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Download - University of Kent

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<strong>University</strong> <strong>of</strong> <strong>Kent</strong> / ARTS STUDIO<br />

Although music is an accepted part <strong>of</strong><br />

everyday life, scientific research raises lots <strong>of</strong><br />

questions about our relationship with our<br />

favourite tracks. Why are we so dependent on<br />

music? Is our relationship with our MP3 players<br />

harmful? And could we do with a bit more<br />

silence?<br />

If you would like to know more about music<br />

research and what you might learn as a<br />

science undergraduate in the School <strong>of</strong> Arts,<br />

read on.<br />

THE HISTORY OF NOISE<br />

Road traffic and aeroplane noise make silence<br />

hard to find and we <strong>of</strong>ten think <strong>of</strong> the past as a<br />

quieter place. But, if we go back to before the<br />

Industrial Revolution, we just find a different<br />

kind <strong>of</strong> noise. Horses drawing carts, merchants<br />

shouting their wares, the thud <strong>of</strong> a blacksmith’s<br />

trip-hammer, and the noise <strong>of</strong> abundant wildlife<br />

mean that the countryside may be as quiet now<br />

as it has ever been.<br />

TECHNOLOGY<br />

This complex auditory environment has<br />

influenced the evolution <strong>of</strong> the human brain.<br />

This means that we are very good at focusing<br />

on what we want to hear, and tuning out all the<br />

background noise. Understanding how our<br />

brains hear sound can help us create ultrasmall<br />

music recordings such as MP3s.<br />

MP3 files are typically up to 90% smaller<br />

than uncompressed audio such as a CD. MP3<br />

compression works by comparing a sound<br />

recording with how our hearing systems work,<br />

and throwing away the sounds we wouldn’t<br />

hear.<br />

We couldn’t hear many <strong>of</strong> the discarded<br />

sounds even if we wanted to. We only hear the<br />

lower and highest frequencies in our hearing<br />

range when they are comparatively loud, so<br />

MP3 compression discards quiet sounds at<br />

those pitches. We hear best at middle<br />

frequencies – those pitches that make up<br />

speech and sung vocals – but even here some<br />

quiet sounds are masked by similar loud<br />

sounds, so MP3s discard those quiet sounds<br />

as well.<br />

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