BoxOffice® Pro - May 2014
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CINEMACON <strong>2014</strong> > PANEL ROUND-UP<br />
Scott Mantz, Film Critic & <strong>Pro</strong>ducer,<br />
Access Hollywood, speaks during the<br />
Rotten Tomatoes panel.<br />
Ken Masson Inter-Society Award recipient Jack Kline, Chairman, President and CEO<br />
of Christie’s Operating Companies and Susie Beiersdorf, the Inter-Society’s President<br />
and VP of Sales at Sony Electronics<br />
Rotten Tomatoes Critics vs. the<br />
Audience: The Relevance of Film<br />
Critics Today<br />
Moderators: Matt Atchity, Editor-in-Chief,<br />
Rotten Tomatoes / Grae Drake, Senior<br />
Editor, Rotten Tomatoes<br />
Panelists: Christie Lemire, Film Critic,<br />
Associated Press / Leonard Maltin, Host,<br />
Maltin on Movies / Scott Mantz, Film<br />
Critic & <strong>Pro</strong>ducer, Access Hollywood /<br />
Claudia Puig, Film Critic, USA Today<br />
The role that film critics play served as a<br />
backdrop for this lively, interactive panel that<br />
encouraged attendees to challenge the views of<br />
some of the nation’s top critics on key movies.<br />
The debate rages as to whether recommendations<br />
through social media now mean more<br />
than what critics think. “Nothing’s stronger<br />
than word of mouth,” Leonard Maltin said<br />
on the panel. “But critics sometimes start the<br />
conversation because we see the film first.”<br />
DAY 2<br />
TUESDAY, MARCH 25<br />
Inside the Cinema: Breakfast,<br />
Awards Ceremony, and Special<br />
<strong>Pro</strong>gram<br />
Sponsors: Reynolds & Reynolds, Vantiv<br />
<strong>2014</strong> Bert Nathan Award<br />
Timothy A. Farha, Customer Development<br />
Manager, Nestlé USA<br />
Ken Masson Inter-Society Award<br />
Jack Kline, Chairman, President & CEO,<br />
Digiplex Destinations<br />
The cinema industry would not be what it is<br />
without great concessions and exciting technology,<br />
so it’s fitting that two leaders in those fields<br />
were honored at this year’s event. Timothy A.<br />
Farha’s involvement in the National Association<br />
of Concessionaires has helped the organization<br />
immensely. Jack Kline’s leadership at Christie<br />
for more than 35 years has helped the cinema<br />
business achieve new technological heights.<br />
Alternative Content Part I: Everything<br />
You Wanted to Know About<br />
Alternative Content and Event Cinema<br />
but Were Afraid to Ask<br />
Bud <strong>May</strong>o, Chairman & CEO, Digiplex<br />
Destination<br />
Alternative content is far from a passing trend.<br />
It’s here to stay. Bud <strong>May</strong>o led attendees<br />
through key questions concerning scheduling,<br />
content providers, and delivery. The potential<br />
is there for all exhibitors to increase business<br />
by finding specialized content that will really<br />
engage their communities.<br />
DAY 3<br />
WEDNESDAY, MARCH 26<br />
The Affordable Care Act:<br />
“Obamacare”—Managing Your Legal<br />
Responsibility<br />
Steve Gooding, President, Benefits<br />
Division, Reynolds & Reynolds / Stan W.<br />
Reynolds, Vice President, Reynolds &<br />
Reynolds<br />
The Affordable Care Act will have an impact<br />
on many businesses in our country, and the<br />
exhibition industry is one of them. This panel<br />
helped attendees better understand what<br />
these changes will mean for their respective<br />
businesses.<br />
From Passion to the Big Screen: The<br />
Work of Christopher Nolan<br />
Sponsors: Barco, The Hollywood Reporter<br />
Christopher Nolan took some time off from<br />
supervising the editing of Interstellar to join<br />
a lunchtime conversation moderated by the<br />
Hollywood Reporter’s chief film critic Todd<br />
McCarthy. Nolan remained tight-lipped<br />
on details about Interstellar two days after<br />
Paramount’s presentation at CinemaCon failed<br />
to reveal any new information on the project,<br />
only suggesting that audiences are in store for<br />
a visual feast this fall. Nolan’s last films have<br />
been released over the summer, but Interstellar<br />
will be premiering in November in order to<br />
accommodate the film’s special effects.<br />
“We shot quite a lot of film on IMAX, more<br />
than we have ever done in the past,” said the<br />
director. “What we’re trying to do is give audiences<br />
an incredible experience, an immersive<br />
experience,” he said. “On this film, the technical<br />
aspects of how the film is presented are more important<br />
than on any other film I’ve ever done.”<br />
Not Showing at Your Theater: DCDC<br />
and the World of Content Delivery<br />
Moderator: Brian McKay, EVP of <strong>Pro</strong>duct<br />
Operations, Warner Bros. Technical<br />
Operations<br />
Panelists: Noah Bergman, VP, Content<br />
Services, Universal Pictures / Randy<br />
Blotky, CEO, DCDC / Ron Krueger II,<br />
44 BoxOffice ® <strong>Pro</strong> The Business of Movies MAY <strong>2014</strong>