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Tehnika / Technique crtež na papiru / drawing on paper Režija, scenarij, animacija, kamera, montaža / Director, screenplay,<br />
animation, camera, editing Keita Kurosaka Kompoziting / Compositing Yukio Hiruma Glazba / Music Hiromichi Sakamoto Zvuk<br />
/ Sound Naoto Iwano Producent / Producer Akira Mizuyoshi Produkcija, Distribucija / Production, Distribution Mistral Japan,<br />
mizuyoshi@mistral-japan.co.jp, www.midori-ko.com<br />
/ Na japanskom s engleskim i hrvatskim podnaslovima. / In Japanese with English and Croatian subtitles.<br />
Midori-ko<br />
Keita Kurosaka<br />
Japan / BETA SP / 2010 / 55'<br />
www.midori-ko.com<br />
Midori-ko, desetogodišnji plod ljubavi sastavljen od<br />
više od 20 tisuća slika, spaja pripovijesti o biomimikriji,<br />
prehrambenoj politici i jezivoj, mističnoj ekologiji.<br />
U očekivanju prehrambene krize, pet znanstvenika radi<br />
na razvoju "hrane iz snova", koja je istodobno meso i<br />
povrće. No laboratorijski napredak, smješten u napuštenoj<br />
trgovačkoj četvrti, zašao je u slijepu ulicu.<br />
Kurosaka Keita (1956) japanski je eksperimentalni filmski<br />
umjetnik čiji se rad opisuje kao "slikarski, groteskni i<br />
nadrealni". Aktivan je animator i profesor na Odsjeku za<br />
vizualne umjetnosti i znanosti pri tokijskom Umjetničkom<br />
sveučilištu Musashino. U svojoj je karijeri istraživao različite<br />
metode animacije, uključujući crtanje, fotografiju i<br />
kiparstvo, a autor je videospotova, instalacija i stripova<br />
te filmova Worm Story (1989), Personal City (1990),<br />
ATAMA (1994) i Flying Daddy (1997).<br />
A ten-year labor of love and composed from over 20,000<br />
images, Midori-ko brings together narratives of bio-mimicry,<br />
food politics, and an uncanny, mystical environmentalism.<br />
In anticipation of the coming food crisis, five scientists<br />
are working to develop a "dream food," one that is both<br />
meat and vegetable. But, progress in the laboratory, located<br />
amidst a derelict shopping district, has hit a dead end.<br />
Kurosaka Keita (1956) is Japanese experimental filmmaker<br />
whose work is described as “very painterly, grotesque<br />
and surreal”. He is active as an animator and<br />
a professor at the Department of Imaging Arts and<br />
Sciences at Tokyo's Musashino Art University. Across his<br />
career, he has explored various methods of animation<br />
including drawing, photography, sculpture and has also<br />
produced video clips, installation pieces and comics. His<br />
films include Worm Story (1989), Personal City (1990),<br />
ATAMA (1994) and Flying Daddy (1997).<br />
svjetska panorama / world panorama<br />
KINO tuškanac / 1. 6. / 22:15<br />
KINO europa / 4. 6. / 22:00
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