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WITH STANDBY ELECTRIC<br />
THE SHOW GOES ON<br />
POWER<br />
Jt\ LL MODERN THEATRES ai'C dependent<br />
upon electricity. Whether it be for the<br />
purpose of attracting customers to the theatre<br />
via the brilliance of the marquee or<br />
for identifying exits by means of tiny red<br />
lights, the entire function of the theatre<br />
revolves upon the use of electric power.<br />
And when this power is suddenly curtailed,<br />
the show is over. Until power is restored<br />
the theatre manager is responsible,<br />
more than ever, for the lives and safety of<br />
his customers. With no emergency lights<br />
to illuminate aisles, stairways and exits,<br />
the theatre is darkened beyond the point<br />
of safety. If the emergency continued for<br />
any length of time and patrons began leaving,<br />
serious consequences could result from<br />
the lack of illumination.<br />
PROTECTING GOODWILL<br />
The small-town theatre owner is aware<br />
that his theatre is particularly vulnerable<br />
to interruptions of the local electric power<br />
supply. Too many times in the past few<br />
years he has had to experience the humiliation<br />
and helplessness that comes when he<br />
sees his screen suddenly flicker and go<br />
black, when his customers wait wonderingly<br />
and patiently at first, then line up at the<br />
ticket office demanding refunds.<br />
No theatre operator likes to make refunds<br />
to patrons, especially under such<br />
conditions. Not only is the loss of revenue<br />
hard to take, but also the prestige and<br />
community goodwill, built up by many<br />
months of careful showmanship, suffers<br />
irreparably.<br />
Since it is inevitable that a dependable<br />
source of electricity is needed for modern<br />
theatre operation, many owners and operators<br />
of show houses are turning to electric<br />
power-generating units, not only for<br />
standby protection, but also for security<br />
against voltage drops and other power line<br />
inadequacies. The comforting awareness<br />
of complete protection against electric<br />
power failures is but one of the many advantages<br />
of these units.<br />
The initial cost of such emergency equipment<br />
may. at first glance, seem out of<br />
proportion to the theatre operator who<br />
contemplates installing a standby power<br />
plant. However, a careful perusal of the<br />
accompanying survey of electric power requirements<br />
by seating capacity will enlighten<br />
the prospective buyers considerably.<br />
Taking into consideration the fact that an<br />
emergency electric power plant is just that,<br />
he can then estimate the essential requirements<br />
of his particular theatre and purchase<br />
the size and type of unit that fits<br />
his needs.<br />
Normal essential requirements would<br />
consist first of all, of adequate electric<br />
power for all exit and aisle lights. Electricity<br />
for the projection booth is necessary<br />
if uninterrupted showing of the motion<br />
picture is desired. The power for<br />
sound amplification must be considered:<br />
Survey of Theatre Lighting end Electric Power Requirements