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suntan<br />
Another new lamp is a onc-watl fluorescent<br />
glow Nite Lite. This little fellow,<br />
which has an average useful life of<br />
3,000 hours, can be used to illuminate corners<br />
of dark stairways, and with a simple<br />
shield, they can be utilized to mark the<br />
aisle seats at the end of each row. The<br />
one-watt fluorescent glow Nite Lite requires<br />
no ballast, starter, or other auxiliary<br />
equipment, and operates on either AC or<br />
DC at 105 to 125 volts.<br />
Slimline fluorescents are still another new<br />
and most useful type. Slimlines are long,<br />
Blender fluorescent tubes and are available<br />
in four lengths, ranging from 42-in. to 96-<br />
in. long. They will provide a line of fluorescent<br />
lighting which can be adapted to<br />
streamlined architecural designs, or they<br />
may be used in coves where they will supply<br />
long lines of continuous light of low<br />
brightness without any scalloping shadows.<br />
FIRST IMPRESSION<br />
It is at the ticket window that the patron<br />
receives his first impression of what<br />
your theatre is like on the inside just off<br />
the sidewalk, and learns from your posters<br />
of coming attractions. Special lighting must<br />
be applied at the ticket window, both for<br />
the cashiers and for the patrons because<br />
of the necessity of seeing and counting<br />
money. Here the Circlarc lamp lends itself<br />
to a new installation. Pig. 4, throwing<br />
light directly on the area where money and<br />
tickets are exchanged. The accompanying<br />
sketch will show how this light may be<br />
applied.<br />
The lighting for posters should be considerably<br />
brighter than the general over-<br />
Fig. 6. For lighting lobby mirrors, the Circlarc<br />
may be used in a simple fixture The new<br />
shape lends itseli to a variety of novel effects.<br />
all illumination in order to attract people<br />
to them, .so that they may read quickly<br />
and easily. Fluorescent lamps are perfect<br />
for poster frames, and the new poster<br />
sheets which utilize fluorescent inks may<br />
be brilliantly and colorfully illuminated by<br />
means of ultraviolet light, usually called<br />
"black light."<br />
LOBBY<br />
LIGHTING<br />
Lighting in the lobby is no longer just a<br />
means of making it possible for people to<br />
see. It is also a means of creating beauty,<br />
charm and atmosphere. It is in the lobby<br />
and foyer areas, that patrons are most conscious<br />
of the attractiveness of their surroundings,<br />
due to higher levels of light.<br />
Nearly all interior lighting in lobby areas<br />
in theatres today, is indirect or semi-indirect,<br />
and is supplemented by purely decorative<br />
lighting. Of course, almost all the<br />
lighting in the theatre is essentially decorative,<br />
but the most decorative of all per-<br />
Fig. 5. A simple method of lighting a medallion<br />
of translucent material. Two Circlarcs mounted<br />
back of the panel add a clever touch to lobby.<br />
haps, is the lighting employed to illuminate<br />
medallions and other devices on walls<br />
and ceilings. Figs. 5 and 6. or to add color,<br />
beauty and life to special decorations without<br />
regard to lights supplied for seeing<br />
purposes. Here, again, it is that the new<br />
Circlarc lamp can be used to great advantage.<br />
FUTURE TRENDS<br />
What are future trends in theatre interior<br />
lighting? There will undoubtedly be<br />
increased use of luminous elements, not<br />
merely for lighting but as a part of architectural<br />
and decorative schemes. There<br />
will be an increased use of color and colored<br />
lights in theatres, as our general knowledge<br />
of the proper uses of color is increased.<br />
From a health standpoint also, it may be<br />
possible for future theatre patrons to acquire<br />
a gentle suntan while enjoying their<br />
favorite movie. Ultraviolet in the erythe-<br />
Fig. 4. Outlining the ticket aperture, the Circlarc<br />
lamp puts light where it's needed, and<br />
not in the eyes of the cashier or the patron.<br />
mal<br />
< > band will be applied in a very<br />
unobtrusive manner and new type sunlamps<br />
may be installed over mirrors in powder<br />
rooms.<br />
BLACK LIGHT<br />
One of the most intriguing methods of<br />
achieving decorative distinction, and one<br />
which is also a most subtle means of directing<br />
traffic, has not had the acceptance<br />
in theatre interiors which it deserves. This<br />
unusual combination of lighting and color<br />
involves the use of completely safe ultraviolet<br />
"black light." From concealed blacklight<br />
lamps beautiful murals can be made<br />
to glow with unsurpassed brilliance of<br />
color. Strips of carpet with woven designs<br />
colored with fluorescent dyes may be made<br />
to become beautifully lucent under the<br />
ultraviolet of blacklight. These fluorescent<br />
carpet strips are frequently used in<br />
theatre aisles, but a strip which can be<br />
unrolled and laid over the regular carpet,<br />
may be used to guide patrons from the<br />
lobby to a particular aisle. No carpet ever<br />
unrolled for the feet of royalty can equal<br />
the almost magical radiance of blacklight.<br />
In this article we have discussed primarily,<br />
the usage of the newer light sources.<br />
The accompanying sketches may suggest<br />
some methods of applying them. If you<br />
have a problem in making your theatre<br />
more attractive, pleasant and comfortable,<br />
why not call on your local public utility<br />
for help? Practically every electric utility<br />
company maintains a staff of competent,<br />
trained lighting specialists. You will be<br />
surprised at the amazing unbiased nature<br />
of the help which you will be given.<br />
: SECTIC<br />
BOXOFTICE :: September 11, 1948 13