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INTRODUCTION TO ARCHAEOLOGY Nancy White - Touro Institute

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studies look at the scratches and tiny chips and other signs of use on different materials: cutting<br />

meat leaves different patterns than cutting wood or hoeing soil. Residue analysis now includes<br />

even looking at traces of DNA in blood on the edges of stone tools to see what species of steak<br />

was being cut up!<br />

Why does your book list ceramic artifacts right after stone? Fired clay artifacts also preserve<br />

well, are often the next-oldest kind recovered, and also reflect our Western penchant for<br />

classification based on technology. Firing clay to make figurines was known in the Upper<br />

Paleolithic, some 25,000 years ago, in Europe and elsewhere. Apparently this technology was<br />

then either lost or at least not used much until about 10,000 years ago, when people started<br />

making earthenware vessels for holding things, presumably mostly food, and cooking food. We<br />

still eat off plates that are mostly fired clay, unless we have paper or plastic or styrofoam!<br />

What attributes of ceramics can be studied? Pottery is a more plastic medium, allowing the<br />

makers to incorporate more variability. If you make a mistake or change your mind when<br />

chipping stone tools you need to reshape the piece into something smaller or throw it away and<br />

start over. With pottery you can reshape the wet clay before you fire it, and even add things after<br />

it is fired, such as engraving or painting. There are many more pottery types than stone tool<br />

types, at least in southeastern U.S. archaeology. The standard artifact we find is a potsherd, a<br />

broken piece (pass some around), but what other things are made of clay? Figurines, spindle<br />

whorls, whistles, etc.<br />

What are the raw materials for ceramic artifacts? Natural clays, of course, and also often temper<br />

or aplastic, some material added to the clay for various reasons, from the functional (better<br />

firing) to the stylistic. Who in the class has made pottery? What are the possible tempering<br />

agents? In the Southeast we find sand, grit (crushed quartzite), shell (crushed), and grog (crushed<br />

clay fragments, often probably old pots, maybe smashed in a fit of temper!). The earliest pottery<br />

in North America was tempered with plant fibers; in Florida this was Spanish moss, like we see<br />

hanging on the trees outside this building. The fibers burned out and left squiggly line open<br />

spaces in the clay (show example). Besides describing the clay minerals, the clay sources, and<br />

the decorative or surface treatment of the pot (stamping, incising, punctating, painting, etc.; show<br />

examples), we can determine something else about the manufacturing technology. In the New<br />

World there was no potter’s wheel. Early vessels were simply hand-built, like that first one you<br />

did in kindergarten. For the last 3,000 years pottery was made by the coil method, rolling a big<br />

snake-like form in your hands and coiling it around to shape the pot, then smoothing it. If we<br />

find a sherd of sand-tempered pottery that has uniform wheel marks on it at a Florida<br />

archaeological site we know it is from a Spanish olive jar, which very much resembles Indian<br />

pottery except for this technological clue.<br />

What are fancier types of ceramics and how are they made? Old World technologies early<br />

produced fine china, vitrified clay we call glass, and fancy glazes able to be done because higher<br />

firing temperatures could be achieved. Does this mean New World peoples “lagged behind” and<br />

were not as bright as the Chinese or Egyptians? Maybe in glass manufacture, but does this mean<br />

in the rest of their technology or other areas of life? Remember that in this class we want to<br />

abolish the use of the terms “primitive” and “advanced,” since they are making ethnocentric

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