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2013 Annual Report - Jesus College - University of Cambridge

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A JESUS COLLECTOR I <strong>Jesus</strong> <strong>College</strong> <strong>Annual</strong> <strong>Report</strong> <strong>2013</strong> 55<br />

see this collection <strong>of</strong> antiquities. Petty<br />

returned to England in 1629 and this brought<br />

to an end his activities in Greece and Turkey,<br />

and his attention turned to collecting<br />

antiquities, drawings and paintings in Italy.<br />

By the end <strong>of</strong> the 1630s the sculpture<br />

collection is said to have numbered 37 Greek<br />

and Roman statues, 128 busts, 250<br />

inscriptions as well as a large number <strong>of</strong><br />

sarcophagi, altars and fragments.<br />

William Petty died 23rd September 1639<br />

and in his Will he left “To <strong>Jesus</strong> Colledge in<br />

<strong>Cambridge</strong> £200 for the repairing there<strong>of</strong> ”.<br />

Unfortunately the college never received the<br />

money. With the threatened outbreak <strong>of</strong> the<br />

Civil War the Earl <strong>of</strong> Arundel left England in<br />

1642 and went eventually to Padua where he<br />

died in 1646. His collections were left in the<br />

first instance to his wife, and after her death<br />

in 1654, the contents <strong>of</strong> Arundel House<br />

passed to Henry Howard, the younger son <strong>of</strong><br />

Henry Frederick, Lord Maltravers, who had<br />

died in 1652. He was not at all interested in<br />

the collection <strong>of</strong> marbles, and John Evelyn<br />

describes them in his Diary for September<br />

19th 1667 as being “miserably neglected &<br />

scattered up & downe about the Gardens”.<br />

By this time <strong>of</strong> the 250 inscriptions in the<br />

collection 114 had perished. Evelyn managed<br />

to persuade Henry Howard to give the<br />

remainder to Oxford <strong>University</strong>, and they are<br />

now in the Ashmolean Museum, where they<br />

are known as the Arundel Marbles. In 1677<br />

when Henry succeeded to the Dukedom <strong>of</strong><br />

Norfolk he obtained permission to pull down<br />

Arundel House, and to dispose <strong>of</strong> the rest <strong>of</strong><br />

the marbles still in his possession. He sold a<br />

lot <strong>of</strong> them, mainly busts, to Thomas<br />

Herbert, later eighth Earl <strong>of</strong> Pembroke, who<br />

took them to Wilton House near Salisbury.<br />

The marbles he couldn’t sell were placed<br />

under a colonnade in the garden, the ro<strong>of</strong> <strong>of</strong><br />

which collapsed damaging the sculptures<br />

below. Some sculptures were then buried in<br />

the foundations <strong>of</strong> Norfolk, Arundel and<br />

Surrey Streets. On Henry’s death in 1684 the<br />

new Duke obtained permission from<br />

parliament to lease the garden for residential<br />

development. He persuaded Sir William<br />

Fermor to take most <strong>of</strong> the remaining<br />

marbles for £300, and they ended up at<br />

Easton Neston, and eventually were given to<br />

Oxford <strong>University</strong> as the Pomfret Collection.<br />

A number <strong>of</strong> the more damaged pieces were<br />

given to a former family servant. The residue,<br />

including the Pergamon torso, were taken<br />

across the Thames and dumped on a patch <strong>of</strong><br />

waste ground beside the river in Kennington.<br />

Shortly afterwards this plot <strong>of</strong> land was sublet<br />

to a timber merchant who planned to<br />

construct a wharf here. He brought over<br />

quantities <strong>of</strong> rubble from the old St Paul’s<br />

and together with the remains <strong>of</strong> the Arundel<br />

Marbles used them to shore up the bank <strong>of</strong><br />

the Thames. About 1712 the land was<br />

acquired for building, and the workmen<br />

digging foundations came across a number<br />

<strong>of</strong> buried sculptures and put them on one<br />

side. Lord Burlington heard <strong>of</strong> this and chose<br />

some which he took to Chiswick House.<br />

Lord Petre heard that other sculptures<br />

might still be buried there, and he was<br />

allowed to arrange for excavations to try and<br />

locate them. After six days the diggers<br />

found six statues , some <strong>of</strong> great size, without<br />

heads or arms lying close together.<br />

These torsos were sent to the Duke <strong>of</strong><br />

Norfolk`s Nottinghamshire seat, Worksop<br />

Manor. Unfortunately most <strong>of</strong> these<br />

sculptures were destroyed in the fire which<br />

burnt down Worksop manor in 1761, but<br />

one at least survived. At the beginning <strong>of</strong><br />

the twentieth century it was lying in<br />

the garden <strong>of</strong> the local historian, Robert<br />

White, on the outskirts <strong>of</strong> Worksop, and by<br />

the 1920s had been mounted on the outside<br />

wall <strong>of</strong> a nearby cottage, where it remained<br />

until 1960.<br />

So having been collected by William Petty<br />

from Pergamom in 1625, shipwrecked and<br />

sunk to the bottom <strong>of</strong> the sea, found and<br />

brought up by divers, transported to Greece<br />

and then to England arriving in London in<br />

1628, being displayed at Arundel House in<br />

the Strand, then treated ignominiously first<br />

in the grounds <strong>of</strong> Arundel House and then<br />

dumped beside the Thames at Kennington<br />

and used to reinforce the river bank, being<br />

uncovered in excavations and sent to<br />

Worksop Manor, avoiding destruction in the<br />

disastrous fire, and finally being built into a<br />

cottage wall, the Gigantomachy torso had an<br />

adventurous life before landing up in<br />

Worksop Library.

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