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138 MIDI Data Format This parameter specifies relative change with the value of 64 producing 0 adjustment. As values get higher the sound becomes increasingly eccentric. Note that for some voices the effective parameter range is narrower than the legal parameter range. • RELEASE TIME applies adjustment to the envelope release time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. • ATTACK TIME applies adjustment to the envelope attack time set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. • BRIGHTNESS applies adjustment to the cut-off frequency set by the voice. This parameter specifies relative change with the value of 64 producing 0 adjustment. Lower voices produce a softer sound. For some voices the effective parameter range is narrower than the legal parameter range. (3-2) CHANNEL MODE MESSAGES STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER CONTROL NUMBER 0ccccccc c = CONTROL NUMBER CONTROL VALUE 0vvvvvvv v = DATA VALUE (3-2-1) ALL SOUND OFF (Receive only) (CONTROL NUMBER = 78H , DATA VALUE = 0) Switches off all sound from the channel. Does not reset Note On and Hold On conditions established by Channel Messages. (3-2-2) RESET ALL CONTROLLERS (Receive only) (CONTROL NUMBER = 79H , DATA VALUE = 0) Resets controllers as follows. PITCH BEND CHANGE AFTER TOUCH MODULATION EXPRESSION SUSTAIN SOSTENUTO SOFT PEDAL NRPN RPN PORTAMENT CONTROL PORTAMENTO 0 (Center) 0 (min.) 0 (min.) 127 (max.) 0 (off) 0 (off) 0 (off) Sets number to null. (Internal data remains unchanged) Sets number to null. (Internal data remains unchanged) Resets portamento source note number 0 (off) (3-2-3) ALL NOTES OFF (Receive only) (CONTROL NUMBER = 7BH , DATA VALUE = 0) Switches off all of the channel’s “on” notes. However, any notes being held by SUSTAIN or SOSTENUTO continue to sound until SUSTAIN/SOSTENUTO goes off. (3-2-4) OMNI OFF (Receive only) (CONTROL NUMBER = 7CH , DATA VALUE = 0) Same processing as for All Notes Off. (3-2-5) OMNI ON (Receive only) (CONTROL NUMBER = 7DH , DATA VALUE = 0) Same processing as for All Notes Off. Omni On is not executed. (3-2-6) MONO (Receive only) (CONTROL NUMBER = 7EH , DATA VALUE = 0) Same processing as for All Notes Off. If the 3rd byte is in a range of 0-16 the corresponding channel will be changed to Mode 4 (m=1). (3-2-7) POLY (Receive only) (CONTROL NUMBER = 7FH , DATA VALUE = 0) Same processing as for All Sounds Off and the corresponding channel will be changed to Mode 3. (3-3) REGISTERED PARAMETER NUMBER (RPN) STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER RPN LSB 01100100(64H) RPN LSB NUMBER 0ppppppp p = RPN LSB(refer to the list below) RPN MSB 01100101(65H) RPN MSB 0qqqqqqq q = RPN MSB(refer to the list below) DATA ENTRY MSB 00000110(06H) DATA VALUE 0mmmmmmm m = Data Value DATA ENTRY LSB 00100110(26H) DATA VALUE 0lllllll l = Data Value First appoints the parameter for RPN MSB/LSB, then sets the parameter value for data entry MSB/LSB. RPN D.ENTRY MSB LSB MSB LSB PARAMETER NAME DATA RANGE 00H 00H mmH — PITCH BEND SENSITIVITY 00H - 18H(0 - 24 semitones) 01H 00H mmH llH FINE TUNE {mmH,llH} = {00H,00H}-{40H,00H}-{7FH,7FH} (-8192*100/8192) - 0 - (+8192*100/8192) 02H 00H mmH — COARSE TUNE 28H - 40H - 58H (-24 - 0 - +24 semitones) 7FH 7FH — — NULL Clears the current RPN number setting. Does not change the internal parameter settings. (3-4) NON-REGISTERED PARAMETER NUMBER (NRPN) (Receive only) STATUS 1011nnnn(BnH) n = 0 - 15 VOICE CHANNEL NUMBER NRPN LSB 01100010(62H) NRPN LSB NUMBER 0ppppppp p = NRPN LSB(refer to the list below) NRPN MSB 01100011(63H) NRPN MSB NUMBER 0qqqqqqq q = NRPN MSB(refer to the list below) DATA ENTRY MSB 00000110(06H) DATA VALUE 0mmmmmmm m = Data Value First appoints the parameter for NRPN MSB/LSB, then sets the parameter value for data entry MSB/LSB. NRPN D.ENTRY MSB LSB MSB LSB PARAMETER NAME DATA RANGE 01H 08H mmH — VIBRATO RATE 00H - 40H - 7FH (-64 - 0 - +63) 01H 09H mmH — VIBRATO DEPTH 00H - 40H - 7FH (-64 - 0 - +63) 01H 0AH mmH — VIBRATO DELAY 00H - 40H - 7FH (-64 - 0 - +63) 01H 20H mmH — FILTER CUTOFF FREQUENCY 00H - 40H - 7FH (-64 - 0 - +63) 01H 21H mmH — FILTER RESONANCE 00H - 40H - 7FH (-64 - 0 - +63) 01H 63H mmH — EG ATTACK TIME 00H - 40H - 7FH (-64 - 0 - +63) 01H 64H mmH — EG DECAY TIME 00H - 40H - 7FH (-64 - 0 - +63) 01H 66H mmH — EG RELEASE 00H - 40H - 7FH (-64 - 0 - +63) 14H rrH mmH — DRUM FILTER CUTOFF FREQ. 00H - 40H - 7FH (-64 - 0 - +63) 15H rrH mmH — DRUM FILTER RESONANCE 00H - 40H - 7FH (-64 - 0 - +63) 16H rrH mmH — DRUM AEG ATTACK RATE 00H - 40H - 7FH (-64 - 0 - +63) 17H rrH mmH — DRUM AEG DECAY RATE 00H - 40H - 7FH (-64 - 0 - +63) 18H rrH mmH — DRUM PITCH COARSE 00H - 40H - 7FH (-64 - 0 - +63) 19H rrH mmH — DRUM PITCH FINE 00H - 40H - 7FH (-64 - 0 - +63) 1AH rrH mmH — DRUM LEVEL 00H - 7FH (0 - max.) 1CH rrH mmH — DRUM PANPOT 00H, 01H - 40H - 7FH (random,left - center - right) 1DH rrH mmH — DRUM REVERB SEND LEVEL 00H - 7FH (0 - max.) 1EH rrH mmH — DRUM CHORUS SEND LEVEL 00H - 7FH (0 - max.) 1FH rrH mmH — DRUM VARIATION SEND LEVEL 00H - 7FH (0 - max.) The MSG14H-1FH (for drums) message is accepted as long as the channel is set with a drum voice. rrH : drum instrument note number (3-5) SYSTEM REALTIME MESSAGES (3-5-1) MIDI CLOCK STATUS 11111000 (F8H) Transmission: 96 clocks per measure are transmitted. Reception: If the instrument’s clock is set to external, after FAH is received from the external device the instrument’s clock will sync with the 96 beats per measure received from the external device. Decides whether the internal clock, or Timing Clocks received via the MIDI IN will be used. (3-5-2) START STATUS 11111010 (FAH) Transmission: Transmitted when instrument’s Rhythm or Song playback is started. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will start. (3-5-3) STOP STATUS 11111100 (FCH) Transmission: Transmitted when instrument’s Rhythm or Song playback is stopped. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop. (3-5-4) ACTIVE SENSING STATUS 11111110 (FEH) Transmission: Transmitted approximately once every 200msec. Reception: Depending upon the condition, Rhythm, Song Playback, or Song Rec will stop. (3-6) SYSTEM EXCLUSIVE MESSAGE (3-6-1) YAMAHA MIDI FORMAT (3-6-1-1) SECTION CONTROL binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000000 00 0sssssss SS Switch No. 00H : INTRO A 01H - 07H : INTRO B 08H : MAIN A 09H - 0FH : MAIN B 10H : FILL IN A 11H - 1FH : FILL IN B 20H : ENDING A 21H - 27H : ENDING B 0ddddddd DD Switch On/Off: 00H(Off),7FH(On) 11110111 F7 End of Exclusive When an ON code is received, the appointed section will be changed. 140
139 MIDI Data Format (3-6-1-2) TEMPO CONTROL binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 01111110 7E Style 00000000 01 0ttttttt TT Tempo4 0ttttttt TT Tempo3 0ttttttt TT Tempo2 0ttttttt TT Tempo1 11110111 F7 End of Exclusive The internal clock will be set to the received Tempo value. Tempo Meta Event is a large data block (24-bit), it is divided into 4 groups with 7-bits going into each of the Tempos 1-4 (4 receives the remaining 3 bits). (3-6-2) UNIVERSAL SYSTEM EXCLUSIVE (3-6-2-1) UNIVERSAL REALTIME MESSAGE (3-6-2-1-1) MIDI MASTER VOLUME (Receive only) binary hexadecimal 11110000 F0 Exclusive status 01111111 7F Universal Realtime 01111111 7F ID of target Device 00000100 04 Sub-ID #1=Device Control Message 00000001 01 Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111111 7F Universal Realtime 0xxxnnnn XN When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care 00000100 04 Sub-ID #1=Device Control Message 00000001 01 Sub-ID #2=Master Volume 0sssssss SS Volume LSB 0ttttttt TT Volume MSB 11110111 F7 End of Exclusive The volume for all channels will be changed simultaneously. The TT value is used as the MIDI Master Volume value. (the ss value is ignored.) (3-6-2-2) UNIVERSAL NON REALTIME MESSAGE (3-6-2-2-1) GENERAL MIDI SYSTEM ON binary hexadecimal 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 01111111 7F ID of target Device 00001001 09 Sub-ID #1=General MIDI Message 00000001 01 Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive or 11110000 F0 Exclusive status 01111110 7E Universal Non-Realtime 0xxxnnnn XN When N is received N=0-F, whichever is received. When N is transmitted N always=0. X = don’t care 00001001 09 Sub-ID #1=General MIDI Message 00000001 01 Sub-ID #2=General MIDI On 11110111 F7 End of Exclusive Depending upon the received ON message, the System Mode will be changed to XG. Except MIDI Master Tuning, all control data be reset to default values. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. The bank select message for the channel 10 and the NRPN message are not received in the GM mode. (3-6-3) XG STANDARD (3-6-3-1) XG PARAMETER CHANGE (3-6-3-1-1) XG SYSTEM ON binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device Number 01001100 4C Model ID 00000000 00 Address High 00000000 00 Address Mid 01111110 7E Address Low 00000000 00 Data 11110111 F7 End of Exclusive Depending upon the received ON message, the SYSTEM MODE will be changed to XG.Controllers will be reset, all values of Multi Part and Effect, and All System values denoted by “XG” data within All System will be reset to default values in the table. This message requires approximately 50ms to execute, so sufficient time should be allowed before the next message is sent. (3-6-3-1-2) XG PARMETER CHANGE binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0001nnnn 1N Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 0ddddddd DD Data | | 11110111 F7 End of Exclusive For parameters with data size of 2 or 4, transmit the appropriate number of data bytes. For more information on Address and Parameters, refer to < Table 1-2 > - < Table 1-5 >. The data types listed below are transmitted and received. System Data Multi Effect1 Data Multi Part Data Drums Setup Data (3-6-3-2) XG BULK DUMP binary hexadecimal 01110000 F0 Exclusive status 01000011 43 YAMAHA ID 0000nnnn 0N Device Number 01001100 4C Model ID 0bbbbbbb BB ByteCount MSB 0bbbbbbb BB ByteCount LSB 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 0ddddddd DD Data | | 0ccccccc CC Check sum 11110111 F7 End of Exclusive For more information on Address and Byte Count, refer to < Table 1-2 > - < Table 1-5 >. The Check Sum value is set such that the sum of Byte Count, Address, Data, and Check Sum has value zero in its seven least significant bits. If the top of the block is appointed to the Address the XG Bulk Dump, Bulk Request will be received. The Block is a unit that consists of the data, arranged in the list, as the Total Size. The data types listed below are transmitted and received.(These are transmitted only after a Bulk Dump request is received.) System Data System Information (Transmit ONLY) Multi Effect1 Data Multi Part Data Drums Setup Data (3-6-3-3) XG PARAMETER REQUEST (Receive only) binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0011nnnn 3n Device Number 01001100 4C Model ID 0aaaaaaa AA Address High 0aaaaaaa AA Address Mid 0aaaaaaa AA Address Low 11110111 F7 End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > - < Table1-5 >. The data types listed below are received. System Data Multi Effect1 Data Multi Part Data Drums Setup Data (3-6-3-4) XG DUMP REQUEST (Receive only) binary hexadecimal 11110000 F0 Exclusive status 01000011 43 YAMAHA ID 0010nnnn 2n Device Number 01001100 4C Model ID 00aaaaaaa AA Address High 00aaaaaaa AA Address Mid 00aaaaaaa AA Address Low 11110111 F7 End of Exclusive For more information on Address and Byte Count refer to < Table 1-2 > - < Table1-5 >. The data types listed below are received. System Data System Information Multi Effect1 Data Multi Part Data Drums Setup Data 141
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SPECIAL MESSAGE SECTION This produc
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2 Congratulations! You are the prou
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4 Contents Packing List 4 How to us
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6 Important Features Since the PSR-
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R L L M H M H L CHORD TRANSPOSE REC
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10 Setting Up This section contains
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12 Setting Up Connecting external M
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Panel Display Indications 14 The PS
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16 Basic Operation How to Read the
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18 Basic Operation Changing (Editin
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20 Function Tree Button Menu/messag
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22 Function Tree Button Menu/messag
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24 Playing Voices The PSR-540 has a
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26 Playing Voices Playing Different
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28 Playing Voices Transpose This fu
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30 Auto Accompaniment The auto acco
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32 Auto Accompaniment Accompaniment
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34 Auto Accompaniment Tempo/Tap Eac
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36 Auto Accompaniment Chord Fingeri
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38 Auto Accompaniment The Fingered
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40 Auto Accompaniment One Touch Set
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42 The Multi Pads Selecting a Multi
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44 Digital Effects With the digital
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46 Digital Effects Chorus Selecting
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48 Digital Effects System Effects a
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50 Digital Effects Adjusting the Ha
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52 Registration Memory Since the PS
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54 Registration Memory Selecting a
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56 Disk Operations Using the Floppy
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58 Disk Operations Format Setting u
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60 Disk Operations Load After savin
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62 Disk Operations Song Copy This o
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64 Disk Operations Copying data to
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66 Disk Song Playback You can playb
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68 Disk Song Playback Song Track Mu
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70 Disk Song Playback Repeat Play 1
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72 Part Settings In addition to the
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74 Part Settings Mixer 1 Press the
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76 Song Recording With the powerful
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78 Song Recording Quick Recording 1
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80 Song Recording Multi Track Recor
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82 Song Recording Re-recording —
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84 Song Recording Quantize Quantize
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86 Song Recording Editing Setup Dat
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Page 92 and 93: 90 Multi Pad Recording In addition
Page 94 and 95: 92 Multi Pad Recording Chord Match
Page 96 and 97: 94 Style Recording The PSR-540 lets
Page 98 and 99: 96 Style Recording Style Recording
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Page 106 and 107: 104 MIDI Functions In the rear pane
Page 108 and 109: 106 MIDI Functions The PSR-540 is a
Page 110 and 111: 108 MIDI Functions Connecting to a
Page 112 and 113: 110 MIDI Functions MIDI Template Th
Page 114 and 115: 112 MIDI Functions MIDI Transmit Se
Page 116 and 117: 114 MIDI Functions Local Control
Page 118 and 119: 116 Other Functions (Utility) This
Page 120 and 121: 118 Other Functions (Utility) Touch
Page 122 and 123: 120 Other Functions (Utility) Pitch
Page 124 and 125: 122 Voice List Bank Select MIDI Voi
Page 126 and 127: 124 Voice List Bank Select MIDI Voi
Page 128 and 129: 126 Drum Kit List • “
Page 130 and 131: 128 Style List Style Number Style N
Page 132 and 133: 130 About the Digital Effects (Reve
Page 134 and 135: 132 Troubleshooting PROBLEM • The
Page 136 and 137: 134 Alert Message List No File The
Page 138 and 139: 136 MIDI Data Format Many MIDI mess
Page 142 and 143: 140 MIDI Data Format (3-6-4) CLAVIN
Page 144 and 145: 142 MIDI Data Format < Table 1-5 >
Page 146 and 147: 144 MIDI Data Format < Table 1-8 >
Page 148 and 149: 146 MIDI Data Format TOUCH WAH 1 (v
Page 150 and 151: 148 MIDI Implementation Chart [Port
Page 152 and 153: 150 Index A AC adaptor ............
Page 154 and 155: 152 Index T Tap ...................
Page 156 and 157: 154 1. IMPORTANT NOTICE: DO NOT MOD
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Page 160: M.D.G., EMI Division, Yamaha Corpor
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