Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
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29<br />
eSTABlIShMenT OF ‘UnIOn PIPeS’<br />
Mr. Courtenay, Performer on the <strong>Union</strong> <strong>Pipes</strong>, begs leave to inform his<br />
Friends and the Public, that his Benefit is fixed for Thursday, the 12th<br />
of May, at the great room, the Crown and Anchor, in the Strand; where<br />
will be a grand concert of Vocal and Instrumental <strong>Music</strong>. After the<br />
concert will be a Ball. 80<br />
The Crown and Anchor was a popular london meeting and dining<br />
venue with one of the largest rooms in the city, capable of seating<br />
2,000. 81 It was not as prestigious as the Free Mason’s hall of his<br />
debut, and the tickets were cheaper, but longman and Broderip are<br />
still in support and he is still living at 1 york Street. 82 A report of a<br />
masquerade held the following month in the london pleasure gardens<br />
at ranelagh suggests something of Courtney’s current lifestyle. One<br />
of the masqueraders appears in the character of ‘Courtnay and his<br />
bag-pipes, as tipsey as any piper need be’. 83 Another report of the<br />
same occasion however simply lists the character as ‘Mr. Courtenay,<br />
the performer on the <strong>Union</strong> <strong>Pipes</strong>’. 84 Both reports furnish evidence<br />
that he had become a noted figure on the fashionable london scene. 85<br />
By this time Courtney had begun to make guest appearances in the<br />
intervals of theatrical presentations at leading london venues: at, for<br />
instance, a performance of Love in a Village starring the well known<br />
actor and singer Mr. Incledon at the Theatre royal, Covent garden:<br />
80<br />
The World, london, 27 Apr. 1791.<br />
81<br />
See Parolin 2010: 112–3.<br />
82<br />
The World, london, 27 Apr. 1791.<br />
83<br />
The World, london, 4 May 1791.<br />
84<br />
Morning Post and Daily Advertiser, london, 4 May 1791.<br />
85<br />
It would seem that the character of Courtney became a standard feature of<br />
masquerades: ‘Courtenay, with his bag-pipes, attracted as usual much notice.’<br />
(London Chronicle, 14–16 Feb. 1792). From another report of this occasion, it<br />
seems that he was represented in his stage persona as a ‘highland piper’<br />
(Morning Herald, london, 16 Feb. 1792).