Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
Union Pipes - Irish Traditional Music Archive
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45<br />
eSTABlIShMenT OF ‘UnIOn PIPeS’<br />
performances at the Theatre royal, haymarket. 139 This is Courtney’s<br />
last advertised stage appearance, although he may have finished out a<br />
run of Oscar and Malvina in Covent garden on 11 June. 140<br />
It would seem that by this date Courtney was in the final chaotic stages<br />
of alcohol-induced illness. An associate in his last months was another<br />
notable character, Captain Patrick leeson (1754–c.1810s), a somewhat<br />
older <strong>Irish</strong>man born in nenagh, Co Tipperary. From a modest background<br />
and after military training in France, leeson had become a<br />
British army officer and a famous gambler with a stable of horses at<br />
newmarket. enlisting Courtney and the ‘sweet strains of his pipes,<br />
added to copious draughts of whiskey’, he raised an independent<br />
regiment in such a short time that he won a great bet on it. 141 Some of<br />
the work of recruitment was carried out in April 1794 at a disorderly<br />
annual outdoor festival at greenwich hill. The place abounded in<br />
... recruiting Parties... Of these the most conspicuous were Captain<br />
leeson and his party, with Courtnay the Piper in a highland dress, as<br />
drunk as any of his fraternity, and viewed with professional envy. They<br />
were attended by some gentlemen of the fist... Their efforts were so<br />
skilfully directed... that many a bold Pat—rician was induced to<br />
exchange his bludgeon for a bayonet; and decorate that shoulder with<br />
a musket, hitherto degraded by a hod. 142<br />
139<br />
The World, london, 28 May 1794.<br />
140<br />
hogan 1968: 1575.<br />
141<br />
egan 1820: 142–3.<br />
142<br />
The Oracle and Public Advertiser, london, 24 Apr. 1794. leeson’s luck eventually<br />
deserted him. Turning to brandy, he shunned fashionable society and<br />
‘sought the most obscure places in the purlieus of St. giles’s, where he used<br />
pass whole nights in the company of his countrymen of the lowest, but industrious<br />
class, charmed with their songs and native humour... once the soul of whim<br />
and gaiety, [he] sunk into a state of stupor and insensibility... having contracted<br />
a number of debts, he was constantly pursued by the terriers of the law...’ (egan<br />
1820: 143). Courtney’s end may not have been dissimilar.