ARC101 Theory of Architecture - SRM University

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Approach- The Distant View First phase of Circulation system, during which we are prepared to see, Experience & use the spaces within. Make your path more legible in visual ways. May vary in duration- compressed space to lengthy & circuitous routes. Nature of approach contrasts in its termination to an interior. Portals & Gateways - Orient us to path & welcomes Entry
Types of Approach 1. Frontal 2. Oblique • Axial Path • Path redirected 1 or • Approach is clear. more times. • • Entire front Approached at facade or an extreme entrance angle. within it is • Enhances made clear. effect of perspective . 3. Spiral • Curved path • Entrance may or may not be visible until the point of arrival. • Emphasizes the 3D form as the bldg is approached.
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ARC101 Theory of Architecture Handl
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Definition of Architecture 1. Origi
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Elements of Architecture Volume - 3
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Elements of Architecture Volume - P
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Elements of form defining space Hor
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Elements of form defining space par
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Elements of form defining space OVE
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Elements of form defining space Roo
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Elements of form defining space Cei
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Elements of form defining space Sin
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Single vertical plane Provides litt
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Linear elements marks the corners a
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Openings in space defining elements
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PRIMARY SOLIDS •SPHERE
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•PYRAMID
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CYLINDER
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Visual effect •Pure convex form e
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Inside the sphere •There is a dra
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Derivatives of sphere - Hemisphere
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Al Dar Headquarters | MZ Architects
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•Location: Sanchi, Madhya Pradesh
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OPENINGS •Interrupt continuity of
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CUBE • Six equal square sides •
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INSIDE CUBE •Space inside cube is
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Street in Dublin Apt in las vegas
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Water Cube, also known as the Natio
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The Cube Condo Hotel , DUBAI It’s
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SECTION OF THE PYRAMID •Flat topp
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cylinder Rounded surface.In far dis
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Sections of cylinder
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Subtractive transformation Form can
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ADDITIVE TRANSFORMATION •AA form
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ADDITIVE FORM - TYPES
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Central Organization •It is a sta
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Dominant central form - sphere , cy
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Baker House , MIT M.I.T , Massachus
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•Extroverted in nature . •Relat
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•interlock their volume and merge
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The Gunma Museum of Fine Arts is an
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GLASS HOUSE , Connecticut , Philip
Page 91 and 92: UNIT ‐2
Page 93 and 94: Proportion 1. The relationship betw
Page 95 and 96: Manufactured Proportion Many archi
Page 97 and 98: Golden section Rectangle one: Ratio
Page 99 and 100: The Human Body The human body is ba
Page 101 and 102: The Fibonacci Numbers 1. He introdu
Page 103: Drawing golden rectangle
Page 106 and 107: The Fibonacci Numbers in Nature ~ F
Page 108 and 109: The Fibonacci Numbers in Nature Con
Page 110 and 111: The Fibonacci Numbers in Nt Nature
Page 112 and 113: The Fibonacci Numbers in Nature Con
Page 114: The Golden Section in Architecture
Page 119 and 120: Ideal shape for room
Page 121 and 122: ANTHROPOMETRY The measurement of th
Page 125 and 126: •Size of the floor mat depends on
Page 127 and 128: 1. Axis is a linear condition it ha
Page 130 and 131: SYMMETRY
Page 132 and 133: Two types Bilateral symmetry In bil
Page 134 and 135: Symmetrical Asymmetrical Santiago C
Page 136 and 137: Balance • Symmetrical and Asymmet
Page 138 and 139: UNIT ‐ 3
Page 142 and 143: Frontal: Villa Barbaro, Andrea Pall
Page 144 and 145: OBLIQUE GLASS HOUSE, PHILIP JOHNSON
Page 146 and 147: Entrance- Exterior to Interior 1. F
Page 148 and 149: Taj Mahal
Page 150 and 151: Flushed entrance - John F Kennedy m
Page 152 and 153: PROJECTED RECESSED Mill owners asso
Page 154 and 155: 1Li 1.Linear Path
Page 156 and 157: 3. Spiral path - Great Salt Lake.
Page 158 and 159: 5.Network : Paris
Page 160 and 161: Path - space relationships, Edges,
Page 162 and 163: 2. Pass Through Spaces:
Page 164 and 165: Form of circulation Space- Corridor
Page 166 and 167: • Width & Height should be propor
Page 168 and 169: Closed on both sides
Page 170 and 171: Open on one side Closed on both sid
Page 172 and 173: Grand Staircase, Paris opera a hous
Page 174: PARTS OF A STAIR
Page 177 and 178: 1. Straight-run Stair
Page 179 and 180: 2. L-Shaped Stair
Page 181 and 182: 4. Circular Stair
Page 183 and 184: Double Helix Stairs
Page 189 and 190: Unit ‐44
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Unity Principle of unity is concern
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Falling Water house‐ Use of mater
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Harmony •Fitting together all par
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Harmony Harmony in Greek temple by:
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Vitality It is provided mainly by c
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VITALITY • the facade of the buil
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Toyo ito The facade of criss‐cros
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Pavilion called Leonardo Glass Cube
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UNIT ‐5
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Integration of aesthetics and funct
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ANALYSIS CAN BE DONE BY MEANS OF DI
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NOTRE DAMN DUE HAUT CHAPEL Notre da
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Bibliography Francis D. K. Ching, A
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ARC101 Theory of Architecture - SRM University

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