BoxOffice® Pro - May 2014
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CINEMACON <strong>2014</strong> > PANEL ROUND-UP<br />
Craig Dehmel, SVP, Sales & Strategic Planning, 20th Century Fox International<br />
and Paul Hanneman, Co-President, Fox International during the International<br />
Day Lunch<br />
Director Carlos Saldanha (Rio 2)<br />
and actor George Lopez pose<br />
during the International Day Lunch<br />
International Electronic Delivery:<br />
The Issues and Challenges that Lie<br />
Ahead<br />
Jean Mizrahi, CEO, Ymagis<br />
Jean Mizrahi spoke about satellite delivery and<br />
what the new distribution model can offer<br />
exhibitors. The CEO of digital leader Ymagis<br />
revealed that more European films are opting<br />
for pan-European distribution, expanding<br />
the reach of the continent’s national cinemas<br />
beyond their borders. Mizrahi also highlighted<br />
looming changes in the satellite delivery space,<br />
noting that the abundance of current providers<br />
will likely be consolidated in the near future.<br />
The World Has Gone Online: What’s<br />
Next and What Can You Do About<br />
It?<br />
Malcolm MacMillan, Business Development<br />
Director, Peach Digital Limited /<br />
Patrick Bjorkman, Design Director, Peach<br />
Digital Limited<br />
The duo from Peach Digital Limited spoke on<br />
the allure of unlocking the digital potential of<br />
today’s media landscape. Their presentation<br />
emphasized that every device and platform in<br />
today’s world can become a point of sale, highlighting<br />
the strong growth of cinema-oriented<br />
web traffic coming from mobile devices.<br />
International Day Lunch and Awards<br />
Sponsors: Christie, Doremi, Rentrak<br />
Theatrical<br />
Global Achievement Award in<br />
Exhibition<br />
Eddy Duquenne, CEO, Kinepolis Group<br />
CinemaCon Passepartout Award<br />
Craig Dehmel, SVP, Sales & Strategic<br />
Planning, 20th Century Fox International<br />
International Filmmaker of the Year<br />
Carlos Saldanha, Rio 2<br />
Rentrak International Box Office<br />
Achievement Award<br />
Warner Bros. Pictures<br />
Defying Gravity: Keeping Cinema<br />
Relevant in a Growing Multi-Option<br />
Viewing World<br />
Moderator: Steven Gaydos, Vice President,<br />
Executive Editor, Variety<br />
Panelists: Andrew Cripps, President<br />
EMEA & EVP, IMAX Corporation / Eddy<br />
Duquenne, CEO Kinepolis Group / Paul<br />
Heth, CEO & General Director, Karo Cinemas<br />
/ Alejandro Ramirez Magaña, CEO,<br />
Cinépolis / Justin Skinner, Vice President,<br />
Marketing, Cineworld<br />
Cinepolis CEO Alejandro Ramirez Magaña<br />
reminded CinemaCon attendees of the importance<br />
of international exhibitors by pointing<br />
out that the recent upscale cinema trend began<br />
abroad. His company has been responsible for<br />
popularizing luxury cinemas in Latin America<br />
and has begun to make inroads in the United<br />
States with an upscale expansion. Kinepolis<br />
CEO Eddy Duquenne emphasized that this type<br />
of innovation is crucial in driving the exhibition<br />
industry forward by implementing more creative<br />
concepts. Justin Skinner, VP of marketing at<br />
Cineworld, offered the airport industry as an<br />
example of redefining the social and practical use<br />
of a space by adding shopping options for consumers:<br />
“At the end of the day, we’re retailers.”<br />
The CEO of Russian exhibitor Karo, Paul Heth,<br />
raised the issue of appealing to a graying consumer<br />
base by noting the frequency of filmgoers<br />
35 years of age and older. That crowd, according<br />
to Heth, tends to favor Russian blockbusters<br />
over Hollywood fare. IMAX experienced this<br />
phenomenon firsthand with the Russian film<br />
Stalingrad, released in IMAX 3D. It is part of<br />
what Andrew Cripps, president EMEA and EVP<br />
of IMAX, calls “the globalization of content.”<br />
IMAX is seeing a surge in international markets,<br />
with strong interest coming from China and<br />
Russia, and is responding by getting involved<br />
with domestic productions from those markets.<br />
Ramirez, however, insists that the graying audience<br />
isn’t widespread—more than 60 percent of<br />
tickets sold in Mexico were to filmgoers between<br />
the ages of 15 and 35, and only 5 percent to<br />
patrons over 50. That doesn’t mean that domestic<br />
films don’t work across age groups in Latin<br />
America; Mexico had two domestic films crack<br />
its annual top 10 in box office last year.<br />
42 BoxOffice ® <strong>Pro</strong> The Business of Movies MAY <strong>2014</strong>