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2013 Annual Report - Jesus College - University of Cambridge

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FREND OF JESUS I <strong>Jesus</strong> <strong>College</strong> <strong>Annual</strong> <strong>Report</strong> <strong>2013</strong> 51<br />

the Clergy”. (Lovelace Papers, Bodleian<br />

Library: letter William Frend to Ada Byron<br />

27.2.1829). Lady Byron, Ada Lovelace, who<br />

pioneered computer programming, and was<br />

dubbed the Enchantress <strong>of</strong> Numbers by<br />

Babbage, was taught mathematics privately<br />

by Frend from an early age. On another<br />

occasion, as remembered by his daughter<br />

Sophia, he said: “the highest academical<br />

teaching should be given without reference<br />

to religious differences”. Sophia was<br />

convinced that her father’s views, urged in a<br />

flow <strong>of</strong> correspondence, led to the founding<br />

<strong>of</strong> London <strong>University</strong>. His Plan <strong>of</strong> Universal<br />

Education, published in the same year as the<br />

Reform Bill, 1832, argued for free education<br />

for all, including women – whose education<br />

should be “as much attended to as that <strong>of</strong> the<br />

men…”<br />

His last years were spent at 36 Tavistock<br />

Square, London. After suffering two strokes<br />

he was almost completely paralysed, and<br />

could barely speak. On 20 February 1841,<br />

he indicated to his daughter that she should<br />

read to him his favourite Psalm (19) –<br />

“The Heavens declare the glory <strong>of</strong> God”.<br />

Sophia wrote that as she read “As for man, his<br />

days are as grass”, he “joined in and repeated<br />

with me clearly and in a firm voice the verses<br />

following to the end <strong>of</strong> the Psalm”. It was the<br />

last time he spoke. He died the following day.<br />

After his death, Sophia’s husband,<br />

Augustus de Morgan, wrote a letter to <strong>Jesus</strong><br />

<strong>College</strong> (now in the keeping <strong>of</strong> the Old<br />

Library), confirming with gentle irony, and<br />

despite an evident fondness for the place, his<br />

disdain for its petty conventions <strong>of</strong> those<br />

times – doubtless including the insistence on<br />

powdered hair and the outlawing <strong>of</strong> blue<br />

coats.<br />

“Nothing could show the bent <strong>of</strong> his mind<br />

in this respect as well as the vivid manner in<br />

which he could always remember the most<br />

trifling minutiae <strong>of</strong> <strong>College</strong> habits or<br />

discipline, which was accompanied by the<br />

most frequent recurrence to the subject<br />

whenever he was in a company with a<br />

<strong>Cambridge</strong> man.”<br />

Sophia de Morgan eventually despatched<br />

to the <strong>College</strong> a marble bust <strong>of</strong> William<br />

Frend, which remains in our keeping .<br />

* * *<br />

I am grateful to Dr Frances Wilmoth for<br />

making available to me materials on Frend in<br />

the keeping <strong>of</strong> the Old Library, particularly<br />

Frend’s Account <strong>of</strong> the Proceedings and Sequal to<br />

an Account. Other ms materials on Frend<br />

include a collection <strong>of</strong> letters now deposited<br />

at <strong>Cambridge</strong> <strong>University</strong> Library, also<br />

published by the <strong>Cambridge</strong> Records Society:<br />

Letters to William Frend from the Reynolds Family<br />

<strong>of</strong> Little Paxton and John Hammond <strong>of</strong> Fenstanton.<br />

See also Vol 1 <strong>of</strong> Collected Letters <strong>of</strong> Samuel Taylor<br />

Coleridge, ed. E. L. Griggs, 6 vols (Oxford,<br />

1956-71); John Cornwell Coleridge: 1772-1804<br />

(London, 1973); Frida Knight, <strong>University</strong> Rebel:<br />

The Life <strong>of</strong> William Frend (London, 1971);<br />

Nicholas Roe, Wordsworth and Coleridge, The<br />

Radical Years (Oxford, 1988).<br />

The bust <strong>of</strong> William Frend<br />

Photo reproduced with the permission <strong>of</strong> John Henwood

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