ARC101 Theory of Architecture - SRM University

More documents

Recommendations

Info

EMPHASIS Stress, Accent or Prominence A forcible or impressive i expression An insistent or vigorous way of attributing importance or enforcing attention Horizontal or vertical dominance by the composition of forms. By surface articulation ,Linear pattern of windows Vertical projecting columns ,Fins on the surface, bands, Roof projections Textures etc
Toyo ito The facade of criss‐crossed concrete braces reinterprets the silhouettes of the elm trees lining the street. Serpentine Gallery Pavilion (2002) in London. NEW ARTS BUILDING , England
Page 1:
ARC101 Theory of Architecture Handl
Page 4 and 5:
Definition of Architecture 1. Origi
Page 6 and 7:
Elements of Architecture Volume - 3
Page 8 and 9:
Elements of Architecture Volume - P
Page 10 and 11:
Elements of form defining space Hor
Page 12 and 13:
Elements of form defining space par
Page 14 and 15:
Page 16 and 17:
Page 18 and 19:
Page 20 and 21:
Elements of form defining space OVE
Page 22 and 23:
Elements of form defining space Roo
Page 24 and 25:
Elements of form defining space Cei
Page 26 and 27:
Elements of form defining space Sin
Page 28 and 29:
Single vertical plane Provides litt
Page 30 and 31:
Linear elements marks the corners a
Page 32 and 33:
Openings in space defining elements
Page 34 and 35:
PRIMARY SOLIDS •SPHERE
Page 36 and 37:
•PYRAMID
Page 38 and 39:
CYLINDER
Page 40 and 41:
Visual effect •Pure convex form e
Page 42 and 43:
Inside the sphere •There is a dra
Page 44 and 45:
Derivatives of sphere - Hemisphere
Page 46 and 47:
Al Dar Headquarters | MZ Architects
Page 48 and 49:
•Location: Sanchi, Madhya Pradesh
Page 50 and 51:
OPENINGS •Interrupt continuity of
Page 52 and 53:
CUBE • Six equal square sides •
Page 54 and 55:
INSIDE CUBE •Space inside cube is
Page 56 and 57:
Street in Dublin Apt in las vegas
Page 58 and 59:
Water Cube, also known as the Natio
Page 60 and 61:
The Cube Condo Hotel , DUBAI It’s
Page 62 and 63:
SECTION OF THE PYRAMID •Flat topp
Page 64 and 65:
cylinder Rounded surface.In far dis
Page 66 and 67:
Sections of cylinder
Page 68 and 69:
Subtractive transformation Form can
Page 71 and 72:
ADDITIVE TRANSFORMATION •AA form
Page 73 and 74:
ADDITIVE FORM - TYPES
Page 75 and 76:
Central Organization •It is a sta
Page 77 and 78:
Dominant central form - sphere , cy
Page 79 and 80:
Baker House , MIT M.I.T , Massachus
Page 81 and 82:
•Extroverted in nature . •Relat
Page 83 and 84:
•interlock their volume and merge
Page 85:
The Gunma Museum of Fine Arts is an
Page 88:
GLASS HOUSE , Connecticut , Philip
Page 91 and 92:
UNIT ‐2
Page 93 and 94:
Proportion 1. The relationship betw
Page 95 and 96:
Manufactured Proportion Many archi
Page 97 and 98:
Golden section Rectangle one: Ratio
Page 99 and 100:
The Human Body The human body is ba
Page 101 and 102:
The Fibonacci Numbers 1. He introdu
Page 103:
Drawing golden rectangle
Page 106 and 107:
The Fibonacci Numbers in Nature ~ F
Page 108 and 109:
The Fibonacci Numbers in Nature Con
Page 110 and 111:
The Fibonacci Numbers in Nt Nature
Page 112 and 113:
The Fibonacci Numbers in Nature Con
Page 114:
The Golden Section in Architecture
Page 119 and 120:
Ideal shape for room
Page 121 and 122:
ANTHROPOMETRY The measurement of th
Page 125 and 126:
•Size of the floor mat depends on
Page 127 and 128:
1. Axis is a linear condition it ha
Page 130 and 131:
SYMMETRY
Page 132 and 133:
Two types Bilateral symmetry In bil
Page 134 and 135:
Symmetrical Asymmetrical Santiago C
Page 136 and 137:
Balance • Symmetrical and Asymmet
Page 138 and 139:
UNIT ‐ 3
Page 140 and 141:
Approach- The Distant View Fir
Page 142 and 143:
Frontal: Villa Barbaro, Andrea Pall
Page 144 and 145:
OBLIQUE GLASS HOUSE, PHILIP JOHNSON
Page 146 and 147:
Entrance- Exterior to Interior 1. F
Page 148 and 149:
Taj Mahal
Page 150 and 151:
Flushed entrance - John F Kennedy m
Page 152 and 153: PROJECTED RECESSED Mill owners asso
Page 154 and 155: 1Li 1.Linear Path
Page 156 and 157: 3. Spiral path - Great Salt Lake.
Page 158 and 159: 5.Network : Paris
Page 160 and 161: Path - space relationships, Edges,
Page 162 and 163: 2. Pass Through Spaces:
Page 164 and 165: Form of circulation Space- Corridor
Page 166 and 167: • Width & Height should be propor
Page 168 and 169: Closed on both sides
Page 170 and 171: Open on one side Closed on both sid
Page 172 and 173: Grand Staircase, Paris opera a hous
Page 174: PARTS OF A STAIR
Page 177 and 178: 1. Straight-run Stair
Page 179 and 180: 2. L-Shaped Stair
Page 181 and 182: 4. Circular Stair
Page 183 and 184: Double Helix Stairs
Page 189 and 190: Unit ‐44
Page 191 and 192: Unity Principle of unity is concern
Page 193 and 194: Falling Water house‐ Use of mater
Page 195 and 196: Harmony •Fitting together all par
Page 197 and 198: Harmony Harmony in Greek temple by:
Page 199 and 200: Vitality It is provided mainly by c
Page 201: VITALITY • the facade of the buil
Page 205 and 206: Pavilion called Leonardo Glass Cube
Page 207 and 208: UNIT ‐5
Page 209: Integration of aesthetics and funct
Page 213 and 214: ANALYSIS CAN BE DONE BY MEANS OF DI
Page 215 and 216: NOTRE DAMN DUE HAUT CHAPEL Notre da
Page 219: Bibliography Francis D. K. Ching, A
show all

ARC101 Theory of Architecture - SRM University

You also want an ePaper? Increase the reach of your titles

Delete template?

Save as template?