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2 THE RECORDING INDUSTRY

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The Brazilian Music Industry in a World Context<br />

Andre Midani<br />

by Israel do Vale<br />

Journalist and cultural producer, editorial director of the online magazine Cultura & Mercado and collaborator with<br />

“Folha de S.Paulo” newspaper.<br />

André Midani has lived and worked through the most significant movements of Brazilian music in the last four decades.<br />

Having played an important role in the creation of the local record industry, he was an important, if at times<br />

controversial, figure throughout the explosions of Bossa Nova, tropicalismo and rock in the 1980s.<br />

Of french-syrian origin, Midani started his own career packing crates for a small record company in Paris–a step up from<br />

his previous employment in a bakery where he worked after leaving home. He arrived in Brazil by chance; avoiding<br />

conscription into the French army during the war with Algeria he decided to abscond to Argentina. The ship stopped in<br />

Rio and he cut-short his journey, making Brazil his home.<br />

An executive in Odeon (EMI) in the 1950s, Philips (Universal) throughout the 60s and 70s, and responsible for the<br />

establishment of Warner in Brazil in 1977, he has been a driving-force behind the careers of many of the elite of MPB -<br />

Tom Jobim, João Gilberto, Chico Buarque, Caetano Veloso, Gilberto Gil, Tim Maia, Nara Leão, Mutantes, Jorge Ben,<br />

Elis Regina, and many others.<br />

Experienced in working with the majors in the US and Mexico, André Midani has seen at first-hand the transformation<br />

of the record industry from its days of glory to its decline in the on-line era.<br />

Seventy-one years of age, Midani is currently heading the Brazilian committee which is organizing, together with the French

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