Forest Path - Amaravati Buddhist Monastery
Forest Path - Amaravati Buddhist Monastery
Forest Path - Amaravati Buddhist Monastery
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113<br />
Hey Man, don’t give up your music!<br />
Samaõera Gunavuóóho<br />
Barely a month in the robes, I am a newly ordained samaõera who<br />
still tries to understand exactly what has happened to his life. Sometimes<br />
I wake up from sleep in a moment of disorientation and ask,<br />
“Where am I and why am I dressed like this?” I thought my goal in<br />
life was to be a jazz recording artist, but somehow I have made the<br />
transition into the Theravadin monastic lifestyle. I have a desire to<br />
better understand the transition; and I admit that it is only now<br />
through writing this piece that I am able to start investigating the<br />
deeper reasons of why I am willing not to play music again. I wish to<br />
open this piece as an exploration of my experiences in music practice<br />
and monastic practice in hopes of better understanding what<br />
happened.<br />
When I look deep in my heart and ask why I practise Dhamma, I see<br />
that the answer comes forth with great energy. I practise to learn the<br />
truth of how nature works and to do what is good. After the heart<br />
has spoken, I feel a heating-up of the body with an increased flow of<br />
blood, my back straightens up nobly, my mind becomes quiet and<br />
my gaze softens. I am also told by my heart that the same goal had<br />
been the powerful current that had carried me through all those<br />
years of music practice. When this is revealed, I see that I have not<br />
given up what I find truly important and I see that there was a<br />
natural flow to the recent transition I’ve made into the monastic<br />
lifestyle. Like a raft, music practice was able to bring me part-way<br />
across the river, but I have now switched to the raft of <strong>Buddhist</strong><br />
monasticism which I believe has the ability to crossover to the shore<br />
of liberation.<br />
By looking at the similarities between my music practice and this<br />
monastic practice, I am able to feel a deep sense of gratitude for my<br />
past musical experience while investigating the differences in how<br />
the monastic practice goes further on to my goal. I have experienced<br />
the role of devotion, sacrifice, the teacher, solitude, the , awareness,<br />
creativity, effort and challenge in both my past music practice and<br />
the monastic practice of the Thai forest tradition.