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Union Pipes - Irish Traditional Music Archive

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55<br />

MeAnIngS OF ‘UnIOn PIPeS’<br />

What seems from The Times of 15 May 1788 to be Courtney’s understanding<br />

of his imprecise new term may not have been understood<br />

even by those pipers who used it immediately after his death.<br />

Certainly none of them, not even those who edited or published music<br />

books in the next ten or so years, give any explanation for it. But they<br />

continued to use it because for them also it was a usefully neutral<br />

term, and a prestigious term, one that had received approval at the<br />

highest social levels. It was a label associated with a hitherto unachieved<br />

level of public professional success for a bagpiper, and it<br />

would be strange if they were to discard it, especially since ‘union’<br />

did not at first have the negative political connotations that it would<br />

later take on in Ireland. even when it had, it was by then a well<br />

established term that had created its own tradition. As will be seen,<br />

pipers associated its use with their predecessors, and developed a<br />

loyalty to it that lasted well into the twentieth century. nevertheless,<br />

it would appear that while it soon became an established term, it was<br />

one with no firm established meaning, and one that was ripe therefore<br />

for having further meanings assigned to it.<br />

Act of <strong>Union</strong> 1800<br />

It has occasionally been said that the union pipes derived their name<br />

from the <strong>Irish</strong> Act of <strong>Union</strong> of 1800, which abolished the <strong>Irish</strong><br />

parliament in Dublin and provided Ireland instead with reduced<br />

political representation from Westminster. 163 The Act was brought<br />

into effect by bribery and corruption rather than by consent, and it<br />

led to more than a hundred years of economic, social and political<br />

decline in Ireland. The word ‘union’ shrank in meaning there to<br />

into question (Proud & Butler 1983: 3). William hogarth has also been criticised<br />

for the inaccuracy and carelessness of his eighteenth-century bagpipe depictions<br />

(Barlow 2005: 225).<br />

163<br />

For example, ‘The name of <strong>Union</strong> pipes probably originated from the instrument<br />

having appeared about the time of union of the <strong>Irish</strong> and english parliaments...’

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