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Boxoffice® Pro - August 2013

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mounted with 24-sheets and playing circus<br />

music, began touring locally and neighboring<br />

communities, continuing this for four days.<br />

The radio station played circus music and received<br />

24 free spots from disk jockey Sam Depine.<br />

Disk jockey made personal appearance<br />

on the third night’s showing at our concession<br />

stand, which helped increase concession sales.<br />

The result was the most colossal business on<br />

any picture for the entire season. Please give<br />

us more like this one, Mr. <strong>Pro</strong>ducer. –Donald<br />

Morton, Joy Drive-In, Plaquemine, La. (Sept.<br />

22, 1956)<br />

BABY DOLL<br />

Karl Malden, Carroll Baker n This picture I<br />

will never forget. The acting of Carroll Baker<br />

was excellent. This show is a moneymaker<br />

even though the minister did go against us on<br />

this picture. Oh, well, that’s what we need—a<br />

little publicity. –L.J. Bennett, Princess Theatre,<br />

Farmington, Ill., pop. 2,651 (Apr. 19, 1957)<br />

THE GIRL CAN’T HELP IT<br />

Tom Ewell, Jayne Mansfield n For the rockand-roll<br />

fans. Very funny sequence where the<br />

star walks down the street. This brought down<br />

the house. Some women walked out. (They<br />

can’t all be Mansfield, eh!) –Michael Chiaventone,<br />

Valley Theatre, Spring Valley, Ill., pop.<br />

5,000 (May 18, 1957)<br />

REBEL WITHOUT A CAUSE<br />

James Dean, Natalie Wood n Played with<br />

East of Eden. Both of these James Dean movies<br />

still are good box office. Most people don’t<br />

seem to realize that he’s dead. –James C. Balkcom,<br />

Gray Theatre, Gray, Ga., pop. 866 (May<br />

18, 1957)<br />

PARDNERS<br />

Dean Martin, Jerry Lewis n As we played<br />

this after the stars parted company, the ending<br />

brought more chuckles than any part of the<br />

picture. For the benefit of those who didn’t<br />

play it, they sing “We’ll Always Be Pardners.”<br />

–Michael Chiaventone, Valley Theatre, Spring<br />

Valley, Ill., pop. 5,000 (May 25, 1957)<br />

THE RAINMAKER<br />

Burt Lancaster, Katharine Hepburn n The<br />

people of my town showed their good judgment<br />

by staying away from this chunk of ham.<br />

Those who came walked out on the second<br />

show, so I saved on the light bill. Is this one of<br />

the good pictures Barney Balaban was spouting<br />

about a few weeks ago? Hepburn has all<br />

the charm of an emaciated steer, with acting<br />

talent to match. Lancaster turns in one of his<br />

worst performances, which is too bad since<br />

the guy actually has considerable talent. He<br />

just needs someone to keep him from going<br />

off on these wild flights of overdone histrionics.<br />

Put this on television, Paramount, and<br />

drive the lost audience back to the theaters.<br />

–Frank. R. McLean, Roxy Theatre, Coulterville,<br />

Ill., pop. 1,160 (Aug. 17, 1957)<br />

THE TEN COMMANDMENTS<br />

Charlton Heston, Yul Brynner n With<br />

Technicolor, VistaVision, and everything<br />

else, Cecil B. and his The Ten Commandments<br />

brought people back in this house that haven’t<br />

been to a movie in 10 years. This one set all<br />

new records in cold, unpleasant weather. After<br />

two weeks, I hated to see it go. Buy it with<br />

holdover privileges and run it day and night.<br />

No walkouts or unfavorable comments. Better<br />

get hold of this one, and the sooner the better,<br />

sir. –Carlton Weaver, Carlton Theatre, Sulpher,<br />

Okla. (Feb. 24, 1958)<br />

THE PRINCE AND THE SHOWGIRL<br />

Marilyn Monroe, Laurence Olivier n<br />

This picture isn’t really longer than The Ten<br />

Commandments. It just seems longer. Lots<br />

of walkouts, a large percentage, that is. We<br />

seriously considered just locking up the third<br />

night rather than bore the few trusting souls<br />

who would lay their money on the line to get<br />

in. –Paul Ricketts, Ness Theatre, Ness City, Kas.,<br />

pop. 1,612 (Feb. 24, 1958)<br />

THE ROAD TO HONG KONG<br />

Bing Crosby, Bob Hope, Joan Collins n<br />

This one is a real turkey. Never had such poor<br />

business. It’s really fantastic how poorly this<br />

one did. It is a really fine picture, too. I’ll bet<br />

you already know why it failed, too. Naturally!<br />

All the other Road shows have been on TV, so<br />

everyone thought this one had been on, too.<br />

Had dozens of calls asking whether this had<br />

been on TV (which for me stands for “theater<br />

vulture”). I guess we exhibitors have our doom<br />

sealed by short-sighted executives who sell out<br />

to the Living Room “God.” –Don Stott, 301<br />

Drive-In, Waldorf, Md., pop. 1,100 (Sept. 17,<br />

1962)<br />

THE CABINET OF CALIGARI<br />

Glynis Johns, Dan O’Herlihy n Now everything<br />

has happened: have never canceled an<br />

advertised picture before, but had to do it in<br />

the case of The Cabinet of Caligari, 20th Fox<br />

release, a morbid and objectionable excuse<br />

for motion-picture entertainment. Booked<br />

this on the strength of a recommendation by<br />

the Fox salesman (who’s a helluva nice guy)<br />

and the review in one of the trade magazines,<br />

which listed it as “excellent.” Dated this as<br />

the top half of a double on the action change<br />

but pulled it, as mentioned above. It depresses<br />

and confuses throughout, with an explanation<br />

coming at a time when the impression formed<br />

previously is so strong that it falls on deaf<br />

ears. The mentally ill patient disrobing does<br />

not help the picture. –Otto Settele, Seemore<br />

Theatre, Seymour, Wis. (Sept. 24, 1962)<br />

NEW<br />

BUILD<br />

n B&B THEATRES is pleased to announce<br />

a new state-of-the-art all-digital<br />

projection 12-screener to serve the<br />

greater Waynesville, St. Robert, and<br />

Fort Leonard Wood, M0., area. This<br />

12-screen theater will be situated on<br />

Highway I-44 at North Patriot Landing<br />

near the Waynesville high school<br />

on GW lane. All 12 auditoriums will<br />

have stadium seating, with high- back<br />

rocker-style seats, and Christie digital<br />

projection, and in select auditoriums<br />

3D RealD technology. All auditoriums<br />

will feature B&B’s latest design, with<br />

Dolby 7.1 digital surround sound as<br />

well as wall-to-wall curved screens,<br />

giving the customer a completely<br />

immersive moviegoing experience.<br />

The largest auditorium will feature<br />

the B&B Grand Screen, and will boast<br />

one of the largest screens in all of<br />

Missouri, six stories wide and three<br />

stories tall. The auditorium will feature<br />

an awe-inspiring sound system<br />

with more than 8,000 watts of sound,<br />

a massive floor-to-ceiling wall-to-wall<br />

curved screen, XL stadium seating<br />

for unobstructed viewing, and leather<br />

high-back rocker-style seats, making<br />

it one of the nicest and largest auditoriums<br />

in the area. Two auditoriums<br />

dubbed the Marquee Bar and Grill will<br />

feature plush VIP leather-style rocker<br />

chairs, extended menu options and<br />

a full bar and grill. These two auditoriums<br />

are for our guests 21 years of<br />

age and older. The Marquee Bar and<br />

Grill will be open daily and guests<br />

do not have to buy a movie ticket to<br />

enjoy the bar and grill. B&B expects a<br />

winter <strong>2013</strong> opening date.<br />

AUGUST <strong>2013</strong> BoxOffice ® <strong>Pro</strong> The Business of Movies 19

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