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36 Auto Accompaniment Chord Fingerings The way in which chords are played or indicated with your left hand (in the auto accompaniment section of the keyboard) is referred to as “fingering”. There are 5 types of fingerings as described below. • The default fingering mode is “Multi Finger”. 1 Press • Multi Finger ................................................................................................ page 40 • Single Finger .............................................................................................. page 38 • Fingered 1 .................................................................................................. page 38 • Fingered 2 .................................................................................................. page 40 • Full Keyboard ............................................................................................. page 40 the [FINGERING] button. FingerMode=Multi 2 Select the desired fingering mode. Use the data dial, the [+/YES] button or the [-/NO] button. FingerMode=F1 The Single Finger mode FingerMode=Singl Single-finger accompaniment makes it simple to produce beautifully orchestrated accompaniment using major, seventh, minor and minor-seventh chords by pressing a minimum number of keys on the Auto accompaniment section of the keyboard. The following abbreviated chord fingerings are used: C • For a major chord, press the root key only. C 7 • For a seventh chord, simultaneously press the root key and a white key to its left. Cm • For a minor chord, simultaneously press the root key and a black key to its left. Cm 7 • For a minor-seventh chord, simultaneously press the root key and both a white and black key to its left. The Fingered 1 mode FingerMode=F1 38 The Fingered 1 mode lets you finger your own chords on the Auto accompaniment section of the keyboard (i.e. all keys to the left of and including the split-point key — normally F#2) while the PSR-540 supplies appropriately orchestrated rhythm, bass and chord accompaniment in the selected style. The Fingered 1 mode recognizes the following chords:
Auto Accompaniment ● Example for “C” chords C C (9) C 6 C 6 (9) CM7 CM 7 (9) CM 7(#11) C(b5) CM7b5 Caug CM 7aug Cm Cm(9) Cm 6 Cm 7 C 7 ( ) ( ) ( ) ( ) Cm7 (9) ( ) CmM 7 CmM 7 (9) Cm7 b5 CmM7 b5 Cdim Cdim 7 C 7 (b9) C (b13) 7 ( ) ( ) C 7(9) C 7 (#11) C 7(13) C 7 (#9) ( ) ( ) ( ) ( ) ( ) ( ) Csus 4 C 1+2+5 Cm 7 (11) C 7 b5 C aug 7 ( ) ( ) ( ) ( ) ( ) C sus4 7 ( ) 37 Chord Name/[Abbreviation] Normal Voicing Chord (C) Display Major [M] 1 - 3 - 5 Add ninth [(9)] 1 - 2 - 3 - 5 Sixth [6] 1 - (3) - 5 - 6 Sixth ninth [6(9)] 1 - 2 - 3 - (5) - 6 Major seventh [M7] 1 - 3 - (5) - 7 or 1 - (3) - 5 - 7 Major seventh ninth [M7(9)] 1 - 2 - 3 - (5) - 7 Major seventh add sharp eleventh [M7(#11)] 1 - (2) - 3 - #4 - 5 - 7 or 1 - 2 - 3 - #4 - (5) - 7 Flatted fifth [(b5)] 1 - 3 - b5 Major seventh flatted fifth [M7b5] 1 - 3 - b5 - 7 Suspended fourth [sus4] 1 - 4 - 5 Augmented [aug] 1 - 3 - #5 Major seventh augmented [M7aug] 1 - (3) - #5 - 7 Minor [m] 1 - b3 - 5 C C(9) C6 C6(9) CM7 CM7(9) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm C C(9) C6 C6(9) CM7 CM7(9) CM7(#11) C(b5) CM7b5 Csus4 Caug CM7aug Cm • Notes in parentheses can be omitted. • If you play any three adjacent keys (including black keys), the chord sound will be cancelled and only the rhythm instruments will continue playing (CHORD CANCEL function). • Playing a single key or two same root keys in the adjacent octaves produces accompaniment based only on the root. • A perfect fifth (1 + 5) produces accompaniment based only on the root and fifth which can be used with both major and minor chords. Minor add ninth [m(9)] 1 - 2 - b3 - 5 Minor sixth [m6] 1 - b3 - 5 - 6 Minor seventh [m7] Minor seventh ninth [m7(9)] Minor seventh add eleventh [m7(11)] 1 - b3 - (5) - b7 1 - 2 - b3 - (5) - b7 1 - (2) - b3 - 4 - 5 - (b7) Minor major seventh [mM7] 1 - b3 - (5) - 7 Minor major seventh ninth [mM7(9)] 1 - 2 - b3 - (5) - 7 Minor seventh flatted fifth [m7b5] 1 - b3 - b5 - b7 Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 Cm(9) Cm6 Cm7 Cm7(9) Cm7(11) CmM7 CmM7(9) Cm7b5 • The chord fingerings listed are all in “root” position, but other inversions can be used — with the following exceptions: m7, m7b5, 6, m6, sus4, aug, dim7, 7b5, 6(9), m7(11), 1+2+5. • Inversion of the 7sus4 chord are not recognized if the 5th is omitted. Minor major seventh flatted fifth [mM7b5] 1 - b3 - b5 - 7 Diminished [dim] 1 - b3 - b5 Diminished seventh [dim7] 1 - b3 - b5 - 6 Seventh [7] 1 - 3 - (5) - b7 or 1 - (3) - 5 - b7 Seventh flatted ninth [7(b9)] Seventh add flatted thirteenth [7(b13)] 1 - b2 - 3 - (5) - b7 1 - 3 - 5 - b6 - b7 CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) CmM7b5 Cdim Cdim7 C7 C7(b9) C7(b13) • The AUTO ACCOMPANI- MENT will sometimes not change when related chords are played in sequence (e.g. some minor chords followed by the minor seventh). • Two-note fingerings will produce a chord based on the previously played chord. Seventh ninth [7(9)] 1 - 2 - 3 - (5) - b7 C7(9) C7(9) Seventh add sharp eleventh [7(#11)] 1 - (2) - 3 - #4 - 5 - b7 or 1 - 2 - 3 - #4 - (5) - b7 C7(#11) C7(#11) Seventh add thirteenth [7(13)] 1 - 3 - (5) - 6 - b7 C7(13) C7(13) Seventh sharp ninth [7(#9)] 1 - #2 - 3 - (5) - b7 C7(#9) C7(#9) Seventh flatted fifth [7b5] 1 - 3 - b5 - b7 C7b5 C7b5 Seventh augmented [7aug] 1 - 3 - #5 - b7 C7aug C7aug Seventh suspended fourth [7sus4] 1 - 4 - (5) - b7 C7sus4 C7sus4 One plus two plus five [1+2+5] 1 - 2 - 5 C1+2+5 C 39
Page 2 and 3: SPECIAL MESSAGE SECTION This produc
Page 4 and 5: 2 Congratulations! You are the prou
Page 6 and 7: 4 Contents Packing List 4 How to us
Page 8 and 9: 6 Important Features Since the PSR-
Page 10 and 11: R L L M H M H L CHORD TRANSPOSE REC
Page 12 and 13: 10 Setting Up This section contains
Page 14 and 15: 12 Setting Up Connecting external M
Page 16 and 17: Panel Display Indications 14 The PS
Page 18 and 19: 16 Basic Operation How to Read the
Page 20 and 21: 18 Basic Operation Changing (Editin
Page 22 and 23: 20 Function Tree Button Menu/messag
Page 24 and 25: 22 Function Tree Button Menu/messag
Page 26 and 27: 24 Playing Voices The PSR-540 has a
Page 28 and 29: 26 Playing Voices Playing Different
Page 30 and 31: 28 Playing Voices Transpose This fu
Page 32 and 33: 30 Auto Accompaniment The auto acco
Page 34 and 35: 32 Auto Accompaniment Accompaniment
Page 36 and 37: 34 Auto Accompaniment Tempo/Tap Eac
Page 40 and 41: 38 Auto Accompaniment The Fingered
Page 42 and 43: 40 Auto Accompaniment One Touch Set
Page 44 and 45: 42 The Multi Pads Selecting a Multi
Page 46 and 47: 44 Digital Effects With the digital
Page 48 and 49: 46 Digital Effects Chorus Selecting
Page 50 and 51: 48 Digital Effects System Effects a
Page 52 and 53: 50 Digital Effects Adjusting the Ha
Page 54 and 55: 52 Registration Memory Since the PS
Page 56 and 57: 54 Registration Memory Selecting a
Page 58 and 59: 56 Disk Operations Using the Floppy
Page 60 and 61: 58 Disk Operations Format Setting u
Page 62 and 63: 60 Disk Operations Load After savin
Page 64 and 65: 62 Disk Operations Song Copy This o
Page 66 and 67: 64 Disk Operations Copying data to
Page 68 and 69: 66 Disk Song Playback You can playb
Page 70 and 71: 68 Disk Song Playback Song Track Mu
Page 72 and 73: 70 Disk Song Playback Repeat Play 1
Page 74 and 75: 72 Part Settings In addition to the
Page 76 and 77: 74 Part Settings Mixer 1 Press the
Page 78 and 79: 76 Song Recording With the powerful
Page 80 and 81: 78 Song Recording Quick Recording 1
Page 82 and 83: 80 Song Recording Multi Track Recor
Page 84 and 85: 82 Song Recording Re-recording —
Page 86 and 87: 84 Song Recording Quantize Quantize
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86 Song Recording Editing Setup Dat
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88 Song Recording Naming User Songs
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90 Multi Pad Recording In addition
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92 Multi Pad Recording Chord Match
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94 Style Recording The PSR-540 lets
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96 Style Recording Style Recording
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98 Style Recording Exiting from the
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100 Style Recording Quantize Quanti
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102 Style Recording Naming User Sty
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104 MIDI Functions In the rear pane
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106 MIDI Functions The PSR-540 is a
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108 MIDI Functions Connecting to a
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110 MIDI Functions MIDI Template Th
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112 MIDI Functions MIDI Transmit Se
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114 MIDI Functions Local Control
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116 Other Functions (Utility) This
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118 Other Functions (Utility) Touch
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120 Other Functions (Utility) Pitch
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122 Voice List Bank Select MIDI Voi
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124 Voice List Bank Select MIDI Voi
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126 Drum Kit List • “
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128 Style List Style Number Style N
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130 About the Digital Effects (Reve
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132 Troubleshooting PROBLEM • The
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134 Alert Message List No File The
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136 MIDI Data Format Many MIDI mess
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138 MIDI Data Format This parameter
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140 MIDI Data Format (3-6-4) CLAVIN
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142 MIDI Data Format < Table 1-5 >
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144 MIDI Data Format < Table 1-8 >
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146 MIDI Data Format TOUCH WAH 1 (v
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148 MIDI Implementation Chart [Port
Page 152 and 153:
150 Index A AC adaptor ............
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152 Index T Tap ...................
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154 1. IMPORTANT NOTICE: DO NOT MOD
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156
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M.D.G., EMI Division, Yamaha Corpor
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