ARC101 Theory of Architecture - SRM University

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CUBE • Six equal square sides • Angle between any two adjacent faces being right angle • Cube is static form . • It is very eystable unless it stands in corners. • The cube remains a highly recognizable form.
VISUAL EFFECT •The vertical blank square neither invites nor repulses .visually and physically impenetrable , uninviting appearance. •Because the directions are equally emphasized , the mass as awhole has no directional quality and neutral. •Visual force is given by edges.
Page 1: ARC101 Theory of Architecture Handl
Page 4 and 5: Definition of Architecture 1. Origi
Page 6 and 7: Elements of Architecture Volume - 3
Page 8 and 9: Elements of Architecture Volume - P
Page 10 and 11: Elements of form defining space Hor
Page 12 and 13: Elements of form defining space par
Page 20 and 21: Elements of form defining space OVE
Page 22 and 23: Elements of form defining space Roo
Page 24 and 25: Elements of form defining space Cei
Page 26 and 27: Elements of form defining space Sin
Page 28 and 29: Single vertical plane Provides litt
Page 30 and 31: Linear elements marks the corners a
Page 32 and 33: Openings in space defining elements
Page 34 and 35: PRIMARY SOLIDS •SPHERE
Page 36 and 37: •PYRAMID
Page 38 and 39: CYLINDER
Page 40 and 41: Visual effect •Pure convex form e
Page 42 and 43: Inside the sphere •There is a dra
Page 44 and 45: Derivatives of sphere - Hemisphere
Page 46 and 47: Al Dar Headquarters | MZ Architects
Page 48 and 49: •Location: Sanchi, Madhya Pradesh
Page 50 and 51: OPENINGS •Interrupt continuity of
Page 54 and 55: INSIDE CUBE •Space inside cube is
Page 56 and 57: Street in Dublin Apt in las vegas
Page 58 and 59: Water Cube, also known as the Natio
Page 60 and 61: The Cube Condo Hotel , DUBAI It’s
Page 62 and 63: SECTION OF THE PYRAMID •Flat topp
Page 64 and 65: cylinder Rounded surface.In far dis
Page 66 and 67: Sections of cylinder
Page 68 and 69: Subtractive transformation Form can
Page 71 and 72: ADDITIVE TRANSFORMATION •AA form
Page 73 and 74: ADDITIVE FORM - TYPES
Page 75 and 76: Central Organization •It is a sta
Page 77 and 78: Dominant central form - sphere , cy
Page 79 and 80: Baker House , MIT M.I.T , Massachus
Page 81 and 82: •Extroverted in nature . •Relat
Page 83 and 84: •interlock their volume and merge
Page 85: The Gunma Museum of Fine Arts is an
Page 88: GLASS HOUSE , Connecticut , Philip
Page 91 and 92: UNIT ‐2
Page 93 and 94: Proportion 1. The relationship betw
Page 95 and 96: Manufactured Proportion Many archi
Page 97 and 98: Golden section Rectangle one: Ratio
Page 99 and 100: The Human Body The human body is ba
Page 101 and 102: The Fibonacci Numbers 1. He introdu
Page 103:
Drawing golden rectangle
Page 106 and 107:
The Fibonacci Numbers in Nature ~ F
Page 108 and 109:
The Fibonacci Numbers in Nature Con
Page 110 and 111:
The Fibonacci Numbers in Nt Nature
Page 112 and 113:
The Fibonacci Numbers in Nature Con
Page 114:
The Golden Section in Architecture
Page 119 and 120:
Ideal shape for room
Page 121 and 122:
ANTHROPOMETRY The measurement of th
Page 125 and 126:
•Size of the floor mat depends on
Page 127 and 128:
1. Axis is a linear condition it ha
Page 130 and 131:
SYMMETRY
Page 132 and 133:
Two types Bilateral symmetry In bil
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Symmetrical Asymmetrical Santiago C
Page 136 and 137:
Balance • Symmetrical and Asymmet
Page 138 and 139:
UNIT ‐ 3
Page 140 and 141:
Approach- The Distant View Fir
Page 142 and 143:
Frontal: Villa Barbaro, Andrea Pall
Page 144 and 145:
OBLIQUE GLASS HOUSE, PHILIP JOHNSON
Page 146 and 147:
Entrance- Exterior to Interior 1. F
Page 148 and 149:
Taj Mahal
Page 150 and 151:
Flushed entrance - John F Kennedy m
Page 152 and 153:
PROJECTED RECESSED Mill owners asso
Page 154 and 155:
1Li 1.Linear Path
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3. Spiral path - Great Salt Lake.
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5.Network : Paris
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Path - space relationships, Edges,
Page 162 and 163:
2. Pass Through Spaces:
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Form of circulation Space- Corridor
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• Width & Height should be propor
Page 168 and 169:
Closed on both sides
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Open on one side Closed on both sid
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Grand Staircase, Paris opera a hous
Page 174:
PARTS OF A STAIR
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1. Straight-run Stair
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2. L-Shaped Stair
Page 181 and 182:
4. Circular Stair
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Double Helix Stairs
Page 189 and 190:
Unit ‐44
Page 191 and 192:
Unity Principle of unity is concern
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Falling Water house‐ Use of mater
Page 195 and 196:
Harmony •Fitting together all par
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Harmony Harmony in Greek temple by:
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Vitality It is provided mainly by c
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VITALITY • the facade of the buil
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Toyo ito The facade of criss‐cros
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Pavilion called Leonardo Glass Cube
Page 207 and 208:
UNIT ‐5
Page 209:
Integration of aesthetics and funct
Page 213 and 214:
ANALYSIS CAN BE DONE BY MEANS OF DI
Page 215 and 216:
NOTRE DAMN DUE HAUT CHAPEL Notre da
Page 219:
Bibliography Francis D. K. Ching, A
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ARC101 Theory of Architecture - SRM University

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