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Boxoffice-Febuary.18.1956

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. . "The<br />

. . Richard<br />

:<br />

. . Alan<br />

:<br />

February<br />

—<br />

^oUc^KA&od ^efcont<br />

Film Council Launches<br />

Boycott Against 'Boone'<br />

Firing another barrage in its continuing<br />

campaign against so-called "runaway" production<br />

by American filmmakers on foreign<br />

location sites, the Hollywood AFL Film Council,<br />

comprising unions and guilds with a total<br />

membership of more than 24,000 film industry<br />

workers, is launching a nationwide consumerboycott<br />

campaign against "Daniel Boone," a<br />

Gannaway-Ver Halen theatrical release which<br />

was lensed in Mexico.<br />

The Film Council charges that "Boone," although<br />

produced by U. S. interests and "telling<br />

the story of a famous American's activities<br />

in this country," was made entirely bekw<br />

the border "under non-union conditions and<br />

without American union technicians." George<br />

Flaherty, IATSE international representative,<br />

has told Albert Gannaway and Charles Ver<br />

Halen that the feature will be denied the IA<br />

union emblem. No release for the picture,<br />

stalling Bruce Bennett and Lon Chaney jr.,<br />

has as yet been announced.<br />

In rebuttal to the Film Council charges,<br />

Gannaway declared "Daniel Boone" had originally<br />

been scheduled for shooting in Kentucky,<br />

but that inclement weather developed<br />

there and because of commitments with stars<br />

and other personnel it was deemed necessary<br />

to switch the location to Mexico. Some of<br />

the financing for the opus was obtained in<br />

that country, he added, and union labor was<br />

employed there, while approximately 100 IA<br />

members in Hollywood have worked on "various<br />

phases of processing the picture." He<br />

pointed out further that his company is sending<br />

a unit to Kentucky next month to pick up<br />

backgrounds for a "Daniel Boone" TV series.<br />

To implement its campaign against the<br />

feature, the Film Council is calling on national,<br />

state and local groups in the AFL-CIO<br />

to warn members against it, and claims it<br />

has already been pledged the active support<br />

of the Kentucky state federation of labor.<br />

Flaherty charged "Daniel Boone" was made<br />

in Mexico "to escape paying American standard<br />

of living wages which make possible attendance<br />

at our movie theatres." The council<br />

recognizes, he said, that some pictures must be<br />

filmed in other countries to insure authentic<br />

locales, but in the case of "Boone" the plot<br />

is laid entirely in the U. S. and "it should<br />

have been made in this country."<br />

Two Filmmakers Purchase<br />

Magazine Story Apiece<br />

Two stories originally penned for magazine<br />

consumption have been gobbled up by filmmakers<br />

for addition to their upcoming dockets.<br />

Purchased by Columbia was "The Missing<br />

Witness," a mystery drama by John and<br />

Ward Hawkins and now running in Cosmopolitan,<br />

the film version of which will be<br />

produced for the studio by Jonie Taps and<br />

directed by William Asher from a screenplay<br />

by Blake Edwards . Wreck of the<br />

Mary Deare," by Hammond Innes and soon<br />

to be published in the Saturday Evening<br />

Post, went to MGM. The maritime drama<br />

deals with the history of a freighter whose<br />

owners conspire to sink her for the value<br />

of her cargo. The vessel is preserved, in part,<br />

By<br />

IVAN SPEAR<br />

by her tenacious captain, who exposes the<br />

plot and at the same time removes a former<br />

blot on his record ... A Spanish-language<br />

novel, "Saint Patrick's Battalion," by Patricia<br />

Cox, herself a Mexican of Irish descent, was<br />

acquired by independent producer Carl Krueger.<br />

It is the historical account of a battalion<br />

of 700 Irishmen who were hanged by<br />

Gen. Winfield Scott for fighting against him<br />

m the Mexican War of 1847-48, and is a<br />

best-seller in Mexico, where Krueger plans<br />

Two purchases were recorded<br />

to film it . . .<br />

by Universal-International, which bought<br />

"The Tattered Dress," an original melodrama<br />

by George Zuckerman, and "For Love or<br />

Money," a Broadway play by F. Hugh Herbert.<br />

"Dress," centering around a New York<br />

criminal lawyer, has been assigned to Albert<br />

Zugsmith to produce, with Zuckerman inked<br />

to prepare the screenplay. "Money," which<br />

. . Director<br />

will be produced by Ross Hunter, is set in<br />

the Long Island home of a celebrated actor<br />

who falls in love with a young gal who stops<br />

at his house to use the telephone after she<br />

has become stranded in a storm .<br />

Francis Lyon, who recently formed Leo Productions<br />

as an independent unit, bought<br />

"Deborah," an original screenplay by Richard<br />

Collins. It will follow "Man Tracks" on<br />

Lyon's slate.<br />

Tony Curtis to Promote<br />

Trapeze' in Global Tour<br />

Short takes from the sound stages: Hecht-<br />

Lancaster is projecting a worldwide exploitation<br />

tour for Tony Curtis in conjunction<br />

with the global release of "Trapeze," in which<br />

he co-stars with Burt Lancaster and Gina<br />

Lollobrigida for United Artists release. The<br />

proposed trek would begin on the east coast,<br />

thence to Europe, Asia and Japan . . . Henceforth,<br />

cartoon-maker Walter Lantz has decided,<br />

all his animated subjects will have<br />

singing main titles; the first short to get<br />

the new treatment will be a "Chilly Willy"<br />

subject, "Hold That Rock," for which Bonnie<br />

Baker will vocalize "I'm Chilly Willy the<br />

Penguin"<br />

. Carruth, who had been<br />

an assistant to Robert L. Jacks and Robert<br />

Goldstein in Crown Productions, has been<br />

set as an associate producer by Jacks in the<br />

latter's independent organization, which will<br />

roll "The Lonely Gun," for United Artists<br />

distribution, next month.<br />

Samuel Goldwyn Jr. Signs<br />

James Olson for 7 Years<br />

Here and there in the Hollywoodlands<br />

Samuel Goldwyn jr., off on a "new faces"<br />

kick, inked James Olson, young Broadway<br />

. .<br />

actor, to a seven-year deal, under which his<br />

debuting appearance will be in Goldwyn's<br />

"The Sharkfighters," a Victor Mature starrer<br />

for United Artists, which rolls March 1<br />

on location in Cuba .<br />

Roger Corman set<br />

Producer-director<br />

"Reception" as the sixth<br />

on his slate of ten independent subjects for<br />

lensing this year. It deals with a Confederate<br />

hero who brings a northern bride back to<br />

his home in an embittered town in Georgia<br />

. . . C. V. Whitney, president of C. V. Whitney<br />

Pictures, and Merian C. Cooper, vice-president<br />

in charge of production, have retained<br />

Writers Guild Selects<br />

Screenplay Nominees<br />

Members of the screen writers' branch<br />

of Writers Guild of America, West, have<br />

selected nominees for the "best written<br />

screenplay of 1955" in three categories<br />

comedy, drama and musical—upon which<br />

final voting will be concluded this month.<br />

Toppers in each of the three divisions will<br />

be announced March 8 at the scriveners'<br />

eighth annual awards dinner.<br />

The candidates:<br />

Comedy—Frank Nugent and Joshua<br />

Logan, "Mister Roberts," Warners; George<br />

Axelrod, "Phffft," Columbia; Billy<br />

Wilder and George Axelrod, "The Seven<br />

Year Itch," 20th Century-Fox; Julius<br />

Epstein, "The Tender Trap," MGM; John<br />

Michael Hayes, "To Catch a Thief," Paramount.<br />

Drama— Millard Kaufman, Don Mc-<br />

Guire, "Bad Day at Black Rock," MGM;<br />

Richard Brooks, "Blackboard Jungle,"<br />

MGM; Paul Osborn, "East of Eden,"<br />

Warners; Paddy Chayefsky, "Marty,"<br />

Hecht-Lancaster-United Artists; Daniel<br />

Taradash, "Picnic," Columbia.<br />

Musical—Phoebe and Henry Ephron,<br />

"Daddy Long Legs," 20th Oentury-Fox;<br />

Joseph L. Mankiewicz, "Guys and Dolls,"<br />

Goldwyn-MGM; Betty Comden and<br />

Adolph Green, "It's Always Fair Weather,"<br />

MGM; Daniel Fuchs and Isobel Lennart,<br />

"Love Me or Leave Me," MGM, and<br />

Sonya Levien and William Ludwig, "Oklahoma!"<br />

for Rodgers and Hammerstein.<br />

the Music Corp. of America to handle the releasing<br />

deal for the next Whitney film project,<br />

as yet unannounced. MCA negotiated the<br />

distribution, through Warners, of Whitney's<br />

initialer, "The Searchers," starring John<br />

Wayne . Ladd inked Van Heflin to<br />

co-star with him in Ladd's upcoming Jaguar<br />

production, "Guns of the Timberland," which<br />

will roll late this year for Warner release.<br />

The teaming reunites the topliners in Paramount's<br />

"Shane."<br />

AA Completes Music Deal<br />

For Tunes From Its Films<br />

Allied Artists has completed a deal with the<br />

Music Publishing Holding Corp., a Warner<br />

Bros, subsidiary, whereby that organization<br />

will publish, through three music houses, all<br />

tunes used in current and forthcoming AA<br />

releases.<br />

The transaction was set by Victor Blau and<br />

Herman Starr on behalf of the holding company<br />

and Marvin Mirisch for AA. First films<br />

to be affected are "The First Texan,"<br />

"Mother-Sir." "Three for Jamie Dawn" and<br />

"Hold Back the Night."<br />

George Pal to Produce<br />

Another Wells Thriller<br />

Science-fiction specialist George Pal, who<br />

checked out of his berth as a Paramount<br />

producer several months ago after a tenure<br />

of several years, is launching a new independent<br />

production setup with the acquisition of<br />

the H. G. Wells story, "The Time Machine."<br />

Wells and Pal are no strangers, the latter<br />

having made as his last Paramount entry<br />

the Wells thriller, "War of the Worlds." Pal<br />

has retained David Duncan to prepare the<br />

script<br />

for a late-summer start.<br />

26 BOXOFFICE :<br />

18. 1956

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