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Boxoffice-Febuary.14.1948

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: February<br />

TAKE THE LEAD IN TELEVISION.<br />

TOA'S ADVICE TO EXHIBITORS<br />

Theatre Owners of America's<br />

television report urges exhibitors<br />

to get into the swim immediately.<br />

The National Broadcasting Co.<br />

halts an RKO large-screen demonstration,<br />

challenging the right<br />

of theatre pickups for paid audience.<br />

Exhibitors discuss possible effects<br />

of television newsreels on<br />

theatrical newsreels; 20th Century-Fox<br />

television new^sreel to<br />

bow February 16.<br />

Large-screen television plays<br />

Cleveland and Los Angeles, to<br />

exhibitor applause.<br />

NEW YORK—Developments in television<br />

moved swiftly across the country this week.<br />

Theatre Owners of America issued its<br />

comprehensive study of television and<br />

urged exhibitors to finance theatre television<br />

research, to keep abreast of all new<br />

phases of theatre television and to install<br />

television receivers in their theatre lounges<br />

as video stations open in their communities.<br />

TOA's bulletin, the first of its projected<br />

Theatre Business Review, went to the association's<br />

10,000 members. It is entitled "A<br />

Challenge to the Motion Picture Industry,"<br />

and was prepared under the supervision of<br />

TOA's television committee which is headed<br />

by E. v. Richards Jr., of New Orleans.<br />

The bulletin points out that television may<br />

enrich the exhibition industry, or "presage<br />

the extinction of exhibition as it stands<br />

today."<br />

STUDY TELECAST EXCLUSIVES<br />

The TOA will investigate the po.ssibility<br />

arranging exclusive theatre telecasts on<br />

of<br />

.sports events and other happenings of public<br />

interest. The report quotes Ralph B. Austrian,<br />

former president of RKO Television<br />

CoiTJ., that a group of theatres can outbid<br />

any commercial advertising sponsor for exclusive<br />

television rights to important events.<br />

Austrian visualized the creation of booking<br />

offices which would have the dual purpose<br />

of purchasing video rights from promoters<br />

of such events as prize fights, football games,<br />

horse races, etc., and selling them to motion<br />

picture theatres on either a "per theatre" or<br />

"per seat" basis for an exclusive theatre<br />

broadcast.<br />

Austrian also is quoted as saying that<br />

"all that theatre television needs to become<br />

a reality, other than the theatre equipment<br />

itself, is a means of interconnecting a chain<br />

of theatres with a camera or cameras located<br />

TOA Conclusions on Television<br />

•THE SHARPNESS of the challenge offers no alternative other than it be met head<br />

on. The course is clear:<br />

1. Complete information concerning the new phenomenon must be every theatreman's<br />

stock in trade.<br />

2. Theatremen, recognizing television's close kinship to the theatre, should join<br />

and, ideally, lead in the development of television facilities throughout the nation.<br />

3. Television loimges should be established in theatres in concert with the expansion<br />

of television channels.<br />

4. The theatre industry should encourage and finance, if necessary, accelerated<br />

research in the field of theatre screen television to narrow the gap now evident between<br />

theatre and home television.<br />

5. Independent study by TOA must test the possibility of theatre exclusives on<br />

sporting events and other happenings of great public interest.<br />

at the scene of the subject matter desired<br />

to be exhibited on the theatre screen."<br />

TOA raises the question, however, of<br />

whether the FCC would permit the use of the<br />

air waves for telecasting of important news<br />

events to theatres exclusively and mentions<br />

the possibility that exclusive theatre telecasts<br />

might run afoul of the antitrust laws.<br />

The report reviews the two systems of<br />

theatre television now available— (1) direct<br />

cathode ray tube projection onto a screen<br />

using the Schmidt optical system or other<br />

high speed production lens system; I2) reproduction<br />

of the television image on film,<br />

with the film quickly processed and run<br />

through a regular theatre projector. The<br />

TOA contends that while the first system<br />

has a time advantage, the second permits<br />

repeat perfoi-mances and enables the exhibitor<br />

to fit a special event into the regular<br />

theatre program.<br />

The report lists two drawbacks to direct<br />

television projection: (1) equipment designed<br />

for a specific screen throw may have to be<br />

installed in an inconvenient location; (2)<br />

direct projection equipment may necessitate<br />

enlarging the projection booth to accommodate<br />

the equipment. It points out that with<br />

the film recording system, the projectionist<br />

would be required to learn film processing<br />

and film recording, but would not have to<br />

learn a new projection method. The film recording<br />

system permits editing of the film,<br />

it adds.<br />

"Both systems are perfectly feasible aijd<br />

will find their respective place in the future.<br />

The factor of selection probably will depend<br />

upon which system can best meet showmanship<br />

and commercial requirements," the report<br />

states.<br />

Discussing television as competition to motion<br />

pictures, the TOA reports that the present<br />

quality of television broadcasting in the<br />

opinion of experts is adequate for sports and<br />

spot news coverage, but is inferior to most<br />

theatrical newsreeLs and that there is no<br />

assurance sufficient light is available for<br />

large-screen theatre television projection. The<br />

TOA adds: "With theatres apparently waiting<br />

for perfected equipment and the large<br />

manufacturers—RCA and the Bell system<br />

waiting for theatres to decide whether they<br />

are interested and, if so, what they want,<br />

a stalemate seems to have developed."<br />

On the use of television in bars and restaurants<br />

the report speculates on the number<br />

of persons who would have gone to theatres<br />

to see the Louis-Walcott heavyweight championship<br />

fight if it had been shown on largescreen<br />

theatre television. NBC estimated that<br />

1,000,000 persons saw the telecast of the fight<br />

and other millions heard it over the radio.<br />

Nearly 20 per cent of the television receivers<br />

manufactured up to the first of October went<br />

into bars, restaurants and other public places.<br />

The report points out that on January<br />

of this year 19 television stations were on<br />

1<br />

the air and that a total of 54 cities in 29<br />

states was involved in current television<br />

broadcasting authorizations and applications.<br />

It also was revealed that upwards of 90,000<br />

television sets were in operation in the New<br />

York area on January 1, with 15,000 to 18,000<br />

in Philadelphia and about 11,500 in Chicago;<br />

12,000 in Los Angeles; 4.000 in Detroit; 3,700<br />

in Baltimore and from 1.000 to 3.000 in Cincinnati,<br />

Milwaukee and Schenectady.<br />

SET AS LOW AS $169<br />

Seats will be available for as low as $169<br />

plus installation chai'ges which run about<br />

$50, the report said. The committee predicts<br />

that by 1950 there will be a nationwide network<br />

of television stations.<br />

Statistics on television receiver manufactiue<br />

are given along with figures on the high i<br />

cost of constructing stations, wtiich is one<br />

of the chief barriers to the growth of television<br />

in smaller cities. The report touches<br />

on the importance of film in television. It<br />

mentions the new 16mm. Eastman Kodak<br />

camera for recording television programs<br />

from the face of the monitoring "picture<br />

tube" in the television broadcasting station.<br />

The TOA concludes: "It ( television i is a<br />

theatre problem. 'Production' by all odds will<br />

find a logical and lucrative role in the television<br />

scheme. The theatre role will be de-<br />

12<br />

BOXOFFICE<br />

:<br />

14, 1948

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