ARC101 Theory of Architecture - SRM University

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INSIDE CUBE •Space inside cube is bounded in plane surface , lines and corners. •Corners wont project towards the observer but recede away from him. •When it is treated little bit , it grasps the attention than others Falling water in Pennsylvania
Cuboid Altering the equal sides of the cube, cuboid is obtained. The volume is spread in particular direction either horizontal or vertical , irrespective of the surface. Each mass has a longer side and Shorter side. Surface lines are emphasized than corners. Horizontality – urban street. ( because of the continuity one hesitates to stop unless opening is created ) Verticality – high rise building ( both physical and visual tension makes it dominating visual entity)
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ARC101 Theory of Architecture Handl
Page 4 and 5: Definition of Architecture 1. Origi
Page 6 and 7: Elements of Architecture Volume - 3
Page 8 and 9: Elements of Architecture Volume - P
Page 10 and 11: Elements of form defining space Hor
Page 12 and 13: Elements of form defining space par
Page 20 and 21: Elements of form defining space OVE
Page 22 and 23: Elements of form defining space Roo
Page 24 and 25: Elements of form defining space Cei
Page 26 and 27: Elements of form defining space Sin
Page 28 and 29: Single vertical plane Provides litt
Page 30 and 31: Linear elements marks the corners a
Page 32 and 33: Openings in space defining elements
Page 34 and 35: PRIMARY SOLIDS •SPHERE
Page 36 and 37: •PYRAMID
Page 38 and 39: CYLINDER
Page 40 and 41: Visual effect •Pure convex form e
Page 42 and 43: Inside the sphere •There is a dra
Page 44 and 45: Derivatives of sphere - Hemisphere
Page 46 and 47: Al Dar Headquarters | MZ Architects
Page 48 and 49: •Location: Sanchi, Madhya Pradesh
Page 50 and 51: OPENINGS •Interrupt continuity of
Page 52 and 53: CUBE • Six equal square sides •
Page 56 and 57: Street in Dublin Apt in las vegas
Page 58 and 59: Water Cube, also known as the Natio
Page 60 and 61: The Cube Condo Hotel , DUBAI It’s
Page 62 and 63: SECTION OF THE PYRAMID •Flat topp
Page 64 and 65: cylinder Rounded surface.In far dis
Page 66 and 67: Sections of cylinder
Page 68 and 69: Subtractive transformation Form can
Page 71 and 72: ADDITIVE TRANSFORMATION •AA form
Page 73 and 74: ADDITIVE FORM - TYPES
Page 75 and 76: Central Organization •It is a sta
Page 77 and 78: Dominant central form - sphere , cy
Page 79 and 80: Baker House , MIT M.I.T , Massachus
Page 81 and 82: •Extroverted in nature . •Relat
Page 83 and 84: •interlock their volume and merge
Page 85: The Gunma Museum of Fine Arts is an
Page 88: GLASS HOUSE , Connecticut , Philip
Page 91 and 92: UNIT ‐2
Page 93 and 94: Proportion 1. The relationship betw
Page 95 and 96: Manufactured Proportion Many archi
Page 97 and 98: Golden section Rectangle one: Ratio
Page 99 and 100: The Human Body The human body is ba
Page 101 and 102: The Fibonacci Numbers 1. He introdu
Page 103: Drawing golden rectangle
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The Fibonacci Numbers in Nature ~ F
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The Fibonacci Numbers in Nature Con
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The Fibonacci Numbers in Nt Nature
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The Fibonacci Numbers in Nature Con
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The Golden Section in Architecture
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Ideal shape for room
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ANTHROPOMETRY The measurement of th
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•Size of the floor mat depends on
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1. Axis is a linear condition it ha
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SYMMETRY
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Two types Bilateral symmetry In bil
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Symmetrical Asymmetrical Santiago C
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Balance • Symmetrical and Asymmet
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UNIT ‐ 3
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Approach- The Distant View Fir
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Frontal: Villa Barbaro, Andrea Pall
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OBLIQUE GLASS HOUSE, PHILIP JOHNSON
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Entrance- Exterior to Interior 1. F
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Taj Mahal
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Flushed entrance - John F Kennedy m
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PROJECTED RECESSED Mill owners asso
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1Li 1.Linear Path
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3. Spiral path - Great Salt Lake.
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5.Network : Paris
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Path - space relationships, Edges,
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2. Pass Through Spaces:
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Form of circulation Space- Corridor
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• Width & Height should be propor
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Closed on both sides
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Open on one side Closed on both sid
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Grand Staircase, Paris opera a hous
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PARTS OF A STAIR
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1. Straight-run Stair
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2. L-Shaped Stair
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4. Circular Stair
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Double Helix Stairs
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Unit ‐44
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Unity Principle of unity is concern
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Falling Water house‐ Use of mater
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Harmony •Fitting together all par
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Harmony Harmony in Greek temple by:
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Vitality It is provided mainly by c
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VITALITY • the facade of the buil
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Toyo ito The facade of criss‐cros
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Pavilion called Leonardo Glass Cube
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UNIT ‐5
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Integration of aesthetics and funct
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ANALYSIS CAN BE DONE BY MEANS OF DI
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NOTRE DAMN DUE HAUT CHAPEL Notre da
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Bibliography Francis D. K. Ching, A
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ARC101 Theory of Architecture - SRM University

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