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Union Pipes - Irish Traditional Music Archive

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29<br />

eSTABlIShMenT OF ‘UnIOn PIPeS’<br />

Mr. Courtenay, Performer on the <strong>Union</strong> <strong>Pipes</strong>, begs leave to inform his<br />

Friends and the Public, that his Benefit is fixed for Thursday, the 12th<br />

of May, at the great room, the Crown and Anchor, in the Strand; where<br />

will be a grand concert of Vocal and Instrumental <strong>Music</strong>. After the<br />

concert will be a Ball. 80<br />

The Crown and Anchor was a popular london meeting and dining<br />

venue with one of the largest rooms in the city, capable of seating<br />

2,000. 81 It was not as prestigious as the Free Mason’s hall of his<br />

debut, and the tickets were cheaper, but longman and Broderip are<br />

still in support and he is still living at 1 york Street. 82 A report of a<br />

masquerade held the following month in the london pleasure gardens<br />

at ranelagh suggests something of Courtney’s current lifestyle. One<br />

of the masqueraders appears in the character of ‘Courtnay and his<br />

bag-pipes, as tipsey as any piper need be’. 83 Another report of the<br />

same occasion however simply lists the character as ‘Mr. Courtenay,<br />

the performer on the <strong>Union</strong> <strong>Pipes</strong>’. 84 Both reports furnish evidence<br />

that he had become a noted figure on the fashionable london scene. 85<br />

By this time Courtney had begun to make guest appearances in the<br />

intervals of theatrical presentations at leading london venues: at, for<br />

instance, a performance of Love in a Village starring the well known<br />

actor and singer Mr. Incledon at the Theatre royal, Covent garden:<br />

80<br />

The World, london, 27 Apr. 1791.<br />

81<br />

See Parolin 2010: 112–3.<br />

82<br />

The World, london, 27 Apr. 1791.<br />

83<br />

The World, london, 4 May 1791.<br />

84<br />

Morning Post and Daily Advertiser, london, 4 May 1791.<br />

85<br />

It would seem that the character of Courtney became a standard feature of<br />

masquerades: ‘Courtenay, with his bag-pipes, attracted as usual much notice.’<br />

(London Chronicle, 14–16 Feb. 1792). From another report of this occasion, it<br />

seems that he was represented in his stage persona as a ‘highland piper’<br />

(Morning Herald, london, 16 Feb. 1792).

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