ARC101 Theory of Architecture - SRM University

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EMPHASIS Stress, Accent or Prominence A forcible or impressive i expression An insistent or vigorous way of attributing importance or enforcing attention Horizontal or vertical dominance by the composition of forms. By surface articulation ,Linear pattern of windows Vertical projecting columns ,Fins on the surface, bands, Roof projections Textures etc
Toyo ito The facade of criss‐crossed concrete braces reinterprets the silhouettes of the elm trees lining the street. Serpentine Gallery Pavilion (2002) in London. NEW ARTS BUILDING , England
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ARC101 Theory of Architecture Handl
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Definition of Architecture 1. Origi
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Elements of Architecture Volume - 3
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Elements of Architecture Volume - P
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Elements of form defining space Hor
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Elements of form defining space par
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Elements of form defining space OVE
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Elements of form defining space Roo
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Elements of form defining space Cei
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Elements of form defining space Sin
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Single vertical plane Provides litt
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Linear elements marks the corners a
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Openings in space defining elements
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PRIMARY SOLIDS •SPHERE
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•PYRAMID
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CYLINDER
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Visual effect •Pure convex form e
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Inside the sphere •There is a dra
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Derivatives of sphere - Hemisphere
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Al Dar Headquarters | MZ Architects
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•Location: Sanchi, Madhya Pradesh
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OPENINGS •Interrupt continuity of
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CUBE • Six equal square sides •
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INSIDE CUBE •Space inside cube is
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Street in Dublin Apt in las vegas
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Water Cube, also known as the Natio
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The Cube Condo Hotel , DUBAI It’s
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SECTION OF THE PYRAMID •Flat topp
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cylinder Rounded surface.In far dis
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Sections of cylinder
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Subtractive transformation Form can
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ADDITIVE TRANSFORMATION •AA form
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ADDITIVE FORM - TYPES
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Central Organization •It is a sta
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Dominant central form - sphere , cy
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Baker House , MIT M.I.T , Massachus
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•Extroverted in nature . •Relat
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•interlock their volume and merge
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The Gunma Museum of Fine Arts is an
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GLASS HOUSE , Connecticut , Philip
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UNIT ‐2
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Proportion 1. The relationship betw
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Manufactured Proportion Many archi
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Golden section Rectangle one: Ratio
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The Human Body The human body is ba
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The Fibonacci Numbers 1. He introdu
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Drawing golden rectangle
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The Fibonacci Numbers in Nature ~ F
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The Fibonacci Numbers in Nature Con
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The Fibonacci Numbers in Nt Nature
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The Fibonacci Numbers in Nature Con
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The Golden Section in Architecture
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Ideal shape for room
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ANTHROPOMETRY The measurement of th
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•Size of the floor mat depends on
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1. Axis is a linear condition it ha
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SYMMETRY
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Two types Bilateral symmetry In bil
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Symmetrical Asymmetrical Santiago C
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Balance • Symmetrical and Asymmet
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UNIT ‐ 3
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Approach- The Distant View Fir
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Frontal: Villa Barbaro, Andrea Pall
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OBLIQUE GLASS HOUSE, PHILIP JOHNSON
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Entrance- Exterior to Interior 1. F
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Taj Mahal
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Flushed entrance - John F Kennedy m
Page 152 and 153: PROJECTED RECESSED Mill owners asso
Page 154 and 155: 1Li 1.Linear Path
Page 156 and 157: 3. Spiral path - Great Salt Lake.
Page 158 and 159: 5.Network : Paris
Page 160 and 161: Path - space relationships, Edges,
Page 162 and 163: 2. Pass Through Spaces:
Page 164 and 165: Form of circulation Space- Corridor
Page 166 and 167: • Width & Height should be propor
Page 168 and 169: Closed on both sides
Page 170 and 171: Open on one side Closed on both sid
Page 172 and 173: Grand Staircase, Paris opera a hous
Page 174: PARTS OF A STAIR
Page 177 and 178: 1. Straight-run Stair
Page 179 and 180: 2. L-Shaped Stair
Page 181 and 182: 4. Circular Stair
Page 183 and 184: Double Helix Stairs
Page 189 and 190: Unit ‐44
Page 191 and 192: Unity Principle of unity is concern
Page 193 and 194: Falling Water house‐ Use of mater
Page 195 and 196: Harmony •Fitting together all par
Page 197 and 198: Harmony Harmony in Greek temple by:
Page 199 and 200: Vitality It is provided mainly by c
Page 201: VITALITY • the facade of the buil
Page 205 and 206: Pavilion called Leonardo Glass Cube
Page 207 and 208: UNIT ‐5
Page 209: Integration of aesthetics and funct
Page 213 and 214: ANALYSIS CAN BE DONE BY MEANS OF DI
Page 215 and 216: NOTRE DAMN DUE HAUT CHAPEL Notre da
Page 219: Bibliography Francis D. K. Ching, A
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ARC101 Theory of Architecture - SRM University

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