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Boxoffice-Febuary.18.1956

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Movies to Ease Tension,<br />

Big Factor in Filmgoing<br />

NEW YORK—Nearly half of the moviegoers<br />

in 33 major cities go to see films in<br />

order to relieve nervous tensions, according<br />

to a survey just completed among 4,798 theatres<br />

by the Willmark Service System. Patrons<br />

were questioned as they were leaving theatres<br />

at both downtown and neighborhood houses<br />

in low, middle and high income areas.<br />

According to the Willmark tabulation 48.5<br />

per cent were women and 51.5 were men.<br />

More women than men gave the nervous<br />

tension explanation for their presence at<br />

theatres. The percentage of these was 90.2.<br />

Of the remainder, some said they came to<br />

see a particular star, liked the movies in<br />

general, or wanted to get away from home.<br />

Of the men interviewed, 80.2 per cent<br />

stated they sought to relieve the pressures of<br />

other responsibilities by attending the movies.<br />

Others offered a variety of reasons for attendance,<br />

such as "waiting for a train," "out<br />

of town with time to spare," "wanted to get<br />

away from home," "like the movies in general,"<br />

or "came to see a star."<br />

When asked for a good way to forget their<br />

troubles, 86 per cent said they would recommend<br />

the movies.<br />

The survey provides exhibitors with a good<br />

selling slogan, tying relaxation with entertainment.<br />

Actually 74 per cent of those interviewed<br />

said that the theatre was a better<br />

place in which to relax than the home.<br />

Other statistics revealed that 91.1 per cent<br />

enjoyed the film they had just attended. In<br />

the case of double features, 47.2 per cent enjoyed<br />

the main feature more than the second<br />

feature; 15.9 per cent enjoyed the second<br />

feature more than the main feature, and<br />

33.5 per cent enjoyed both features; 3.4 per<br />

cent said they did not enjoy either picture.<br />

Some said they attended movies regularly.<br />

Of these, 57.5 per cent said they were regular<br />

moviegoers, with 23 per cent attending twice<br />

a week and 34.5 per cent once a week. Of the<br />

remainder, 5.2 per cent said they attended<br />

three times a month; 15.7 per cent twice a<br />

month; 11.8 per cent once a month, and 9.8<br />

per cent rarely attended.<br />

The survey was conducted in the following<br />

cities: Albany, Atlanta, Baltimore, Boston,<br />

Buffalo, Chicago, Cincinnati, Cleveland, Dallas,<br />

Denver, Detroit, Hartford, Houston, Indianapolis,<br />

Kansas City, Los Angeles, Memphis,<br />

Miami, Milwaukee, Minneapolis, Newark,<br />

New Orleans, New York City, Norfolk,<br />

Oklahoma City, Philadelphia, Pittsburgh,<br />

Providence, Richmond, St. Louis, San Francisco,<br />

Seattle and Washington.<br />

AA Sets Writers Fees<br />

On Films Sold to TV<br />

HOLLYWOOD—Similar to the company's<br />

arrangement with the Screen Actors Guild,<br />

Allied Artists will pay scriveners from 12%<br />

to 15 per cent of the fees they originally<br />

received for working on theatrical features<br />

that are sold to television.<br />

The agreement, reached by AA president<br />

Steve Broidy with Writers Guild of America,<br />

West, calls for the 12% per cent fee on pictures<br />

sold to video for $20,000 or less, and the<br />

higher amount if the studio receives more.<br />

Broidy currently is negotiating with the<br />

Screen Directors Guild to draft an arrangement<br />

in the same pattern.<br />

Any Exhibitor Who Thinks He Is<br />

Overworked Should Read This<br />

BETHESDA, OHIO—Most people are<br />

glad to have a job, work at it eight to<br />

ten hours a day and then go home to<br />

relax. But not Mr. and Mrs. John<br />

Romanowski owners of the local Wayne<br />

Theatre, who are currently holding down<br />

six jobs between them.<br />

Mrs. Romanowski, still in her 20s, not<br />

only keeps house for her ambitious husband<br />

but is a regular cashier of a large<br />

chain grocery store during the daytime<br />

and at night is ticket taker at the Wayne<br />

Theatre.<br />

Meanwhile John works daily as a contractor's<br />

helper. At the end of the day's<br />

work he hurries home for a quick dinner<br />

and then rushes to open his theatre on<br />

time for the first show. At the theatre<br />

he is the projectionist as well as the<br />

manager.<br />

In spite of this full program, Romanowski<br />

has time to serve at his newly<br />

elected job of constable of Goshen township<br />

and helps patrol the territory.<br />

When John Romanowski came to<br />

Bethesda six years ago and took over the<br />

Wayne Theatre, one of the first moving<br />

picture theatres to operate in Belmont<br />

county, the going was tough. But having<br />

learned the picture business in Dillonvale<br />

under the late John Olszeski, owner of<br />

the Dillonvale Theatre, he had confidence<br />

that he could make a success of it.<br />

At first he was his own janitor, as well<br />

as owner, manager and projectionist.<br />

Mrs. Romanowski took tickets and said<br />

"howdy" to folks at the theatre's front<br />

door. To help the family budget, John<br />

took a job as a contractor's helper laying<br />

tile, spreading concrete and building<br />

framework for new homes. He did these<br />

things so well that he is now a member<br />

of a trade union and maintains a high<br />

standard of work.<br />

Last election the people of his township<br />

thought so highly of his stability<br />

and civic enthusiasm that, unknown to<br />

him, they elected him constable in a<br />

write-in campaign. The Romanowskis<br />

are busy and happy but they don't see<br />

much of each other. "Sometime," said<br />

the triple job Mrs. Romanowski, "I'll be<br />

asking my husband for a ticket before he<br />

comes in the front office."<br />

Newsreels Continue<br />

Global Coverage<br />

NEW YORK—The importance of motion<br />

picture newsreels as sources of information<br />

as well as entertainment has been demonstrated<br />

again by a survey conducted by the<br />

Motion Picture Ass'n of America that covered<br />

the number and type of subjects presented<br />

on the screen in 1955.<br />

While treatment of U. S. news continued<br />

predominant, of a total of 3,673 subjects covered<br />

1,200 had to do with foreign countries<br />

and 670 dealt with both U. S. and foreign<br />

subjects. The remaining 1,803 subjects were<br />

concentrated on U. S. events. During 1954<br />

1,308 subjects were devoted to foreign events<br />

and 667 to U. S. and foreign, with 1,965 focusing<br />

on U. S. events only. The 1954 total was<br />

3,940.<br />

BRITAIN TOPS FOREIGN NEWS<br />

Great Britain and Northern Ireland led<br />

with France second, Germany third, Italy<br />

fourth and the Soviet Union fifth. The<br />

first four were in the same order as in 1954.<br />

The Soviet Union supplanted Korea in fifth<br />

place last year.<br />

The total number of subjects, or clips, in<br />

1955 was 3,673, compared with 3,940 the preceding<br />

year. Several complete issues were devoted<br />

to a single subject, as the Salk polio<br />

vaccine or a review of the year's news.<br />

Sports coverage constituted one-quarter of<br />

the total. The leading events were, in the<br />

following order, football, winter sports, horse<br />

racing, baseball and water sports. The clips<br />

totaled 936.<br />

Six hundred and 76 clips were devoted to<br />

foreign and U. S. government topics. Foreign<br />

led with 305 against 222 for the U. S. government,<br />

and there were also 149 clips that had<br />

both U. S. and foreign coverage, as when the<br />

Canadian prime minister visited the White<br />

House.<br />

Next highest in the categories were human<br />

interest clips for a total of 404.<br />

National defense followed with 318. In obtaining<br />

newsreel coverage the Air Force led<br />

with 111. Trailing were the Army, with 91;<br />

the Navy, with 80, and there were 36 in the<br />

general category. The U. S. Coast Guard had<br />

none.<br />

In the political arena the figures were low.<br />

That may not prove true in this presidential<br />

election year. It is known that preliminary<br />

overtures have already been made to the<br />

newsreels—and to television—by both major<br />

parties.<br />

CATHOLICS LEAD RELIGION<br />

The 1955 record shows 28 clips devoted to<br />

U. S. politics and seven to foreign politics for<br />

a total of only 35. That is exactly 1 per cent<br />

of all 1955 newsreel coverage.<br />

As for clips devoted to religions, the Catholic<br />

religion led with 38, followed by the<br />

Protestant with nine and the Jewish with<br />

three.<br />

The remainder were minor classifications.<br />

They follow:<br />

Agriculture, 34 clips; civilian aviation, 31;<br />

acts of God, 91; other disasters, 79; education.<br />

54; fashion, 103; health and welfare, not including<br />

industry participation in those activities,<br />

65; labor, 26: motion picture industry,<br />

including participation in health and welfare<br />

activities, 133; prominent personalities, 166;<br />

scientific and industrial progress, 93; trial<br />

and investigation, 21; violence, warfare and<br />

riot, 123; weather, 13, and miscellaneous, 202.<br />

18<br />

BOXOFFICE :<br />

: February<br />

18, 1956

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