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WITH STANDBY ELECTRIC<br />

THE SHOW GOES ON<br />

POWER<br />

Jt\ LL MODERN THEATRES ai'C dependent<br />

upon electricity. Whether it be for the<br />

purpose of attracting customers to the theatre<br />

via the brilliance of the marquee or<br />

for identifying exits by means of tiny red<br />

lights, the entire function of the theatre<br />

revolves upon the use of electric power.<br />

And when this power is suddenly curtailed,<br />

the show is over. Until power is restored<br />

the theatre manager is responsible,<br />

more than ever, for the lives and safety of<br />

his customers. With no emergency lights<br />

to illuminate aisles, stairways and exits,<br />

the theatre is darkened beyond the point<br />

of safety. If the emergency continued for<br />

any length of time and patrons began leaving,<br />

serious consequences could result from<br />

the lack of illumination.<br />

PROTECTING GOODWILL<br />

The small-town theatre owner is aware<br />

that his theatre is particularly vulnerable<br />

to interruptions of the local electric power<br />

supply. Too many times in the past few<br />

years he has had to experience the humiliation<br />

and helplessness that comes when he<br />

sees his screen suddenly flicker and go<br />

black, when his customers wait wonderingly<br />

and patiently at first, then line up at the<br />

ticket office demanding refunds.<br />

No theatre operator likes to make refunds<br />

to patrons, especially under such<br />

conditions. Not only is the loss of revenue<br />

hard to take, but also the prestige and<br />

community goodwill, built up by many<br />

months of careful showmanship, suffers<br />

irreparably.<br />

Since it is inevitable that a dependable<br />

source of electricity is needed for modern<br />

theatre operation, many owners and operators<br />

of show houses are turning to electric<br />

power-generating units, not only for<br />

standby protection, but also for security<br />

against voltage drops and other power line<br />

inadequacies. The comforting awareness<br />

of complete protection against electric<br />

power failures is but one of the many advantages<br />

of these units.<br />

The initial cost of such emergency equipment<br />

may. at first glance, seem out of<br />

proportion to the theatre operator who<br />

contemplates installing a standby power<br />

plant. However, a careful perusal of the<br />

accompanying survey of electric power requirements<br />

by seating capacity will enlighten<br />

the prospective buyers considerably.<br />

Taking into consideration the fact that an<br />

emergency electric power plant is just that,<br />

he can then estimate the essential requirements<br />

of his particular theatre and purchase<br />

the size and type of unit that fits<br />

his needs.<br />

Normal essential requirements would<br />

consist first of all, of adequate electric<br />

power for all exit and aisle lights. Electricity<br />

for the projection booth is necessary<br />

if uninterrupted showing of the motion<br />

picture is desired. The power for<br />

sound amplification must be considered:<br />

Survey of Theatre Lighting end Electric Power Requirements

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