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Forest Path - Amaravati Buddhist Monastery

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113<br />

Hey Man, don’t give up your music!<br />

Samaõera Gunavuóóho<br />

Barely a month in the robes, I am a newly ordained samaõera who<br />

still tries to understand exactly what has happened to his life. Sometimes<br />

I wake up from sleep in a moment of disorientation and ask,<br />

“Where am I and why am I dressed like this?” I thought my goal in<br />

life was to be a jazz recording artist, but somehow I have made the<br />

transition into the Theravadin monastic lifestyle. I have a desire to<br />

better understand the transition; and I admit that it is only now<br />

through writing this piece that I am able to start investigating the<br />

deeper reasons of why I am willing not to play music again. I wish to<br />

open this piece as an exploration of my experiences in music practice<br />

and monastic practice in hopes of better understanding what<br />

happened.<br />

When I look deep in my heart and ask why I practise Dhamma, I see<br />

that the answer comes forth with great energy. I practise to learn the<br />

truth of how nature works and to do what is good. After the heart<br />

has spoken, I feel a heating-up of the body with an increased flow of<br />

blood, my back straightens up nobly, my mind becomes quiet and<br />

my gaze softens. I am also told by my heart that the same goal had<br />

been the powerful current that had carried me through all those<br />

years of music practice. When this is revealed, I see that I have not<br />

given up what I find truly important and I see that there was a<br />

natural flow to the recent transition I’ve made into the monastic<br />

lifestyle. Like a raft, music practice was able to bring me part-way<br />

across the river, but I have now switched to the raft of <strong>Buddhist</strong><br />

monasticism which I believe has the ability to crossover to the shore<br />

of liberation.<br />

By looking at the similarities between my music practice and this<br />

monastic practice, I am able to feel a deep sense of gratitude for my<br />

past musical experience while investigating the differences in how<br />

the monastic practice goes further on to my goal. I have experienced<br />

the role of devotion, sacrifice, the teacher, solitude, the , awareness,<br />

creativity, effort and challenge in both my past music practice and<br />

the monastic practice of the Thai forest tradition.

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