Download - University of Kent
Download - University of Kent
Download - University of Kent
Create successful ePaper yourself
Turn your PDF publications into a flip-book with our unique Google optimized e-Paper software.
<strong>University</strong> <strong>of</strong> <strong>Kent</strong> / ARTS STUDIO<br />
share resources – the Engineering<br />
workshop is great for metalwork and we<br />
send our students there if they need to<br />
do any soldering. One <strong>of</strong> the<br />
advantages <strong>of</strong> being on such a big<br />
campus is that everyone benefits from<br />
the huge range <strong>of</strong> resources.<br />
2pm Typically, our students come to<br />
us with great IT skills, but not many <strong>of</strong><br />
them have any experience with an<br />
electric drill, sewing machine, paint<br />
brush or saws. This afternoon, three <strong>of</strong><br />
the first-year students who were at this<br />
morning’s session have come back for a<br />
mini-tutorial on power tools. Mastering<br />
these practical skills is a real confidence<br />
builder. One <strong>of</strong> the best parts <strong>of</strong> my job<br />
is helping students to get to grips with<br />
things that they never thought they<br />
could do – or were afraid to try.<br />
2.15pm We are about to start a<br />
production meeting so we put the kettle<br />
on. Debs Metcalf-Askew (production<br />
manager), Ian Baird (lighting) and Scott<br />
Miller (sound) all have extensive<br />
pr<strong>of</strong>essional theatre experience, having<br />
worked at music festivals and in places<br />
including the Royal Opera House and<br />
the New York Theatre Workshop. Their<br />
job is to help the students to ensure<br />
their productions meet pr<strong>of</strong>essional<br />
standards. A group <strong>of</strong> fourth-year<br />
MDrama students have come in to talk<br />
to us about their production <strong>of</strong> Samuel<br />
Beckett’s Play. They take us through<br />
their plans for the budget, logistics, the<br />
audiovisual requirements, sound, and<br />
provide a realistic timetable. Putting on<br />
a performance is a complex piece <strong>of</strong><br />
project management and we advise<br />
them but also make sure the students<br />
take a hands-on approach. When the<br />
meeting is finished, a couple <strong>of</strong><br />
students stay behind and I help them to<br />
get supplies <strong>of</strong> wood and polystyrene<br />
for their build.<br />
3pm The Workshop is open to School<br />
<strong>of</strong> Arts students from all disciplines and<br />
students <strong>of</strong>ten come in to spend time on<br />
independent projects. As well as<br />
encouraging those who never thought<br />
they could ‘make’ anything, we love<br />
helping the real enthusiasts who want a<br />
challenge. Unless they need to use one<br />
<strong>of</strong> our really specialist pieces <strong>of</strong><br />
equipment (such as the table saw), we<br />
let them find their own way and provide<br />
help and advice as we go. This is why<br />
the workshop is <strong>of</strong>ten inhabited by the<br />
results <strong>of</strong> their labours; you might see a<br />
marble fireplace (actually 100% wood<br />
and polystyrene) or sides <strong>of</strong> beef<br />
(made from foam) lying around the<br />
place. Problem-solving is a major part<br />
<strong>of</strong> the process and I encourage<br />
students to combine research and<br />
practice, in order to understand what<br />
materials they will need for their project.<br />
Some <strong>of</strong> the students get very<br />
ambitious and want to tackle some <strong>of</strong><br />
the more complex paint effects and<br />
body-casting techniques that we<br />
pr<strong>of</strong>essionals specialise in.<br />
4.30pm Time to tidy up and move<br />
the music upbeat to reflect the start <strong>of</strong><br />
the weekend. We close at 5pm, so there<br />
is just time to check up on some maskmaking.<br />
Everyone enjoys making masks<br />
and it is a great way to introduce<br />
students to measuring, sculpting and<br />
drawing. This group has been working<br />
on historical Commedia dell’ arte masks<br />
and they look wonderful.<br />
35