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BoxOffice® Pro - May 2014

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CINEMACON <strong>2014</strong> > PANEL ROUND-UP<br />

Craig Dehmel, SVP, Sales & Strategic Planning, 20th Century Fox International<br />

and Paul Hanneman, Co-President, Fox International during the International<br />

Day Lunch<br />

Director Carlos Saldanha (Rio 2)<br />

and actor George Lopez pose<br />

during the International Day Lunch<br />

International Electronic Delivery:<br />

The Issues and Challenges that Lie<br />

Ahead<br />

Jean Mizrahi, CEO, Ymagis<br />

Jean Mizrahi spoke about satellite delivery and<br />

what the new distribution model can offer<br />

exhibitors. The CEO of digital leader Ymagis<br />

revealed that more European films are opting<br />

for pan-European distribution, expanding<br />

the reach of the continent’s national cinemas<br />

beyond their borders. Mizrahi also highlighted<br />

looming changes in the satellite delivery space,<br />

noting that the abundance of current providers<br />

will likely be consolidated in the near future.<br />

The World Has Gone Online: What’s<br />

Next and What Can You Do About<br />

It?<br />

Malcolm MacMillan, Business Development<br />

Director, Peach Digital Limited /<br />

Patrick Bjorkman, Design Director, Peach<br />

Digital Limited<br />

The duo from Peach Digital Limited spoke on<br />

the allure of unlocking the digital potential of<br />

today’s media landscape. Their presentation<br />

emphasized that every device and platform in<br />

today’s world can become a point of sale, highlighting<br />

the strong growth of cinema-oriented<br />

web traffic coming from mobile devices.<br />

International Day Lunch and Awards<br />

Sponsors: Christie, Doremi, Rentrak<br />

Theatrical<br />

Global Achievement Award in<br />

Exhibition<br />

Eddy Duquenne, CEO, Kinepolis Group<br />

CinemaCon Passepartout Award<br />

Craig Dehmel, SVP, Sales & Strategic<br />

Planning, 20th Century Fox International<br />

International Filmmaker of the Year<br />

Carlos Saldanha, Rio 2<br />

Rentrak International Box Office<br />

Achievement Award<br />

Warner Bros. Pictures<br />

Defying Gravity: Keeping Cinema<br />

Relevant in a Growing Multi-Option<br />

Viewing World<br />

Moderator: Steven Gaydos, Vice President,<br />

Executive Editor, Variety<br />

Panelists: Andrew Cripps, President<br />

EMEA & EVP, IMAX Corporation / Eddy<br />

Duquenne, CEO Kinepolis Group / Paul<br />

Heth, CEO & General Director, Karo Cinemas<br />

/ Alejandro Ramirez Magaña, CEO,<br />

Cinépolis / Justin Skinner, Vice President,<br />

Marketing, Cineworld<br />

Cinepolis CEO Alejandro Ramirez Magaña<br />

reminded CinemaCon attendees of the importance<br />

of international exhibitors by pointing<br />

out that the recent upscale cinema trend began<br />

abroad. His company has been responsible for<br />

popularizing luxury cinemas in Latin America<br />

and has begun to make inroads in the United<br />

States with an upscale expansion. Kinepolis<br />

CEO Eddy Duquenne emphasized that this type<br />

of innovation is crucial in driving the exhibition<br />

industry forward by implementing more creative<br />

concepts. Justin Skinner, VP of marketing at<br />

Cineworld, offered the airport industry as an<br />

example of redefining the social and practical use<br />

of a space by adding shopping options for consumers:<br />

“At the end of the day, we’re retailers.”<br />

The CEO of Russian exhibitor Karo, Paul Heth,<br />

raised the issue of appealing to a graying consumer<br />

base by noting the frequency of filmgoers<br />

35 years of age and older. That crowd, according<br />

to Heth, tends to favor Russian blockbusters<br />

over Hollywood fare. IMAX experienced this<br />

phenomenon firsthand with the Russian film<br />

Stalingrad, released in IMAX 3D. It is part of<br />

what Andrew Cripps, president EMEA and EVP<br />

of IMAX, calls “the globalization of content.”<br />

IMAX is seeing a surge in international markets,<br />

with strong interest coming from China and<br />

Russia, and is responding by getting involved<br />

with domestic productions from those markets.<br />

Ramirez, however, insists that the graying audience<br />

isn’t widespread—more than 60 percent of<br />

tickets sold in Mexico were to filmgoers between<br />

the ages of 15 and 35, and only 5 percent to<br />

patrons over 50. That doesn’t mean that domestic<br />

films don’t work across age groups in Latin<br />

America; Mexico had two domestic films crack<br />

its annual top 10 in box office last year.<br />

42 BoxOffice ® <strong>Pro</strong> The Business of Movies MAY <strong>2014</strong>

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