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<strong>University</strong> <strong>of</strong> <strong>Kent</strong> / ARTS STUDIO<br />

share resources – the Engineering<br />

workshop is great for metalwork and we<br />

send our students there if they need to<br />

do any soldering. One <strong>of</strong> the<br />

advantages <strong>of</strong> being on such a big<br />

campus is that everyone benefits from<br />

the huge range <strong>of</strong> resources.<br />

2pm Typically, our students come to<br />

us with great IT skills, but not many <strong>of</strong><br />

them have any experience with an<br />

electric drill, sewing machine, paint<br />

brush or saws. This afternoon, three <strong>of</strong><br />

the first-year students who were at this<br />

morning’s session have come back for a<br />

mini-tutorial on power tools. Mastering<br />

these practical skills is a real confidence<br />

builder. One <strong>of</strong> the best parts <strong>of</strong> my job<br />

is helping students to get to grips with<br />

things that they never thought they<br />

could do – or were afraid to try.<br />

2.15pm We are about to start a<br />

production meeting so we put the kettle<br />

on. Debs Metcalf-Askew (production<br />

manager), Ian Baird (lighting) and Scott<br />

Miller (sound) all have extensive<br />

pr<strong>of</strong>essional theatre experience, having<br />

worked at music festivals and in places<br />

including the Royal Opera House and<br />

the New York Theatre Workshop. Their<br />

job is to help the students to ensure<br />

their productions meet pr<strong>of</strong>essional<br />

standards. A group <strong>of</strong> fourth-year<br />

MDrama students have come in to talk<br />

to us about their production <strong>of</strong> Samuel<br />

Beckett’s Play. They take us through<br />

their plans for the budget, logistics, the<br />

audiovisual requirements, sound, and<br />

provide a realistic timetable. Putting on<br />

a performance is a complex piece <strong>of</strong><br />

project management and we advise<br />

them but also make sure the students<br />

take a hands-on approach. When the<br />

meeting is finished, a couple <strong>of</strong><br />

students stay behind and I help them to<br />

get supplies <strong>of</strong> wood and polystyrene<br />

for their build.<br />

3pm The Workshop is open to School<br />

<strong>of</strong> Arts students from all disciplines and<br />

students <strong>of</strong>ten come in to spend time on<br />

independent projects. As well as<br />

encouraging those who never thought<br />

they could ‘make’ anything, we love<br />

helping the real enthusiasts who want a<br />

challenge. Unless they need to use one<br />

<strong>of</strong> our really specialist pieces <strong>of</strong><br />

equipment (such as the table saw), we<br />

let them find their own way and provide<br />

help and advice as we go. This is why<br />

the workshop is <strong>of</strong>ten inhabited by the<br />

results <strong>of</strong> their labours; you might see a<br />

marble fireplace (actually 100% wood<br />

and polystyrene) or sides <strong>of</strong> beef<br />

(made from foam) lying around the<br />

place. Problem-solving is a major part<br />

<strong>of</strong> the process and I encourage<br />

students to combine research and<br />

practice, in order to understand what<br />

materials they will need for their project.<br />

Some <strong>of</strong> the students get very<br />

ambitious and want to tackle some <strong>of</strong><br />

the more complex paint effects and<br />

body-casting techniques that we<br />

pr<strong>of</strong>essionals specialise in.<br />

4.30pm Time to tidy up and move<br />

the music upbeat to reflect the start <strong>of</strong><br />

the weekend. We close at 5pm, so there<br />

is just time to check up on some maskmaking.<br />

Everyone enjoys making masks<br />

and it is a great way to introduce<br />

students to measuring, sculpting and<br />

drawing. This group has been working<br />

on historical Commedia dell’ arte masks<br />

and they look wonderful.<br />

35

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