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<strong>Project</strong> Identifier:<br />
Version: 2<br />
Contact: Kerstin Mey<br />
Date: 15 December 2011<br />
will be sought where necessary from any third party rights holders and a diligence file will be<br />
maintained.<br />
Development of the OER<br />
The Learning Technologist at UCA is responsible for creating the OER. The Learning<br />
Technologist will undertake three visits to Zandra Rhodes Studio in order to keep in contact<br />
with the project team during the creation of the Digital Study Collection. A decision about the<br />
key 25 looks to be used in the OER will be made in collaboration with Zandra Rhodes and<br />
her team and in consultation with the OER focus group of fashion teaching staff. VADS will<br />
then supply the agreed images and metadata for the 25 fashion garments to the Learning<br />
Technologist. The new Digitisation Unit in the UCA Library will assist the Learning<br />
Technologist with the digitisation of any complementary primary and secondary source<br />
material required for the OER. The Learning Technologist will collaborate with two key<br />
members of academic staff from UCA fashion programmes, and ten students from across<br />
the UCA undergraduate and postgraduate programmes, as well as two external academics<br />
in this subject area, who will constitute a focus group that informs the development of the<br />
OER. The OER will be piloted on the University’s student portal, myUCA, and feedback will<br />
be gathered in order to further refine the OER before its deposit on Jorum.<br />
Embedding the OER<br />
The following UCA programmes have been identified where the OER could be embedded:<br />
BA Fashion, BA Fashion Promotion & Imaging, BA Fashion Management & Marketing, and<br />
BA Fashion Journalism on Epsom campus; and BA Fashion Atelier and BA Fashion Textiles:<br />
Print on Rochester campus. At first year level these courses share a module on the cultural,<br />
social, and economic contexts of 20th century and contemporary fashion where the OER<br />
could be utilised, and the Digital Study Collection and the OER could also be employed at<br />
MA level and research degree level to stimulate independent research projects and further<br />
the critical reflection and contextualisation of Zandra Rhodes’ creative practice. The OER<br />
will be embedded through close collaboration with a focus group consisting of UCA staff,<br />
students, and external fashion teaching staff; and the OER will be further disseminated and<br />
embedded through workshops organised in conjunction with the UCA’s annual Learning and<br />
Teaching conference.<br />
Important issues to be addressed<br />
- IPR - formulating a suitable licence and consortium agreement that respects and<br />
protects the commercial interest of Zandra Rhodes Studio whilst also allowing for<br />
non-commercial use of the digitised garments; establishing the copyright status of<br />
any primary source material and secondary source material that is required for the<br />
OER.<br />
- Digitisation workflow - devising and implementing a suitable workflow for selecting,<br />
preparing, digitising, and cataloguing the garments in-situ within a working fashion<br />
and textile studio.<br />
- Collection care - ensuring the unique, highly valuable, and delicate garments within<br />
the Zandra Rhodes collection are handled, stored, and cared for appropriately<br />
throughout this process.<br />
- Interoperability - ensuring compatibility with established metadata standards adopted<br />
within the library/archive communities and adherence to digitisation best practice.<br />
Page 6 of 20<br />
Document title: JISC <strong>Project</strong> <strong>Plan</strong> Template<br />
Last updated: Feb 2011 – v2.0