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Union Pipes - Irish Traditional Music Archive

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89<br />

DeMISe OF ‘UnIOn PIPeS’<br />

The <strong>Irish</strong> shift from ‘union’ to ‘uilleann’ was not however paralleled<br />

by an equivalent contemporary shift of usage in <strong>Irish</strong> America,<br />

which had not been influenced to the extent that Ireland had by<br />

either the ideology of the gaelic league or of the emergent Free<br />

State. Although ‘uilleann pipes’ had appeared in print there as early<br />

as 1904, 334 copied from <strong>Irish</strong> newspaper sources, and was known to<br />

at least some pipers there, older habits continued and oral tradition<br />

was followed rather than print-introduced innovation. The<br />

instrument continued to be commonly known in the United States<br />

in the early twentieth century as ‘<strong>Irish</strong>’ or ‘union’ pipes. This was<br />

the practice followed by prominent piper associates of Francis<br />

O’neill such as Bernard Delaney of Offaly and Chicago 335 Patsy<br />

Touhey of galway and new york, 336 and Tom ennis of Chicago. 337<br />

however when <strong>Irish</strong> pipers began to record in some numbers on<br />

commercial 78s from the 1920s, issued on the ethnic series of<br />

generalist record companies or on small <strong>Irish</strong>-American labels,<br />

‘union pipes’ became a casualty of the commercial need for a term<br />

that would be instantly understood by record buyers. In almost every<br />

case the performers were described as playing ‘<strong>Irish</strong> (bag)pipes’ or<br />

as playing <strong>Irish</strong> reels and jigs on simply ‘(bag)pipes’. This usage<br />

continued through to about 1960, when a shift to the term ‘uilleann<br />

pipes’ began to occur under the influence of uilleann pipers such as<br />

Seamus ennis and leo rowsome coming to America on commercial<br />

recordings or in person, and the foundation of branches of CCÉ<br />

334<br />

<strong>Irish</strong> World and American Industrial Liberator, new york, 23 July 1904.<br />

335<br />

See The Plain Dealer, Cleveland, Ohio, 18 June 1909, for example.<br />

336<br />

Mitchell & Small 1986: passim. Jackie Small points out (pers. comm., Apr. 2012)<br />

that in his spoken introductions to his cylinder recordings Touhey refers to the<br />

instrument as ‘pipes’ and ‘<strong>Irish</strong> pipes’.<br />

337<br />

New Victor Records catalogue, July 1917. Confusingly, while this source says<br />

that ‘<strong>Union</strong> <strong>Pipes</strong>’ is the correct name for the instrument, it goes on to say that<br />

the term is ‘a corruption of the old <strong>Irish</strong> name, Uillean <strong>Pipes</strong>’. This information<br />

presumably came from Tom ennis. his father Thomas senior spoke only of

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