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Finnish Documentary Films 2011

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Barzakh<br />

Canned Dreams<br />

Canned Dreams is a film about workers and their dreams on the journey of a canned<br />

food product.<br />

In our film, we build a portrait of ordinary workers through their own, personal<br />

stories from multiple cultures. We hear them telling about the most important<br />

moments in their life, and the dreams that would make their own world a better<br />

place. All this happens in a frame of following the route of a tin can which starts<br />

it’s journey from the other side of the world and travels all across Europe. In this<br />

film the beauty of humanity is seen through working hands.<br />

<strong>2011</strong> | 35mm, HDCAM, DigiBeta | 1:1,85 | Dolby 5.1 | 52’ and 80’<br />

Barzakh<br />

In a Chechen city recovering after the war, a man disappears. As daily life goes<br />

on, those in search are drawn into a world where encounters with diviners and legal<br />

advisors, with the torturers and the tortured, with secret prisons and mythical<br />

lakes all become commonplace. When the disappeared do return in dreams, they<br />

are said to come from Barzakh – a land between the living and the dead.<br />

Finland/Lithuania | <strong>2011</strong> | DigiBeta, 35mm | 16:9 | Dolby | 59’<br />

Director: Mantas Kvedaravicius Script: Mantas Kvedaravicius Cinematography: Mantas<br />

Kvedaravicius Additional photography: Ahmed Gisaev, Zarema Mukusheva Editing:<br />

Mantas Kvedaravicius Editing supervisor: Timo Linnasalo Editing assistant: Mindaugas<br />

Galkus Editing consultant: Giedrius Zubavicius Sound design: Tero Malmberg Producer:<br />

Aki Kaurismäki, Mantas Kvedaravicius Production company: Sputnik Oy Co-production:<br />

Extimacy <strong>Films</strong> Production support: The <strong>Finnish</strong> Film Foundation Financing TV company:<br />

YLE TV2 Documentaries International sales: The Match Factory GmbH<br />

Mantas Kvedaravicius<br />

Mantas Kvedaravicius was born in Birzai, Lithuania in 1976. He holds<br />

a Master’s Degree in cultural anthropology from the University of<br />

Oxford and is currently completing his PhD dissertation and a book<br />

manuscript on the affects of pain at the University of Cambridge.<br />

Kvedaravicius has taught university courses on religion, law, and<br />

political theory in New York, and since 2006 he has been conducting<br />

research on torture and disappearances in the North Caucasus.<br />

Barzakh is his first film. Kvedaravicius is also an underwater<br />

archaeologist. He lives in Lithuania raising his two children.<br />

Mantas Kvedaravicius<br />

Director: Katja Gauriloff Script: Katja Gauriloff, Joonas Berghäll and Jarkko T. Laine Cinematography:<br />

Heikki Färm, Tuomo Hutri Editing: Jukka Nykänen Sound design: Peter Albrechtsen<br />

Music: Karsten Fundal Producer: Joonas Berghäll Production company: Oktober Oy<br />

Production support: The <strong>Finnish</strong> Film Foundation, AVEK, MEDIA programme, Nordisk Film<br />

& TV Fund Financing TV company: YLE TV2 Documentaries, ARTE, RTP, NRK, TG4, Noga<br />

Communications International sales: Deckert Distribution GmbH | Heino Deckert<br />

Katja Gauriloff<br />

Katja Gauriloff was born in 1972 in Inari. She has studied filmmaking at the Tampere University<br />

of Applied Sciences, School of Art and Media (2000–2004). She has been involved<br />

in filmmaking since 1998. Today she is a film director and part-owner of the Oktober Oy<br />

production company.<br />

Selected filmography:<br />

A Shout into the Wind documentary, 2007<br />

Director Katja Gauriloff:<br />

It was the first time in my life that I worked at a factory. My job was to package sausages<br />

on a conveyor belt. The work was physically demanding and monotonous. Once an hour<br />

we had a seven-minute break. There was just enough time to run to the break room for a<br />

cup of coffee. Those were the best moments at the job, sitting in the break room where<br />

the factory ladies, some of whom had worked there at the same job for 30 years, were<br />

having a quick coffee and a cigarette. I came from Lapland, so I didn’t always understand<br />

what they were saying in their old Helsinki slang, but the stories were pretty racy. I kept<br />

quiet, listened and soaked in their life experiences, dreams and wishes.<br />

Now, almost 20 years later, I find myself in the Brazilian Amazonas at one of the largest<br />

open mine areas in the world. I sit there on<br />

the rocks and people around me work really<br />

hard for their lives. I listen to the stories and<br />

dreamsof a woman around my age, who has<br />

worked all her life in the slavery system of<br />

the mines. Even though our worlds are very<br />

different, I am amazed how similar and<br />

universal our dreams are all around the world.<br />

Katja Gauriloff<br />

Canned Dreams<br />

12 <strong>Finnish</strong> <strong>Documentary</strong> <strong>Films</strong> <strong>2011</strong>

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