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Changes Location But Not<br />
Brand of Showmanship<br />
Paul Turnbull<br />
The Frels Theatres circuit down Texas<br />
way transferred Manager Bill Starr from<br />
the Uptown in Victoria to the Rio in Wharton,<br />
but the change didn't affect his brand<br />
of showmandiser thinking. As head man<br />
at the Uptown. Bill had picked up a Citation<br />
award as recently as July of this past<br />
year. Now, he starts the new year right<br />
with the first BOXOFFICE Citation of<br />
1956.<br />
Bill's winning effort was a bang-up campaign<br />
for a Saturday midnight show in the<br />
face of admonitions that previous attempts<br />
at owl shows had failed dismally in his new<br />
location. For a behind-the-scenes report<br />
on how this manager licked this prejudice<br />
and set up a lively midnight program, see<br />
page 25.<br />
Winning the general tieup award for<br />
January was John G. Corbett, manager of<br />
Schine's Glove in Gloversville, N. Y.<br />
A special merchants tieup that merited<br />
a Citation last month was that carried out<br />
by Stanley A. B. Cooper, president-manager<br />
of the Citizens Theatre in Brazil, Ind.<br />
Cooper staged a three-week six-party promotion<br />
for which cooperating merchants<br />
contributed numerous prizes, page 12.<br />
Ray Monroe, manager of the Dunes in<br />
Zion, 111., came up with the best ballyhoo<br />
of the month. For a picture of what he did<br />
with some abandoned Christmas trees,<br />
brush from nearby fields and several lowcost<br />
stuffed animals to create an impressive<br />
"jungle" bally, see page 15.<br />
The award for the best original idea in<br />
January Showmandiser accounts went to<br />
R. K. Peterson, manager of the Story in<br />
Story City. Iowa. Peterson drew up a pub-<br />
R. K. Peterson David Silger<br />
lie message, printed on 8x11 sulphite stock,<br />
pinpointing the improvements in motion<br />
picture quality and the technical advances<br />
made in recent months.<br />
The first page of the Showmandiser-<br />
Promotion section for 1956 contains a photo<br />
of the award-winning theatre front set up<br />
by Manager Chuck Barnes of the Granada<br />
in Kansas City, Kas. The next page presents<br />
a detailed account of the windows set<br />
up by Paul Turnbull, manager of the<br />
Downtown in Hamilton, Ont., for his tie-ins<br />
on "The Girl Rush."<br />
Mel Jolley, another Canadian entry last<br />
month, took cooperative ads honors for his<br />
promotion of a Valentine's Day page used<br />
last year but submitted in time to showother<br />
exhibitors the way this month.<br />
Jolley manages the Century in Hamilton.<br />
A reproduction of the ad page appears on<br />
page 20.<br />
The lobby display classification award<br />
went to Mark Ailing, manager of the<br />
Golden Gate in San Francisco, who turned<br />
out an eye-arresting display on "Tarantula"<br />
with a big assist from Joe DeVictoria.<br />
David Silger's own byliner on rebuilding<br />
lagging attendance for his Darb Theatre<br />
in Manteno, 111., won him the public relations<br />
top lienor for January. His thorough<br />
"how to do it" piece appears on page 3.<br />
This Week for January 29 carries a color<br />
cover of Gina Lollobrigida and a two-page<br />
spread on United Artists' "Trapeze." The<br />
feature shows the Italian actress in her<br />
role as a circus performer and includes<br />
stills of the Paris location filming of the<br />
Hecht-Lancaster production.<br />
Mel Jolley Mark Ailing Bill Starr John Corbett<br />
'Goodman 7<br />
Campaign<br />
In Peak at Cleveland<br />
Promotion for "The Benny Goodman<br />
Story" at the Hippodrome in Cleveland was<br />
one of the most extensive ever staged there<br />
for a motion picture, exceeding even the<br />
campaign put on for the world premiere of<br />
"Magnificent Obsession," at which Jane<br />
Wyman appeared.<br />
For the first time in many years the exclusive<br />
Halle Bros, department store participated<br />
in a film promotion. In three<br />
different issues of the local newspapers,<br />
Halle used a ten-inch ad to announce the<br />
all-paid trip to Rome, plus a $50 gift certificate<br />
from the store. Entry blanks in<br />
the contest were available in the store's<br />
record shop where Benny Goodman records<br />
were featured and where advance orders<br />
were taken on the de luxe album for early<br />
release.<br />
Another feature was a tieup with the<br />
Sheldon Music Co. in which a $150 Selmer<br />
Bundy clarinet was the prize in a contes<br />
to name the factory serial number of the<br />
clarinet.<br />
The person submitting the closest<br />
numbers together with a 25-word letter on<br />
"Why I Want a Clarinet" was declared the<br />
winner.<br />
The May Co., Ohio's largest department<br />
store, gave the picture one of its choice<br />
Euclid avenue display windows, tieing it up<br />
to Eagle brand men's clothes.<br />
Glamor entered the campaign with the<br />
personal appearance of Hillevi Rombin<br />
'Miss Universe) at a press luncheon. She<br />
also appeared on TV and made tape-recordings<br />
for radio rebroadcasting.<br />
The campaign was arranged by Jack<br />
Silverthorne, manager of the Hippodrome:<br />
Jerry Evans, U-I promotion director, and<br />
Duke Hickey, publicist.<br />
Infrared Photos Taken<br />
Of 'Diabolique' Patrons<br />
Tom Dowd, manager of the Ziegfeld Theatre<br />
in Chicago, recently pulled a trick on<br />
three of his patrons while they were viewing<br />
"Diabolique." He arranged to have a<br />
photographer take some candid infrared<br />
photos during the showing of a "horror<br />
scene" and came up with a study in concentration.<br />
The Chicago American thought<br />
enough of the photo to run it with a story,<br />
which included a note that the three young<br />
women could obtain passes at the Ziegfeld<br />
by identifying themselves at the theatre.<br />
"Diabolique" has been setting new records<br />
at the Ziegfeld. Lines have formed<br />
nightly as a result of the unprecedented<br />
policy of refusing admittance once the feature<br />
begins. The lining up of patrons outside<br />
the theatre didn't even suffer when<br />
temperatures hovered near the freezing<br />
point.<br />
On Film Wicketeers<br />
The January 30 issue of Sports Illustrated<br />
contains a lengthy, illustrated article<br />
entitled, "The Wicket Men of Hollywood,"<br />
dealing with film capital notables who also<br />
are croquet fans.<br />
46 — 52 BOXOFFICE Showmandiser Feb. 18, 1956