfiÏÔÁ˜ ÏÂÙÔ̤ÚÂȘ ÙÔ˘ ÂÛˆÙÂÚÈÎÔ‡ ›ӷÈ<br />
Ô ÌÚÔ‡Ù˙ÈÓÔ˜ ∂ÛÙ·˘ÚˆÌ¤ÓÔ˜ Î·È Ù· ÎËÚÔ‹ÁÈ· Ù˘ ·Á›·˜ ÙÚ¿Â˙·˜ ÛÙÔ ·ÚÂÎÎÏ‹ÛÈ ÙÔ˘ ∞Á›Ô˘<br />
ª˘ÛÙËÚ›Ô˘. ∏ ÂÎÎÏËÛ›· ÛÙÂÁ¿˙ÂÈ Ù· ÎÂÈÌ‹ÏÈ· ÙÔ˘ San Ranieri, ÙÔÓ ÚÔÛÙ¿ÙË ¿ÁÈÔ Ù˘ ›˙·˜, ηÈ<br />
ÙÔÓ Ù¿ÊÔ ÙÔ˘ ¿ÁÈÔ˘ ڈ̷›Ô˘ ·˘ÙÔÎÚ¿ÙÔÚ·, Henry VII ÙÔ˘ §Ô˘ÍÂÌ‚Ô‡ÚÁÔ˘.<br />
∆Ô ·Ï¿ÙÈ ÙˆÓ πÔÙÒÓ (Il Palazzo dei Cavalieri)<br />
∞˘Ùfi ‹Ù·Ó ÙÔ ‰ÈÔÈÎËÙÈÎfi ΤÓÙÚÔ Ù˘ ÌÂ۷ȈÓÈ΋˜ ÂÚÈfi‰Ô˘ Î·È ÔÓÔÌ¿˙ÂÙ·È «Palazzo della<br />
Carovana dei Cavalieri» Î·È Ë ÚfiÛÔ„Ë ÙÔ˘ ηχÙÂÙ·È ÂÍ’ ÔÏÔÎÏ‹ÚÔ˘ ·fi ÙÔȯÔÁڷʛ˜ ÙÔ˘<br />
16Ô˘ ·ÈÒÓ·. ‹ÌÂÚ· Â›Ó·È Ë ¤‰Ú· ÙÔ˘ «Scuola Normale Superiore», ¤Ó· ·ÓÂÈÛÙ‹ÌÈÔ Ô˘<br />
ȉڇıËΠ·fi ÙÔÓ ¡·ÔϤÔÓÙ·. ªÂÚÈÎÔ› ‰È¿ÛËÌÔÈ ·fiÊÔÈÙÔÈ ÙÔ˘ ·ÓÂÈÛÙËÌ›Ô˘ Â›Ó·È Ô ÔÈËÙ‹˜<br />
Giosuè Carducci Î·È Ô Ê˘ÛÈÎfi˜ Enrico Fermi.<br />
∏ «Piazza dei Cavalieri» (Ï·Ù›· ÙˆÓ ÈÔÙÒÓ) Èı·ÓÒ˜ ‹Ù·Ó Î·È Ô ¯ÒÚÔ˜ Ù˘ ڈ̷˚΋˜<br />
·ÁÔÚ¿˜ Î·È ‹Ù·Ó Ë ÎÂÓÙÚÈ΋ ‰ËÌÔÙÈ΋ Ï·Ù›· Ù˘ ¢ËÌÔÎÚ·ÙÈ΋˜ ›˙·˜. ¢È·ÌÔÚÊÒıËΠ·fi ÙÔÓ<br />
Cosimo I de' Medici – ÙÔ˘ ÔÔ›Ô˘ ÙÔ ¿Á·ÏÌ· ‚Ú›ÛÎÂÙ·È ÌÚÔÛÙ¿ ·fi ÙÔ ·Ï¿ÙÈ - ÁÈ· Ó· ÛÙÂÁ¿ÛÂÈ<br />
ÙËÓ ¤‰Ú· Ù˘ ÛÙÚ·ÙȈÙÈ΋˜ ‰ÈÔ›ÎËÛ˘ ÙˆÓ ÈÔÙÒÓ ÙÔ˘ ∞Á›Ô˘ ÙÂÊ¿ÓÔ˘. ∏ Ï·Ù›·<br />
·Ó·Ï¿ÛÙËΠ·ÚÁfiÙÂÚ· ·fi ÙÔÓ ºÏˆÚÂÓÙ›ÓÔ ·Ú¯ÈÙ¤ÎÙÔÓ· Giorgio Vasari Î·È ÔÈ ÂÚÁ·Û›Â˜<br />
¿Ú¯ÈÛ·Ó ÙÔ 1562.<br />
√È ·Ú·ÔÙ¿ÌÈÔÈ ‰ÚfiÌÔÈ ÙÔ˘ ÔÙ·ÌÔ‡ Arno (Lungarni):<br />
∆¤¯ÓË Î·È æ˘¯·ÁˆÁ›·<br />
√È ·Ú·ÔÙ¿ÌÈÔÈ ‰ÚfiÌÔÈ ÙÔ˘ ÔÙ·ÌÔ‡ Arno (Lungarni) ¿ÓÙ· ‹Ù·Ó ÔÈ<br />
΢ÚÈfiÙÂÚ˜ Ô‰ÈΤ˜ ·ÚÙËڛ˜ ÚÔ˜ ÙËÓ fiÏË. ∂‰Ò, ÙÔ ·ÚÂÏıfiÓ Û˘Ó·ÓÙ¿ÂÈ<br />
ÙÔ Ì¤ÏÏÔÓ, ηıÒ˜ ÂÛÙÈ·ÙfiÚÈ·, ÌÔÓÙ¤ÚÓ˜ pubs Î·È ·ÁˆÙ·Ù˙›‰Èη<br />
·ÚÂÏ·‡ÓÔ˘Ó ‰›Ï· ÛÙ· ÈÛÙÔÚÈο ÎÙ›ÚÈ·, ÛÙ· ÌÔ˘Û›· Î·È ÛÙȘ ÂÎÎÏËۛ˜.<br />
√ ÔÙ·Ìfi˜ Arno, Ô˘ ¯ˆÚ›˙ÂÈ ÙËÓ ›˙· ÛÙ· ‰‡Ô, Î·È ÔÈ ·Ú·ÔÙ¿ÌÈÔÈ<br />
‰ÚfiÌÔÈ ÙÔ˘, Â›Ó·È ·fi ÙÔ˘˜ ·Ï·ÈfiÙÂÚÔ˘˜ Ì¿ÚÙ˘Ú˜ Ù˘ ÈÛÙÔÚ›·˜ Ù˘<br />
fiÏ˘. √ ÈÔ ‰È¿ÛËÌÔ˜ ·Ú·ÔÙ¿ÌÈÔ˜ ‰ÚfiÌÔ˜ Â›Ó·È Ô «Lungarno Mediceo»<br />
- ·Ó¿ÌÂÛ· ÛÙÔ «Ponte di Mezzo» (ÂÈÎfiÓ·) Î·È ÙÔ «Ponte della Fortezza» –<br />
Ô˘ ‹Ú ÙÔ fiÓÔÌ· ÙÔ˘ ·fi ÙÔ «Palazzo dè Medici», ÙËÓ Î·ÙÔÈΛ· Ù˘<br />
ºÏˆÚÂÓÙÈ·Ó‹˜ ÔÈÎÔÁ¤ÓÂÈ·˜ Ô˘ ÙÒÚ· ÛÙÂÁ¿˙ÂÈ ÙËÓ ¡ÔÌ·Ú¯›·. ¢›Ï·<br />
·ÎÚÈ‚Ò˜ ‚Ú›ÛÎÂÙ·È Ë ÂÎÎÏËÛ›· ÙÔ˘ ∞Á›Ô˘ ª·Ùı·›Ô˘ (San Matteo) Ô˘<br />
ηٷÛ΢¿ÛÙËΠÙÔÓ 11Ô ·ÈÒÓ· Î·È ÙÔ ∂ıÓÈÎfi ªÔ˘ÛÂ›Ô ÙÔ˘ ∞Á›Ô˘<br />
ª·Ùı·›Ô˘ (Museo Nazionale di San Matteo) ÌÂ ¤ÚÁ· ÙÔ˘ 14Ô˘ ·ÈÒÓ· ·fi<br />
‰È¿ÛËÌÔ˘˜ ηÏÏÈÙ¤¯Ó˜, fiˆ˜ ÙÔ˘ Donatello, Masaccio, Beato Angelico ηÈ<br />
ÙÔ˘ Gentile da Fabriano. ÙȘ 16 πÔ˘Ó›Ô˘, ÙË Ì¤Ú· Ô˘ ÁÈÔÚÙ¿˙ÂÙ·È Ô<br />
ÚÔÛÙ¿Ù˘ ¿ÁÈÔ˜ Ù˘ fiÏ˘, ÔÈ ·Ú·ÔÙ¿ÌÈÔÈ ‰ÚfiÌÔÈ ÊˆÙ›˙ÔÓÙ·È ÌÂ<br />
·Ó·Ì̤ÓÔ˘˜ ˘ÚÛÔ‡˜ ÁÈ· ÙÔ ÊÂÛÙÈ‚¿Ï «Luminara di San Ranieri», Ì›· ÂÓÙ˘ˆÛȷ΋ ÁÈÔÚÙ‹ ÛÙÔ<br />
ÈÛÙÔÚÈÎfi ÔÙ¿ÌÈ Ù˘ fiÏ˘.<br />
Florentine architect Giorgio Vasari; rebuilding<br />
began in 1562.<br />
Lungarni, Art and Entertainment<br />
The Lungarni have always been major thoroughfares<br />
for the city. Here, the contamination between<br />
past and present is readily apparent with ancient<br />
palazzi, museums and churches rubbing shoulders<br />
with pubs, restaurants and ice cream shops. The<br />
Arno, which splits Pisa in two, and the Lungarni<br />
streets facing each other on opposite banks of the<br />
river, bear witness to the city's history.<br />
The most well-known is Lungarno Mediceo -<br />
between the Ponte di Mezzo (pictured) and the<br />
Ponte della Fortezza - named after Palazzo dè<br />
Medici, the Pisan residence of the Florentine family<br />
which now houses the Prefecture; next to it is the<br />
11th century church of San Matteo in Soarta and the<br />
Museo Nazionale di San Matteo with 14th century<br />
works by - among others - Donatello, Masaccio,<br />
Beato Angelico and Gentile da Fabriano. On 16<br />
June, the local patron saint's day, the Lungarni are<br />
lit up by blazing torches for the Luminara di San<br />
Ranieri, a celebration like no other.<br />
MINOAN WAVE ñ
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