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The Penguin Dictionary of American English Usage and Style : A ...

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456 verbs<br />

<strong>The</strong> portion <strong>of</strong> sales hedged is based<br />

on assessments <strong>of</strong> cost-benefit pr<strong>of</strong>iles<br />

that consider natural <strong>of</strong>fsetting exposures,<br />

revenue <strong>and</strong> exchange rate<br />

volatilities <strong>and</strong> correlations, <strong>and</strong> the<br />

cost <strong>of</strong> hedging instruments. . . . For<br />

foreign currency denominated borrowing<br />

<strong>and</strong> investing transactions,<br />

cross-currency interest rate swap contracts<br />

are used, which, in addition to<br />

exchanging cash flows derived from<br />

rates, exchange currencies at both inception<br />

<strong>and</strong> termination <strong>of</strong> the contracts.<br />

. . . Because monetary assets<br />

<strong>and</strong> liabilities are marked to spot <strong>and</strong><br />

recorded in earnings, forward contracts<br />

designated as hedges <strong>of</strong> the<br />

monetary assets <strong>and</strong> liabilities are also<br />

marked to spot with the resulting<br />

gains <strong>and</strong> losses similarly recognized<br />

in earnings.<br />

Popular language has deadwood too.<br />

“In spite <strong>of</strong> the fact that” can <strong>of</strong>ten boil<br />

down to although; “was in attendance<br />

at” to attended; “for the reason that” to<br />

because; “<strong>of</strong> a friendly (or cheerful etc.)<br />

character” to friendly (or cheerful etc.);<br />

“is in possession <strong>of</strong>” to has; <strong>and</strong> so on.<br />

Recent decades have brought many<br />

roundabout expressions, such as “I am<br />

supportive <strong>of</strong> him” instead <strong>of</strong> I support<br />

him; “at this point in time” instead <strong>of</strong><br />

now; “in terms <strong>of</strong>” <strong>and</strong> “all that” used<br />

unnecessarily; “for” free <strong>and</strong> listen<br />

“up”; <strong>and</strong> “person” <strong>and</strong> “people” as<br />

suffixes.<br />

Even a short piece can be too long if it<br />

has unnecessary components. A long<br />

work is not necessarily too long if it is<br />

tightly composed. That means being<br />

concise <strong>and</strong> to the point; preferring active<br />

verbs to passive verbs <strong>and</strong> fresh expressions<br />

to clichés; avoiding<br />

highfalutin, obscure, or superfluous<br />

words <strong>and</strong> phrases; not being too abstract;<br />

illustrating generalities with specific<br />

examples; favoring simple sentences<br />

over complicated ones; using long sentences<br />

sparingly <strong>and</strong> with clear, consistent<br />

structure; <strong>and</strong> using grammar, sentence<br />

structure, <strong>and</strong> vocabulary<br />

carefully.<br />

Verbosity should not be confused<br />

with verbiage, an instance <strong>of</strong> (not a tendency<br />

toward) an overabundance <strong>of</strong><br />

words. Verbiage can also denote a style<br />

<strong>of</strong> using words, such as legal verbiage in<br />

a court document.<br />

Among pertinent entries are Active<br />

voice <strong>and</strong> passive voice; ADVOCATE;<br />

“AT THIS POINT IN TIME”; A<br />

WHILE <strong>and</strong> AWHILE; BOTH; BU-<br />

COLIC; CAUGHT <strong>and</strong> CAUGHT UP;<br />

CHARACTER; Clichés; CONSENSUS;<br />

DEMOLISH; Expletives; FRACTION;<br />

FREE; IDYLLIC; IN ATTENDANCE;<br />

IN TERMS OF; IS IS; KNOT; LIKE, 3;<br />

MEAN (adjective); OFF <strong>and</strong> “OFF OF”;<br />

ON, 2; PEOPLE as a suffix; PERSON;<br />

PERSONAL; PRESENTLY; REVERT;<br />

SITUATION; SUPPORTIVE; THAT,<br />

ALL THAT; Twins; UP, 2; WITH.<br />

Verbs. 1. Basic facts. 2. Creation from<br />

nouns. 3. Mistakes in number. 4. Problems<br />

in using auxiliaries. 5. Shortage <strong>of</strong><br />

objects.<br />

1. Basic facts<br />

A. What is a verb?<br />

A verb is typically a word <strong>of</strong> action. It<br />

tells what someone or something does.<br />

“<strong>The</strong> boy works.” / “This monkey<br />

howls.” / “Paris fell on that day.”<br />

<strong>The</strong> person, creature, thing, or abstraction—that<br />

is, the subject—need not<br />

act overtly. <strong>The</strong> subject may just exist in<br />

some way, or something may happen to<br />

the subject. <strong>The</strong> verb tells us that. “I am<br />

the captain.” / “<strong>The</strong>y live in Detroit.” /<br />

“<strong>The</strong> city was besieged for two years.”<br />

B. Verb phrase<br />

A verb may consist <strong>of</strong> more than one<br />

word, usually termed a verb phrase.<br />

“<strong>The</strong> dog has eaten my manuscript.” /

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