Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
You also want an ePaper? Increase the reach of your titles
YUMPU automatically turns print PDFs into web optimized ePapers that Google loves.
89<br />
DeMISe OF ‘UnIOn PIPeS’<br />
The <strong>Irish</strong> shift from ‘union’ to ‘uilleann’ was not however paralleled<br />
by an equivalent contemporary shift of usage in <strong>Irish</strong> America,<br />
which had not been influenced to the extent that Ireland had by<br />
either the ideology of the gaelic league or of the emergent Free<br />
State. Although ‘uilleann pipes’ had appeared in print there as early<br />
as 1904, 334 copied from <strong>Irish</strong> newspaper sources, and was known to<br />
at least some pipers there, older habits continued and oral tradition<br />
was followed rather than print-introduced innovation. The<br />
instrument continued to be commonly known in the United States<br />
in the early twentieth century as ‘<strong>Irish</strong>’ or ‘union’ pipes. This was<br />
the practice followed by prominent piper associates of Francis<br />
O’neill such as Bernard Delaney of Offaly and Chicago 335 Patsy<br />
Touhey of galway and new york, 336 and Tom ennis of Chicago. 337<br />
however when <strong>Irish</strong> pipers began to record in some numbers on<br />
commercial 78s from the 1920s, issued on the ethnic series of<br />
generalist record companies or on small <strong>Irish</strong>-American labels,<br />
‘union pipes’ became a casualty of the commercial need for a term<br />
that would be instantly understood by record buyers. In almost every<br />
case the performers were described as playing ‘<strong>Irish</strong> (bag)pipes’ or<br />
as playing <strong>Irish</strong> reels and jigs on simply ‘(bag)pipes’. This usage<br />
continued through to about 1960, when a shift to the term ‘uilleann<br />
pipes’ began to occur under the influence of uilleann pipers such as<br />
Seamus ennis and leo rowsome coming to America on commercial<br />
recordings or in person, and the foundation of branches of CCÉ<br />
334<br />
<strong>Irish</strong> World and American Industrial Liberator, new york, 23 July 1904.<br />
335<br />
See The Plain Dealer, Cleveland, Ohio, 18 June 1909, for example.<br />
336<br />
Mitchell & Small 1986: passim. Jackie Small points out (pers. comm., Apr. 2012)<br />
that in his spoken introductions to his cylinder recordings Touhey refers to the<br />
instrument as ‘pipes’ and ‘<strong>Irish</strong> pipes’.<br />
337<br />
New Victor Records catalogue, July 1917. Confusingly, while this source says<br />
that ‘<strong>Union</strong> <strong>Pipes</strong>’ is the correct name for the instrument, it goes on to say that<br />
the term is ‘a corruption of the old <strong>Irish</strong> name, Uillean <strong>Pipes</strong>’. This information<br />
presumably came from Tom ennis. his father Thomas senior spoke only of