Â˘Î¿‰· / Lefkada - Grimaldi Group

ÚÔÙ¿ÛÂȘ ÔÏÈÙÈÛÌÔ‡ 2009
Cultural Events 2009
062
∂ıÓÈÎfi £¤·ÙÚÔ/ ∞ÈÛ¯‡ÏÔ˘ «¤ÚÛ˜»
∞Ú¯·›Ô £¤·ÙÚÔ ∂ȉ·‡ÚÔ˘
31 πÔ˘Ï›Ô˘ - 1 ∞˘ÁÔ‡ÛÙÔ˘
«∞·›, ηÎÒÓ ‰Ë ¤Ï·ÁÔ˜ ¤ÚÚˆÁÂÓ Ì¤Á· ¤Ú۷Ș»…ªÈ· ÔÎÙ·ÂÙ›· ÌÂÙ¿ ÙË
Ó·˘Ì·¯›· Ù˘ ·Ï·Ì›Ó·˜ (480 .Ã.), Ô ∞ÈÛ¯‡ÏÔ˜ (ÔÏÂÌÈÛÙ‹˜ Î·È Ô ›‰ÈÔ˜)
˙ˆÓÙ·Ó‡ÂÈ ÙË Û˘ÓÙÚÈ‚‹ Ù˘ ÂÚÛÈ΋˜ ·ÚÌ¿‰·˜ - ÙËÓ ‡‚ÚË ÙˆÓ ÈÛ¯˘ÚÒÓ Î·È
ÙȘ Û˘Ó¤ÂȤ˜ Ù˘ - Î·È ÂÍ·›ÚÂÈ ÙË ‰ËÌÔÎÚ·ÙÈ΋ ∞ı‹Ó·, ̤۷ ·fi ÙÔ ıÚ‹ÓÔ
ÙˆÓ ËÙÙË̤ӈÓ. ∆Ô ∂ıÓÈÎfi £¤·ÙÚÔ Î·Ï› ¤Ó·Ó ·fi ÙÔ˘˜ ÛËÌ·ÓÙÈÎfiÙÂÚÔ˘˜
ÛÎËÓÔı¤Ù˜ Ù˘ ÁÂÚÌ·ÓÈ΋˜ ÛÎËÓ‹˜, ÙÔÓ ‚Ô˘ÏÁ·ÚÈ΋˜ ηٷÁˆÁ‹˜ ¡ÙÈÌ›ÙÂÚ
°ÎfiÙÛÂÊ – ÔÈ ı·٤˜ ÙÔ˘ ºÂÛÙÈ‚¿Ï ∞ıËÓÒÓ ı· ı˘ÌÔ‡ÓÙ·È ÙÔÓ π‚¿ÓÔÊ ÙÔ˘ –
Ó· ÛÎËÓÔıÂÙ‹ÛÂÈ ÙÔ˘˜ “¤ÚÛ˜” Ì ÂÎÏÂÎÙÔ‡˜ ŒÏÏËÓ˜ ËıÔÔÈÔ‡˜. ÙËÓ
·Ú¿ÛÙ·ÛË ·›˙Ô˘Ó ÔÈ ∞Ì·Ï›· ªÔ˘ÙÔ‡ÛË, ªËÓ¿˜ ÷Ù˙ËÛ¿‚‚·˜, ¡›ÎÔ˜
∫·Ú·ı¿ÓÔ˜ Î·È ¿ÏÏÔÈ ËıÔÔÈÔ›.
National Theatre of Greece/ Aeschylus,
«The Persians» Epidaurus Ancient Theatre
31 July - 1 August
“Alas! In truth a vast sea of troubles has burst upon the Persians”… Eight
years after the battle of Salamis (480 BC), Aeschylus (a soldier as well as a
poet) brings to life the destruction of the Persian armada – the hubris of
powerful men and its consequences – and lauds democratic Athens through
mourning its fallen heroes.
The National Theatre of Greece has invited one of Germany’s leading men of
the theatre – the Bulgarian-born Dimiter Gotscheff, whose Ivanov Athens
Festival audiences will remember from 2007 – to direct The Persians with a
hand-picked Greek cast. Cast: Amalia Moutousi, Minas Hatzisavvas, Nikos
Karathanos and others.
∫Ú·ÙÈÎfi £¤·ÙÚÔ µÔÚ›Ԣ ∂ÏÏ¿‰Ô˜/
∂˘ÚÈ›‰Ë «∆Úˆ¿‰Â˜»
∞Ú¯·›Ô £¤·ÙÚÔ ∂ȉ·‡ÚÔ˘
7 – 8 A˘ÁÔ‡ÛÙÔ˘
«‹ÌÂÚ·… ’ ¤Ó· ‚ÔÌ‚·Ú‰ÈṲ̂ÓÔ Û¯ÔÏ›Ô, ·Ó¿ÌÂÛ· Û ۷Ṳ̂ӷ
ıÚ·Ó›·, Âٷ̤ӷ ‚È‚Ï›·, ÚËÌ·Á̤ÓÔ˘˜ ÙÔ›¯Ô˘˜, ÌÈ· ÔÌ¿‰· ·È‰ÈÒÓ
«·›˙ÂÈ» ÙÔ˘˜ £ÂÔ‡˜», ·fi ÙÔÓ ÚfiÏÔÁÔ ÙˆÓ ∆Úˆ¿‰ˆÓ ÙÔ˘
∂˘ÚÈ›‰Ë. ’ ·˘ÙfiÓ ÙÔ ¯ÒÚÔ - ÚÔÛˆÚÈÓfi ÛÙÚ·ÙfiÂ‰Ô ¿Ì·¯ˆÓ - ı·
Û˘ÁÎÂÓÙÚˆıÔ‡Ó ÔÈ Á˘Ó·›Î˜ Ù˘ ∆ÚÔ›·˜ Î·È ÙÔ ÌÔÈÚÔÏfiÈ ÙÔ˘˜ ı· Á›ÓÂÈ
Ô ıÚ‹ÓÔ˜ fiÏˆÓ ÙˆÓ ËÙÙËÌ¤ÓˆÓ Î·È ÂÍÔÚÈÛÌ¤ÓˆÓ ÙÔ˘ ÎfiÛÌÔ˘, ÌÈ·
·Ó·ÓıÚÒÈÓË ÎÚ·˘Á‹ ‰È·Ì·ÚÙ˘Ú›·˜. ∆Ô ∫.£.µ.∂. ·ÚÔ˘ÛÈ¿˙ÂÈ ÙÔ
¿ÓÙ· ›ηÈÚÔ ·ÓÙÈÔÏÂÌÈÎfi ¤ÚÁÔ ÙÔ˘ ∂˘ÚÈ›‰Ë, Ô˘ ‰È‰¿¯ÙËΠÙÔ
415 .Ã., ÛÙ· ¯ÚfiÓÈ· ÙÔ˘ ÂÏÔÔÓÓËÛÈ·ÎÔ‡ ÔϤÌÔ˘, Û Ӥ· ÌÂÙ¿-
ÊÚ·ÛË Ù˘ ∂ϤÓ˘ µ·ÚÔÔ‡ÏÔ˘ Î·È Ê¤ÚÓÂÈ ÁÈ· ÚÒÙË ÊfiÚ·, ÙË §‹‰·
ÚˆÙÔ„¿ÏÙË ÛÙËÓ ∂›‰·˘ÚÔ, ÛÙÔ ÚfiÏÔ Ù˘ ∂ο‚˘.
National Theatre of Northern Greece/
Euripides, “The Trojan Women”
Epidaurus Ancient Theatre 7 - 8 August
“Trojan Women”, the tragedy of the defeated, presents on stage the life
of the captive Trojan women after the fall of Troy, before they are
taken as slaves by the Greeks. Among them, former mighty “Queen
Hecuba”, tragic seeress “Cassandra” and tender “Andromache” have to
watch powerless as their men are sacrificed one by one, victims of the
inhuman demands of the Greeks. This performance of Euripides’ everrelevant
anti-war play – first performed in 415 BC during the
Peloponnesian War – marks Leda Protopsalti’s debut in Epidaurus.
MINOAN WAVE >