Union Pipes - Irish Traditional Music Archive

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85 DeMISe OF ‘UnIOn PIPeS’ promoted by Seamus Clandillon of galway, the first director of the station and an Irish-language enthusiast, 317 and it was firmly established in a radio context by the time he retired in 1934. In 1928, the year of his death, grattan Flood was still actively engaged in his campaign to have his term accepted: ‘Uilleann pipes [are] incorrectly called the “union” pipes’. 318 This was his last known word on the matter, although his opinions would live on influentially in print. But among Irish bellows pipers usage still continued to vary. When they began to record commercial 78s for the Irish market, in london from the 1910s, ‘(Irish) union pipe’ was the term commonly used on their record labels by such nationally known players as William n. Andrews of Dublin and later leo rowsome of Dublin and liam Walsh of Waterford. 319 But in the course of the 1920s this was replaced first on labels by ‘Irish (bag)pipes’, and joined in the second half of the decade by ‘(Irish) uilleann pipes’. From his frequent newspaper concert reports and radio listings, and from record labels, leo rowsome seems to have made the change-over in this latter period. In letters published in The Evening Herald of Dublin in May 1930, he and Seamus Mac Aonghusa were in agreement in using the new term, referring respectively to ‘Irish pipes’ and ‘uilleann pipes’, while rowsome came back to refer to the ‘Irish (or uilleann) pipes’ 317 he is reported as having used the term himself in 1931 when being interviewed by a journalist for an article on ‘The Passing of the Irish Piper’ (Irish Independent, 13 Feb. 1931). 318 W.h. grattan Flood, Cork Examiner, Cork, 14 July 1928, quoted in An Píobaire vol. 2, no 2 (Sept. 1978): 4. 319 The very earliest Irish bellows players to record commercially were Coventryborn Thomas garoghan in Britain (who used the term ‘Irish bagpipes’ on Berliner discs of c. 1898) and limerick-born James C. McAuliffe in the United States (who used ‘bagpipe’ on edison cylinders of 1899).
COUrTney’S ‘UnIOn PIPeS’ AnD The TerMInOlOgy OF IrISh BellOWS-BlOWn BAgPIPeS 86 which had also the title of the ‘Irish Organ’. 320 William n. Andrews was billed as late as 1935 as playing the ‘union pipes’ on the radio, but this happened in Belfast, on BBC northern Ireland, where the political neutrality of Courtney’s term was evidently still useful. In his Dublin advertising of the same time Andrews had succumbed to ‘Irish uillean pipes’. 321 Kildare piper Sean Dempsey, recording commercially for the regal Zonophone label in london and Dublin in 1936 and 1937, muddied the waters still further. In 1936 and 1937 respectively he is playing the ‘Irish union pipes’ and the ‘Irish pipes’ in london, according to his record labels, 322 while in 1937 he is also recording in Dublin on ‘Irish uilleann pipes’. 323 In 1936 however a significant die was cast in the entire matter with the publication of the first Irish bellows pipes tutors to appear since those of the early nineteenth century: Tadhg Crowley’s How to Play the Uillean Pipes, published in Cork by Crowley himself, and later Leo Rowsome’s Tutor for the Uileann Pipes, published in Dublin by the Dublin College of Music. In a move reminiscent of those of O’Farrell, Fitzmaurice and Murphy over a hundred years earlier in relation to ‘union pipes’, Flood’s new term was finally established in printed music-book form and by authors who were themselves pipers. Since he was a prize-winning performer, teacher, recording artist, broadcaster, pipe-maker and repairer, and inheritor of a family piping tradition, the example of leo rowsome must have been highly influential, and by the mid-1920s, as said, he was commonly using some form of the term ‘uilleann pipes’. Decisive in the terminological struggle was the informal foundation in 1936 by 320 Evening Herald, Dublin, 15, 20 & 21 May 1930. 321 Campbell 2011: 185. 322 regal Zonophone IZ 603, regal Zonophone IZ 656. 323 regal Zonophone IZ 705.
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Union Pipes - Irish Traditional Music Archive

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