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mounted with 24-sheets and playing circus<br />
music, began touring locally and neighboring<br />
communities, continuing this for four days.<br />
The radio station played circus music and received<br />
24 free spots from disk jockey Sam Depine.<br />
Disk jockey made personal appearance<br />
on the third night’s showing at our concession<br />
stand, which helped increase concession sales.<br />
The result was the most colossal business on<br />
any picture for the entire season. Please give<br />
us more like this one, Mr. <strong>Pro</strong>ducer. –Donald<br />
Morton, Joy Drive-In, Plaquemine, La. (Sept.<br />
22, 1956)<br />
BABY DOLL<br />
Karl Malden, Carroll Baker n This picture I<br />
will never forget. The acting of Carroll Baker<br />
was excellent. This show is a moneymaker<br />
even though the minister did go against us on<br />
this picture. Oh, well, that’s what we need—a<br />
little publicity. –L.J. Bennett, Princess Theatre,<br />
Farmington, Ill., pop. 2,651 (Apr. 19, 1957)<br />
THE GIRL CAN’T HELP IT<br />
Tom Ewell, Jayne Mansfield n For the rockand-roll<br />
fans. Very funny sequence where the<br />
star walks down the street. This brought down<br />
the house. Some women walked out. (They<br />
can’t all be Mansfield, eh!) –Michael Chiaventone,<br />
Valley Theatre, Spring Valley, Ill., pop.<br />
5,000 (May 18, 1957)<br />
REBEL WITHOUT A CAUSE<br />
James Dean, Natalie Wood n Played with<br />
East of Eden. Both of these James Dean movies<br />
still are good box office. Most people don’t<br />
seem to realize that he’s dead. –James C. Balkcom,<br />
Gray Theatre, Gray, Ga., pop. 866 (May<br />
18, 1957)<br />
PARDNERS<br />
Dean Martin, Jerry Lewis n As we played<br />
this after the stars parted company, the ending<br />
brought more chuckles than any part of the<br />
picture. For the benefit of those who didn’t<br />
play it, they sing “We’ll Always Be Pardners.”<br />
–Michael Chiaventone, Valley Theatre, Spring<br />
Valley, Ill., pop. 5,000 (May 25, 1957)<br />
THE RAINMAKER<br />
Burt Lancaster, Katharine Hepburn n The<br />
people of my town showed their good judgment<br />
by staying away from this chunk of ham.<br />
Those who came walked out on the second<br />
show, so I saved on the light bill. Is this one of<br />
the good pictures Barney Balaban was spouting<br />
about a few weeks ago? Hepburn has all<br />
the charm of an emaciated steer, with acting<br />
talent to match. Lancaster turns in one of his<br />
worst performances, which is too bad since<br />
the guy actually has considerable talent. He<br />
just needs someone to keep him from going<br />
off on these wild flights of overdone histrionics.<br />
Put this on television, Paramount, and<br />
drive the lost audience back to the theaters.<br />
–Frank. R. McLean, Roxy Theatre, Coulterville,<br />
Ill., pop. 1,160 (Aug. 17, 1957)<br />
THE TEN COMMANDMENTS<br />
Charlton Heston, Yul Brynner n With<br />
Technicolor, VistaVision, and everything<br />
else, Cecil B. and his The Ten Commandments<br />
brought people back in this house that haven’t<br />
been to a movie in 10 years. This one set all<br />
new records in cold, unpleasant weather. After<br />
two weeks, I hated to see it go. Buy it with<br />
holdover privileges and run it day and night.<br />
No walkouts or unfavorable comments. Better<br />
get hold of this one, and the sooner the better,<br />
sir. –Carlton Weaver, Carlton Theatre, Sulpher,<br />
Okla. (Feb. 24, 1958)<br />
THE PRINCE AND THE SHOWGIRL<br />
Marilyn Monroe, Laurence Olivier n<br />
This picture isn’t really longer than The Ten<br />
Commandments. It just seems longer. Lots<br />
of walkouts, a large percentage, that is. We<br />
seriously considered just locking up the third<br />
night rather than bore the few trusting souls<br />
who would lay their money on the line to get<br />
in. –Paul Ricketts, Ness Theatre, Ness City, Kas.,<br />
pop. 1,612 (Feb. 24, 1958)<br />
THE ROAD TO HONG KONG<br />
Bing Crosby, Bob Hope, Joan Collins n<br />
This one is a real turkey. Never had such poor<br />
business. It’s really fantastic how poorly this<br />
one did. It is a really fine picture, too. I’ll bet<br />
you already know why it failed, too. Naturally!<br />
All the other Road shows have been on TV, so<br />
everyone thought this one had been on, too.<br />
Had dozens of calls asking whether this had<br />
been on TV (which for me stands for “theater<br />
vulture”). I guess we exhibitors have our doom<br />
sealed by short-sighted executives who sell out<br />
to the Living Room “God.” –Don Stott, 301<br />
Drive-In, Waldorf, Md., pop. 1,100 (Sept. 17,<br />
1962)<br />
THE CABINET OF CALIGARI<br />
Glynis Johns, Dan O’Herlihy n Now everything<br />
has happened: have never canceled an<br />
advertised picture before, but had to do it in<br />
the case of The Cabinet of Caligari, 20th Fox<br />
release, a morbid and objectionable excuse<br />
for motion-picture entertainment. Booked<br />
this on the strength of a recommendation by<br />
the Fox salesman (who’s a helluva nice guy)<br />
and the review in one of the trade magazines,<br />
which listed it as “excellent.” Dated this as<br />
the top half of a double on the action change<br />
but pulled it, as mentioned above. It depresses<br />
and confuses throughout, with an explanation<br />
coming at a time when the impression formed<br />
previously is so strong that it falls on deaf<br />
ears. The mentally ill patient disrobing does<br />
not help the picture. –Otto Settele, Seemore<br />
Theatre, Seymour, Wis. (Sept. 24, 1962)<br />
NEW<br />
BUILD<br />
n B&B THEATRES is pleased to announce<br />
a new state-of-the-art all-digital<br />
projection 12-screener to serve the<br />
greater Waynesville, St. Robert, and<br />
Fort Leonard Wood, M0., area. This<br />
12-screen theater will be situated on<br />
Highway I-44 at North Patriot Landing<br />
near the Waynesville high school<br />
on GW lane. All 12 auditoriums will<br />
have stadium seating, with high- back<br />
rocker-style seats, and Christie digital<br />
projection, and in select auditoriums<br />
3D RealD technology. All auditoriums<br />
will feature B&B’s latest design, with<br />
Dolby 7.1 digital surround sound as<br />
well as wall-to-wall curved screens,<br />
giving the customer a completely<br />
immersive moviegoing experience.<br />
The largest auditorium will feature<br />
the B&B Grand Screen, and will boast<br />
one of the largest screens in all of<br />
Missouri, six stories wide and three<br />
stories tall. The auditorium will feature<br />
an awe-inspiring sound system<br />
with more than 8,000 watts of sound,<br />
a massive floor-to-ceiling wall-to-wall<br />
curved screen, XL stadium seating<br />
for unobstructed viewing, and leather<br />
high-back rocker-style seats, making<br />
it one of the nicest and largest auditoriums<br />
in the area. Two auditoriums<br />
dubbed the Marquee Bar and Grill will<br />
feature plush VIP leather-style rocker<br />
chairs, extended menu options and<br />
a full bar and grill. These two auditoriums<br />
are for our guests 21 years of<br />
age and older. The Marquee Bar and<br />
Grill will be open daily and guests<br />
do not have to buy a movie ticket to<br />
enjoy the bar and grill. B&B expects a<br />
winter <strong>2013</strong> opening date.<br />
AUGUST <strong>2013</strong> BoxOffice ® <strong>Pro</strong> The Business of Movies 19