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Matrix: Contemporary Printmaking - Museum of Fine Arts - Florida ...

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Fall 2009<br />

Different uses for <strong>Printmaking</strong><br />

Throughout History<br />

images, political images, scientific drawings,<br />

or even humorous images, which we might<br />

consider cartoons today.<br />

Art with a Statement<br />

Francisco Goya<br />

Disasters <strong>of</strong> War:<br />

It Always Happens<br />

1810-1820<br />

Many<br />

times prints<br />

were produced<br />

to make the<br />

artist’s thoughts<br />

clear. An artist could make a statement<br />

about the current rulers, or war, or the<br />

division between the upper class and lower<br />

class. And producing these images as prints<br />

allowed artists to spread their views quickly.<br />

Francisco Goya completed a series <strong>of</strong> prints<br />

in which he protested the war going on in<br />

Spain during his time. Honore Daumier<br />

completed prints in which he made<br />

comments about the political unrest in<br />

France during his time. Rembrandt made<br />

prints to represent his religious views. The<br />

ease with which prints could be mass<br />

produced allowed for the free flow <strong>of</strong> their<br />

political ideas into the public consciousness.<br />

Japanese <strong>Printmaking</strong><br />

<strong>Printmaking</strong> in the Far East has<br />

been a long-standing<br />

tradition. <strong>Printmaking</strong> in<br />

Japan took on a unique<br />

style <strong>of</strong> its own, and is one<br />

<strong>of</strong> the most recognizable<br />

styles in art.<br />

Yoshida Hiroshi<br />

Night Scene After the Rain<br />

1925<br />

<strong>Printmaking</strong> in<br />

Japan began largely the<br />

same way printmaking<br />

began in Europe, as a<br />

means to reproduce<br />

documents, specifically<br />

religious ones. The technique used was<br />

woodblock printing, which continued into the<br />

modern era. Artists such as Hokusai and<br />

Hiroshi designed multiple blocks, to create<br />

prints with color. As the centuries<br />

progressed, the artists became more skilled,<br />

and were able to include intricate color<br />

details.<br />

Japanese prints had a strong<br />

influence on European prints in the 1800s<br />

and 1900s. When Japan began to increase<br />

trade with Europe in the later nineteenth<br />

century, the style began to show up in<br />

western prints and in the works <strong>of</strong> the<br />

Impressionists. This was actually mostly<br />

accidental, as Japan was not exporting the<br />

prints specifically, but rather using the prints<br />

to wrap the delicate<br />

porcelain they were<br />

exporting, much in the<br />

way we use old<br />

newspaper to wrap<br />

dishes today. This<br />

coincidence created one<br />

<strong>of</strong> the strongest<br />

influences <strong>of</strong> outside art<br />

on the Impressionists,<br />

including Manet, Monet,<br />

Cassatt, and Renoir.<br />

Mary Cassatt<br />

The Bath<br />

1891<br />

Modern <strong>Printmaking</strong><br />

<strong>Printmaking</strong> today takes on many<br />

forms and covers a wide variety <strong>of</strong><br />

purposes. With the advancement <strong>of</strong><br />

digital images, traditional printmaking<br />

has become almost strictly an art<br />

form, rather than a form for mass<br />

communication. Many modern fine<br />

artists use printmaking to develop<br />

works. Screen-printing, which only<br />

developed recently, is widely used as<br />

a commercial printmaking process<br />

today. Technology has advanced<br />

enough that printmaking can still be<br />

used, but the process can require<br />

little or no human involvement, as is<br />

the case with printed newspapers,<br />

and printing money.<br />

10

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