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<strong>University</strong> <strong>of</strong> <strong>Kent</strong> / ARTS STUDIO<br />

DISCOVER YOUR<br />

PLACE IN ART<br />

HISTORY<br />

If you think an art history degree means<br />

three years with your nose in a book and<br />

the odd gallery visit, read on. <strong>Kent</strong>’s History<br />

& Philosophy <strong>of</strong> Art team <strong>of</strong>fers better ways<br />

to teach this subject.<br />

The <strong>Kent</strong> History & Philosophy <strong>of</strong> Art BA (Hons) programme includes<br />

buying works <strong>of</strong> art, writing arts’ reviews, overseas study trips and handson<br />

work experience. Among other careers, graduates go on to be<br />

journalists, auctioneers, teachers, curators and PR agents. This is one <strong>of</strong><br />

the reasons we are ranked second in the UK for art and design graduating<br />

students' employment prospects in The Guardian <strong>University</strong> Guide 2011.<br />

It also makes our degrees more interesting, <strong>of</strong> course. Here are some<br />

<strong>of</strong> the things that <strong>Kent</strong>’s art history students typically get involved with as<br />

part <strong>of</strong> their degree programme.<br />

SHOP<br />

We give second and third-year students a budget and a mission – to go<br />

out and buy works for the School <strong>of</strong> Arts’ world-class print collection. They<br />

can ask for advice but they are also free to make mistakes and everyone<br />

gets marked on how well they do.<br />

The prints they buy form the basis for an annual exhibition. We then<br />

add all the student purchases to our collection <strong>of</strong> several hundred works<br />

back in Canterbury. This includes prints by leading artists and printmakers<br />

including Sir Peter Blake, Tracey Emin, Jake and Dinos Chapman and Ana<br />

Maria Pacheco.<br />

MAKE<br />

The best way to learn about Old Master drawing and painting techniques<br />

is by having a go yourself. If you try drawing like Rembrandt, you get firsthand<br />

experience <strong>of</strong> his materials and processes.<br />

We don’t assess students on the quality <strong>of</strong> their drawings. However,<br />

we do expect them to use their practical experience as the basis <strong>of</strong> formal<br />

written assessments on topics such as the role <strong>of</strong> drawing in the theory<br />

<strong>of</strong> ‘disegno’. And, if you know how hard it is to make marks with chalk<br />

on paper in the style <strong>of</strong> Michelangelo, you will get a deeper appreciation<br />

<strong>of</strong> the original works. You may also find it easier to spot a fake.<br />

The same goes for photography. If you develop your own work in a<br />

darkroom using traditional techniques you will get a better understanding<br />

<strong>of</strong> the form.<br />

WRITE<br />

On our Visual Arts Writing module, students are introduced to the basics<br />

<strong>of</strong> writing for publication by those who have done it – rather than by those<br />

who just talk about it.<br />

All students write essays but we teach our students how to write<br />

pr<strong>of</strong>essionally and how to adapt to different ‘house styles’. So many jobs<br />

in the art world (think <strong>of</strong> critics, curators, dealers and publicists) rely on<br />

strong writing skills. As a result, no one in the business can afford to<br />

divorce style from content.<br />

Our students write pieces for newspapers, magazines, catalogues<br />

and publicity material. Their brief is to produce readable, engaging copy<br />

on contemporary art world issues and some <strong>of</strong> this work has even been<br />

accessioned to the British Library.<br />

MANAGE<br />

The School <strong>of</strong> Arts’ Studio 3 Gallery hosts exhibitions <strong>of</strong> work by<br />

renowned artists throughout the year. (To find out more, see our blog at<br />

http://blogs.kent.ac.uk/studio3gallery) Each summer, our second and thirdyear<br />

students put on an exhibition in the Studio 3 Gallery. We expect them<br />

to reach pr<strong>of</strong>essional standards. Using the works they bought, they<br />

catalogue, curate and publicise their additions to the <strong>Kent</strong> print collection.<br />

This event is now a fixture on the local art scene and gets great reviews.<br />

International journal, Print Quarterly (XXVII, 2010, 4), described Krikey!<br />

<strong>Kent</strong>emporary Prints as ‘refreshing and optimistic...an example <strong>of</strong> how<br />

ingenuity and enthusiasm can overcome lack <strong>of</strong> financial resources’. The<br />

review went on to commend the ‘liveliness <strong>of</strong> the writing’ and ‘impressive<br />

list’ <strong>of</strong> featured artists.<br />

Our teaching methods mean that students leave our course with<br />

tremendous confidence and practical skills as well as a thorough<br />

grounding in the subject. If you can project manage an exhibition, spend<br />

a budget wisely, write a press release and challenge the authenticity <strong>of</strong> an<br />

Old Master drawing, you will also have a head start in any chosen career.<br />

12

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