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Effects of integral stimulation therapy on speech - Portland State ...

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simultaneously with the child, provided an imitative model for the child, pointed to the<br />

printed word under the stimulus picture, mouthed the /s/ blend sounds, or provided any<br />

combinati<strong>on</strong> <str<strong>on</strong>g>of</str<strong>on</strong>g> mirrors and other supportive visuals for the child.<br />

The child was given specific feedback in resp<strong>on</strong>se to his correct and incorrect<br />

producti<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g> target sounds (extrinsic feedback). Feedback such as “I heard the /s/ sound<br />

but not the /n/. Let’s try again with both sounds.” Clinician gave the child pictures <str<strong>on</strong>g>of</str<strong>on</strong>g> /s/<br />

and /n/ with oral placements and letters below to stick <strong>on</strong> a mirror. The child ordered the<br />

cards mouthing each /s/ and /n/ oral placement as pictured. The clinician and the child<br />

repeatedly practiced the sound simultaneously, <str<strong>on</strong>g>of</str<strong>on</strong>g>ten lengthening the sounds for<br />

emphasis. They m<strong>on</strong>itored their own oral placements in the mirror until the sound could<br />

be produced correctly and c<strong>on</strong>sistently. The clinician gave the child feedback as to the<br />

accuracy <str<strong>on</strong>g>of</str<strong>on</strong>g> his producti<strong>on</strong>, and also provided the child with specific feedback so that he<br />

could make the minute adjustments needed for improved producti<strong>on</strong>s. This feedback is at<br />

the core <str<strong>on</strong>g>of</str<strong>on</strong>g> what makes <str<strong>on</strong>g>integral</str<strong>on</strong>g> <str<strong>on</strong>g>stimulati<strong>on</strong></str<strong>on</strong>g> so effective. Individuals with motor <strong>speech</strong><br />

disorders are first given the tools to m<strong>on</strong>itor specific <strong>speech</strong> movements by way <str<strong>on</strong>g>of</str<strong>on</strong>g><br />

clinician feedback. As they become more pr<str<strong>on</strong>g>of</str<strong>on</strong>g>icient with their sound producti<strong>on</strong>s, they<br />

begin to develop the skills needed to m<strong>on</strong>itor their own <strong>speech</strong> producti<strong>on</strong>s.<br />

The child was encouraged to develop familiarity with how a particular target<br />

feels, looks, and sounds (intrinsic feedback). Tactile feedback included questi<strong>on</strong>s such as:<br />

Does it create wind when it flows out <str<strong>on</strong>g>of</str<strong>on</strong>g> the mouth (putting hands in fr<strong>on</strong>t <str<strong>on</strong>g>of</str<strong>on</strong>g> clinician’s<br />

and child’s mouth to feel air flow)? Is it voiced or unvoiced (feeling for vibrati<strong>on</strong>s <str<strong>on</strong>g>of</str<strong>on</strong>g><br />

voiced sounds <strong>on</strong> the throat for differentiating /v/ from /f/ sounds)? Can the child feel his<br />

t<strong>on</strong>gue touching his upper teeth when attempting the “th” sound?<br />

46

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