ARC101 Theory of Architecture - SRM University

More documents

Recommendations

Info

The Fibonacci Numbers in Nature Continued Lilies and irises = 3 petals Buttercups and wild roses = 5 petals Corn marigolds = 13 petals Black-eyed Susan’s = 21 petals
The Fibonacci Numbers in Nature Continued ~ Fibonacci spirals can be made through the use of visual computer programs ~ Each sequence of layers is a certain linear combination of previous ones
Page 1:
ARC101 Theory of Architecture Handl
Page 4 and 5:
Definition of Architecture 1. Origi
Page 6 and 7:
Elements of Architecture Volume - 3
Page 8 and 9:
Elements of Architecture Volume - P
Page 10 and 11:
Elements of form defining space Hor
Page 12 and 13:
Elements of form defining space par
Page 14 and 15:
Page 16 and 17:
Page 18 and 19:
Page 20 and 21:
Elements of form defining space OVE
Page 22 and 23:
Elements of form defining space Roo
Page 24 and 25:
Elements of form defining space Cei
Page 26 and 27:
Elements of form defining space Sin
Page 28 and 29:
Single vertical plane Provides litt
Page 30 and 31:
Linear elements marks the corners a
Page 32 and 33:
Openings in space defining elements
Page 34 and 35:
PRIMARY SOLIDS •SPHERE
Page 36 and 37:
•PYRAMID
Page 38 and 39:
CYLINDER
Page 40 and 41:
Visual effect •Pure convex form e
Page 42 and 43:
Inside the sphere •There is a dra
Page 44 and 45:
Derivatives of sphere - Hemisphere
Page 46 and 47:
Al Dar Headquarters | MZ Architects
Page 48 and 49:
•Location: Sanchi, Madhya Pradesh
Page 50 and 51:
OPENINGS •Interrupt continuity of
Page 52 and 53:
CUBE • Six equal square sides •
Page 54 and 55:
INSIDE CUBE •Space inside cube is
Page 56 and 57:
Street in Dublin Apt in las vegas
Page 58 and 59: Water Cube, also known as the Natio
Page 60 and 61: The Cube Condo Hotel , DUBAI It’s
Page 62 and 63: SECTION OF THE PYRAMID •Flat topp
Page 64 and 65: cylinder Rounded surface.In far dis
Page 66 and 67: Sections of cylinder
Page 68 and 69: Subtractive transformation Form can
Page 71 and 72: ADDITIVE TRANSFORMATION •AA form
Page 73 and 74: ADDITIVE FORM - TYPES
Page 75 and 76: Central Organization •It is a sta
Page 77 and 78: Dominant central form - sphere , cy
Page 79 and 80: Baker House , MIT M.I.T , Massachus
Page 81 and 82: •Extroverted in nature . •Relat
Page 83 and 84: •interlock their volume and merge
Page 85: The Gunma Museum of Fine Arts is an
Page 88: GLASS HOUSE , Connecticut , Philip
Page 91 and 92: UNIT ‐2
Page 93 and 94: Proportion 1. The relationship betw
Page 95 and 96: Manufactured Proportion Many archi
Page 97 and 98: Golden section Rectangle one: Ratio
Page 99 and 100: The Human Body The human body is ba
Page 101 and 102: The Fibonacci Numbers 1. He introdu
Page 103: Drawing golden rectangle
Page 106 and 107: The Fibonacci Numbers in Nature ~ F
Page 110 and 111: The Fibonacci Numbers in Nt Nature
Page 112 and 113: The Fibonacci Numbers in Nature Con
Page 114: The Golden Section in Architecture
Page 119 and 120: Ideal shape for room
Page 121 and 122: ANTHROPOMETRY The measurement of th
Page 125 and 126: •Size of the floor mat depends on
Page 127 and 128: 1. Axis is a linear condition it ha
Page 130 and 131: SYMMETRY
Page 132 and 133: Two types Bilateral symmetry In bil
Page 134 and 135: Symmetrical Asymmetrical Santiago C
Page 136 and 137: Balance • Symmetrical and Asymmet
Page 138 and 139: UNIT ‐ 3
Page 140 and 141: Approach- The Distant View Fir
Page 142 and 143: Frontal: Villa Barbaro, Andrea Pall
Page 144 and 145: OBLIQUE GLASS HOUSE, PHILIP JOHNSON
Page 146 and 147: Entrance- Exterior to Interior 1. F
Page 148 and 149: Taj Mahal
Page 150 and 151: Flushed entrance - John F Kennedy m
Page 152 and 153: PROJECTED RECESSED Mill owners asso
Page 154 and 155: 1Li 1.Linear Path
Page 156 and 157: 3. Spiral path - Great Salt Lake.
Page 158 and 159:
5.Network : Paris
Page 160 and 161:
Path - space relationships, Edges,
Page 162 and 163:
2. Pass Through Spaces:
Page 164 and 165:
Form of circulation Space- Corridor
Page 166 and 167:
• Width & Height should be propor
Page 168 and 169:
Closed on both sides
Page 170 and 171:
Open on one side Closed on both sid
Page 172 and 173:
Grand Staircase, Paris opera a hous
Page 174:
PARTS OF A STAIR
Page 177 and 178:
1. Straight-run Stair
Page 179 and 180:
2. L-Shaped Stair
Page 181 and 182:
4. Circular Stair
Page 183 and 184:
Double Helix Stairs
Page 189 and 190:
Unit ‐44
Page 191 and 192:
Unity Principle of unity is concern
Page 193 and 194:
Falling Water house‐ Use of mater
Page 195 and 196:
Harmony •Fitting together all par
Page 197 and 198:
Harmony Harmony in Greek temple by:
Page 199 and 200:
Vitality It is provided mainly by c
Page 201 and 202:
VITALITY • the facade of the buil
Page 203 and 204:
Toyo ito The facade of criss‐cros
Page 205 and 206:
Pavilion called Leonardo Glass Cube
Page 207 and 208:
UNIT ‐5
Page 209:
Integration of aesthetics and funct
Page 213 and 214:
ANALYSIS CAN BE DONE BY MEANS OF DI
Page 215 and 216:
NOTRE DAMN DUE HAUT CHAPEL Notre da
Page 219:
Bibliography Francis D. K. Ching, A
show all

ARC101 Theory of Architecture - SRM University

Create successful ePaper yourself

Delete template?

Save as template?