ARC101 Theory of Architecture - SRM University

More documents

Recommendations

Info

Dominance The element given the most visual weight, the element of primary emphasis. The dominant element will advance into the foreground in a composition. One of the aspect of dominance is emphasis and vitality.
Vitality It is provided mainly by contrast. Contrast can be of color , tone ,texture , direction , proportion , solid , void. But too many contrasting elements or too much of contrast Will impair i harmony and tend dto produce a multiplicity li it of equal interests. This tends to reduce dominance and weakens unity.
Page 1:
ARC101 Theory of Architecture Handl
Page 4 and 5:
Definition of Architecture 1. Origi
Page 6 and 7:
Elements of Architecture Volume - 3
Page 8 and 9:
Elements of Architecture Volume - P
Page 10 and 11:
Elements of form defining space Hor
Page 12 and 13:
Elements of form defining space par
Page 14 and 15:
Page 16 and 17:
Page 18 and 19:
Page 20 and 21:
Elements of form defining space OVE
Page 22 and 23:
Elements of form defining space Roo
Page 24 and 25:
Elements of form defining space Cei
Page 26 and 27:
Elements of form defining space Sin
Page 28 and 29:
Single vertical plane Provides litt
Page 30 and 31:
Linear elements marks the corners a
Page 32 and 33:
Openings in space defining elements
Page 34 and 35:
PRIMARY SOLIDS •SPHERE
Page 36 and 37:
•PYRAMID
Page 38 and 39:
CYLINDER
Page 40 and 41:
Visual effect •Pure convex form e
Page 42 and 43:
Inside the sphere •There is a dra
Page 44 and 45:
Derivatives of sphere - Hemisphere
Page 46 and 47:
Al Dar Headquarters | MZ Architects
Page 48 and 49:
•Location: Sanchi, Madhya Pradesh
Page 50 and 51:
OPENINGS •Interrupt continuity of
Page 52 and 53:
CUBE • Six equal square sides •
Page 54 and 55:
INSIDE CUBE •Space inside cube is
Page 56 and 57:
Street in Dublin Apt in las vegas
Page 58 and 59:
Water Cube, also known as the Natio
Page 60 and 61:
The Cube Condo Hotel , DUBAI It’s
Page 62 and 63:
SECTION OF THE PYRAMID •Flat topp
Page 64 and 65:
cylinder Rounded surface.In far dis
Page 66 and 67:
Sections of cylinder
Page 68 and 69:
Subtractive transformation Form can
Page 71 and 72:
ADDITIVE TRANSFORMATION •AA form
Page 73 and 74:
ADDITIVE FORM - TYPES
Page 75 and 76:
Central Organization •It is a sta
Page 77 and 78:
Dominant central form - sphere , cy
Page 79 and 80:
Baker House , MIT M.I.T , Massachus
Page 81 and 82:
•Extroverted in nature . •Relat
Page 83 and 84:
•interlock their volume and merge
Page 85:
The Gunma Museum of Fine Arts is an
Page 88:
GLASS HOUSE , Connecticut , Philip
Page 91 and 92:
UNIT ‐2
Page 93 and 94:
Proportion 1. The relationship betw
Page 95 and 96:
Manufactured Proportion Many archi
Page 97 and 98:
Golden section Rectangle one: Ratio
Page 99 and 100:
The Human Body The human body is ba
Page 101 and 102:
The Fibonacci Numbers 1. He introdu
Page 103:
Drawing golden rectangle
Page 106 and 107:
The Fibonacci Numbers in Nature ~ F
Page 108 and 109:
The Fibonacci Numbers in Nature Con
Page 110 and 111:
The Fibonacci Numbers in Nt Nature
Page 112 and 113:
The Fibonacci Numbers in Nature Con
Page 114:
The Golden Section in Architecture
Page 119 and 120:
Ideal shape for room
Page 121 and 122:
ANTHROPOMETRY The measurement of th
Page 125 and 126:
•Size of the floor mat depends on
Page 127 and 128:
1. Axis is a linear condition it ha
Page 130 and 131:
SYMMETRY
Page 132 and 133:
Two types Bilateral symmetry In bil
Page 134 and 135:
Symmetrical Asymmetrical Santiago C
Page 136 and 137:
Balance • Symmetrical and Asymmet
Page 138 and 139:
UNIT ‐ 3
Page 140 and 141:
Approach- The Distant View Fir
Page 142 and 143:
Frontal: Villa Barbaro, Andrea Pall
Page 144 and 145:
OBLIQUE GLASS HOUSE, PHILIP JOHNSON
Page 146 and 147:
Entrance- Exterior to Interior 1. F
Page 148 and 149: Taj Mahal
Page 150 and 151: Flushed entrance - John F Kennedy m
Page 152 and 153: PROJECTED RECESSED Mill owners asso
Page 154 and 155: 1Li 1.Linear Path
Page 156 and 157: 3. Spiral path - Great Salt Lake.
Page 158 and 159: 5.Network : Paris
Page 160 and 161: Path - space relationships, Edges,
Page 162 and 163: 2. Pass Through Spaces:
Page 164 and 165: Form of circulation Space- Corridor
Page 166 and 167: • Width & Height should be propor
Page 168 and 169: Closed on both sides
Page 170 and 171: Open on one side Closed on both sid
Page 172 and 173: Grand Staircase, Paris opera a hous
Page 174: PARTS OF A STAIR
Page 177 and 178: 1. Straight-run Stair
Page 179 and 180: 2. L-Shaped Stair
Page 181 and 182: 4. Circular Stair
Page 183 and 184: Double Helix Stairs
Page 189 and 190: Unit ‐44
Page 191 and 192: Unity Principle of unity is concern
Page 193 and 194: Falling Water house‐ Use of mater
Page 195 and 196: Harmony •Fitting together all par
Page 197: Harmony Harmony in Greek temple by:
Page 201 and 202: VITALITY • the facade of the buil
Page 203 and 204: Toyo ito The facade of criss‐cros
Page 205 and 206: Pavilion called Leonardo Glass Cube
Page 207 and 208: UNIT ‐5
Page 209: Integration of aesthetics and funct
Page 213 and 214: ANALYSIS CAN BE DONE BY MEANS OF DI
Page 215 and 216: NOTRE DAMN DUE HAUT CHAPEL Notre da
Page 219: Bibliography Francis D. K. Ching, A
show all

ARC101 Theory of Architecture - SRM University

Create successful ePaper yourself

Delete template?

Save as template?