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. . "The<br />
. . Richard<br />
:<br />
. . Alan<br />
:<br />
February<br />
—<br />
^oUc^KA&od ^efcont<br />
Film Council Launches<br />
Boycott Against 'Boone'<br />
Firing another barrage in its continuing<br />
campaign against so-called "runaway" production<br />
by American filmmakers on foreign<br />
location sites, the Hollywood AFL Film Council,<br />
comprising unions and guilds with a total<br />
membership of more than 24,000 film industry<br />
workers, is launching a nationwide consumerboycott<br />
campaign against "Daniel Boone," a<br />
Gannaway-Ver Halen theatrical release which<br />
was lensed in Mexico.<br />
The Film Council charges that "Boone," although<br />
produced by U. S. interests and "telling<br />
the story of a famous American's activities<br />
in this country," was made entirely bekw<br />
the border "under non-union conditions and<br />
without American union technicians." George<br />
Flaherty, IATSE international representative,<br />
has told Albert Gannaway and Charles Ver<br />
Halen that the feature will be denied the IA<br />
union emblem. No release for the picture,<br />
stalling Bruce Bennett and Lon Chaney jr.,<br />
has as yet been announced.<br />
In rebuttal to the Film Council charges,<br />
Gannaway declared "Daniel Boone" had originally<br />
been scheduled for shooting in Kentucky,<br />
but that inclement weather developed<br />
there and because of commitments with stars<br />
and other personnel it was deemed necessary<br />
to switch the location to Mexico. Some of<br />
the financing for the opus was obtained in<br />
that country, he added, and union labor was<br />
employed there, while approximately 100 IA<br />
members in Hollywood have worked on "various<br />
phases of processing the picture." He<br />
pointed out further that his company is sending<br />
a unit to Kentucky next month to pick up<br />
backgrounds for a "Daniel Boone" TV series.<br />
To implement its campaign against the<br />
feature, the Film Council is calling on national,<br />
state and local groups in the AFL-CIO<br />
to warn members against it, and claims it<br />
has already been pledged the active support<br />
of the Kentucky state federation of labor.<br />
Flaherty charged "Daniel Boone" was made<br />
in Mexico "to escape paying American standard<br />
of living wages which make possible attendance<br />
at our movie theatres." The council<br />
recognizes, he said, that some pictures must be<br />
filmed in other countries to insure authentic<br />
locales, but in the case of "Boone" the plot<br />
is laid entirely in the U. S. and "it should<br />
have been made in this country."<br />
Two Filmmakers Purchase<br />
Magazine Story Apiece<br />
Two stories originally penned for magazine<br />
consumption have been gobbled up by filmmakers<br />
for addition to their upcoming dockets.<br />
Purchased by Columbia was "The Missing<br />
Witness," a mystery drama by John and<br />
Ward Hawkins and now running in Cosmopolitan,<br />
the film version of which will be<br />
produced for the studio by Jonie Taps and<br />
directed by William Asher from a screenplay<br />
by Blake Edwards . Wreck of the<br />
Mary Deare," by Hammond Innes and soon<br />
to be published in the Saturday Evening<br />
Post, went to MGM. The maritime drama<br />
deals with the history of a freighter whose<br />
owners conspire to sink her for the value<br />
of her cargo. The vessel is preserved, in part,<br />
By<br />
IVAN SPEAR<br />
by her tenacious captain, who exposes the<br />
plot and at the same time removes a former<br />
blot on his record ... A Spanish-language<br />
novel, "Saint Patrick's Battalion," by Patricia<br />
Cox, herself a Mexican of Irish descent, was<br />
acquired by independent producer Carl Krueger.<br />
It is the historical account of a battalion<br />
of 700 Irishmen who were hanged by<br />
Gen. Winfield Scott for fighting against him<br />
m the Mexican War of 1847-48, and is a<br />
best-seller in Mexico, where Krueger plans<br />
Two purchases were recorded<br />
to film it . . .<br />
by Universal-International, which bought<br />
"The Tattered Dress," an original melodrama<br />
by George Zuckerman, and "For Love or<br />
Money," a Broadway play by F. Hugh Herbert.<br />
"Dress," centering around a New York<br />
criminal lawyer, has been assigned to Albert<br />
Zugsmith to produce, with Zuckerman inked<br />
to prepare the screenplay. "Money," which<br />
. . Director<br />
will be produced by Ross Hunter, is set in<br />
the Long Island home of a celebrated actor<br />
who falls in love with a young gal who stops<br />
at his house to use the telephone after she<br />
has become stranded in a storm .<br />
Francis Lyon, who recently formed Leo Productions<br />
as an independent unit, bought<br />
"Deborah," an original screenplay by Richard<br />
Collins. It will follow "Man Tracks" on<br />
Lyon's slate.<br />
Tony Curtis to Promote<br />
Trapeze' in Global Tour<br />
Short takes from the sound stages: Hecht-<br />
Lancaster is projecting a worldwide exploitation<br />
tour for Tony Curtis in conjunction<br />
with the global release of "Trapeze," in which<br />
he co-stars with Burt Lancaster and Gina<br />
Lollobrigida for United Artists release. The<br />
proposed trek would begin on the east coast,<br />
thence to Europe, Asia and Japan . . . Henceforth,<br />
cartoon-maker Walter Lantz has decided,<br />
all his animated subjects will have<br />
singing main titles; the first short to get<br />
the new treatment will be a "Chilly Willy"<br />
subject, "Hold That Rock," for which Bonnie<br />
Baker will vocalize "I'm Chilly Willy the<br />
Penguin"<br />
. Carruth, who had been<br />
an assistant to Robert L. Jacks and Robert<br />
Goldstein in Crown Productions, has been<br />
set as an associate producer by Jacks in the<br />
latter's independent organization, which will<br />
roll "The Lonely Gun," for United Artists<br />
distribution, next month.<br />
Samuel Goldwyn Jr. Signs<br />
James Olson for 7 Years<br />
Here and there in the Hollywoodlands<br />
Samuel Goldwyn jr., off on a "new faces"<br />
kick, inked James Olson, young Broadway<br />
. .<br />
actor, to a seven-year deal, under which his<br />
debuting appearance will be in Goldwyn's<br />
"The Sharkfighters," a Victor Mature starrer<br />
for United Artists, which rolls March 1<br />
on location in Cuba .<br />
Roger Corman set<br />
Producer-director<br />
"Reception" as the sixth<br />
on his slate of ten independent subjects for<br />
lensing this year. It deals with a Confederate<br />
hero who brings a northern bride back to<br />
his home in an embittered town in Georgia<br />
. . . C. V. Whitney, president of C. V. Whitney<br />
Pictures, and Merian C. Cooper, vice-president<br />
in charge of production, have retained<br />
Writers Guild Selects<br />
Screenplay Nominees<br />
Members of the screen writers' branch<br />
of Writers Guild of America, West, have<br />
selected nominees for the "best written<br />
screenplay of 1955" in three categories<br />
comedy, drama and musical—upon which<br />
final voting will be concluded this month.<br />
Toppers in each of the three divisions will<br />
be announced March 8 at the scriveners'<br />
eighth annual awards dinner.<br />
The candidates:<br />
Comedy—Frank Nugent and Joshua<br />
Logan, "Mister Roberts," Warners; George<br />
Axelrod, "Phffft," Columbia; Billy<br />
Wilder and George Axelrod, "The Seven<br />
Year Itch," 20th Century-Fox; Julius<br />
Epstein, "The Tender Trap," MGM; John<br />
Michael Hayes, "To Catch a Thief," Paramount.<br />
Drama— Millard Kaufman, Don Mc-<br />
Guire, "Bad Day at Black Rock," MGM;<br />
Richard Brooks, "Blackboard Jungle,"<br />
MGM; Paul Osborn, "East of Eden,"<br />
Warners; Paddy Chayefsky, "Marty,"<br />
Hecht-Lancaster-United Artists; Daniel<br />
Taradash, "Picnic," Columbia.<br />
Musical—Phoebe and Henry Ephron,<br />
"Daddy Long Legs," 20th Oentury-Fox;<br />
Joseph L. Mankiewicz, "Guys and Dolls,"<br />
Goldwyn-MGM; Betty Comden and<br />
Adolph Green, "It's Always Fair Weather,"<br />
MGM; Daniel Fuchs and Isobel Lennart,<br />
"Love Me or Leave Me," MGM, and<br />
Sonya Levien and William Ludwig, "Oklahoma!"<br />
for Rodgers and Hammerstein.<br />
the Music Corp. of America to handle the releasing<br />
deal for the next Whitney film project,<br />
as yet unannounced. MCA negotiated the<br />
distribution, through Warners, of Whitney's<br />
initialer, "The Searchers," starring John<br />
Wayne . Ladd inked Van Heflin to<br />
co-star with him in Ladd's upcoming Jaguar<br />
production, "Guns of the Timberland," which<br />
will roll late this year for Warner release.<br />
The teaming reunites the topliners in Paramount's<br />
"Shane."<br />
AA Completes Music Deal<br />
For Tunes From Its Films<br />
Allied Artists has completed a deal with the<br />
Music Publishing Holding Corp., a Warner<br />
Bros, subsidiary, whereby that organization<br />
will publish, through three music houses, all<br />
tunes used in current and forthcoming AA<br />
releases.<br />
The transaction was set by Victor Blau and<br />
Herman Starr on behalf of the holding company<br />
and Marvin Mirisch for AA. First films<br />
to be affected are "The First Texan,"<br />
"Mother-Sir." "Three for Jamie Dawn" and<br />
"Hold Back the Night."<br />
George Pal to Produce<br />
Another Wells Thriller<br />
Science-fiction specialist George Pal, who<br />
checked out of his berth as a Paramount<br />
producer several months ago after a tenure<br />
of several years, is launching a new independent<br />
production setup with the acquisition of<br />
the H. G. Wells story, "The Time Machine."<br />
Wells and Pal are no strangers, the latter<br />
having made as his last Paramount entry<br />
the Wells thriller, "War of the Worlds." Pal<br />
has retained David Duncan to prepare the<br />
script<br />
for a late-summer start.<br />
26 BOXOFFICE :<br />
18. 1956