Matrix: Contemporary Printmaking - Museum of Fine Arts - Florida ...

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Fall 2009 Glossary Artist’s Proof Baren Bath Bleeding Burin Calligraphy Collagraph Counterproof Drypoint Edition Etching Impression Intaglio Installation Art One of a small set of prints set aside from the edition for the artist’s use. Also known as an épreuve d’artiste. Japanese tool used for applying pressure in the printing of woodcuts. It is made of a flat spiral piece of wood or bamboo about 5 inches in diameter and a backing disk. The mixture of acid and water in which intaglio plates are etched. Ink seepage or oozing around a printed Image, caused by excessive use of ink, pressure or oil. A steel cutting tool with a sharp beveled point, used in engraving metal plates or carving stone. Also called graver. A refined type of handwriting characterized by elegant, curved script. In Japanese culture, calligraphy is a traditional method of writing, often done with a brush and ink. The Collagraph print is best described as a collage printmaking technique, where the image is composed from a variety of textured materials glued to a substrate and printed either in an intaglio or relief fashion. Printed image identical to the image on the block or plate and made by taking an impression of a wet proof. The graphic process in which lines are scratched into the metal plates with a sharp tool, rather than with acid. In printmaking, all the copies of a print published at the same time or as part of the same publishing event. An edition can include several different versions or several exact copies of one image, and can be as small as two prints or as large as hundreds of prints. The graphic printmaking process which uses acids to create incised areas on a metal plate. The image printed from a stone, plate, woodblock, or any other matrix. Printing from the grooves or crevices engraved, scraped or etched into the plate. The use of three-dimensional materials to create a work of art that surrounds the viewer and creates its own environment in a gallery, museum, or other public space. 52
Fall 2009 Glossary Key Plate Kimono and obi Lithography Matrix Monoprint Plate Mark Proof Rainbow Roll Relief Rubbing Serigraph Stipple Print Washout Woodcut Zincography The plate or block used to serve as a guide to register, or to line up, other plates or blocks when printing each color layer of a color print. In Japanese culture, the kimono is a long-sleeved, ankle-length robe worn by Japanese women and tied with a belt over an obi sash. The kimono has a tradition dating back more than 1,000 years and is usually decorated with motifs such as flowers and birds. The process of printing from drawings made with special crayons on stone or on metal sheets, using the water-repellent properties of the crayons and the greasy inks as a basic principle. In printmaking, the physical object upon which a design has been formed and which is then used to create a print, such as a zinc plate or limestone block. A method of printmaking which produces a work that cannot be exactly reproduced. Monoprinting can sometimes produce similar images, but can never produce multiples, or exact copies. Because of this inability to directly copy an image, monoprinting is often called the most “painterly” printmaking technique. The impression left in the paper by the pressure of the plate edges. A preliminary impression pulled for examination of various stages until final state is reached. Specialized technique in which a plate or stone is inked with strips of several different colors at once. They are blended at the edges to produce a rainbow like effect. The raised surface which is the source of the image in relief process. The process of pulling a print from a bas-relief sculpture. The paper is placed against the clear sculpted surface and its back is rubbed with a flatedged crayon or pencil. The image appears un-reversed on the paper. The graphic process involving a stencil. The silkscreen process is referred to as serigraphic printing. To create a half-tone effect by engraving and etching little dots into the plate. In lithography, the process of removing the greasy drawing material from the completed image on stone or plate. Relief printing, the areas to appear in ink on the paper prints are those which are left in relief on the surface, in contrast to the cut-away areas. 19 th -century term for lithography on zinc plates. 53
Page 1 and 2: MATRIX: CONTEMPORARY PRINTMAKING OC
Page 3 and 4: Fall 2009 LETTER TO EDUCATORS Dear
Page 5 and 6: Fall 2009 6-8 9-12 SUNSHINE STATE S
Page 7 and 8: Fall 2009 Printmaking TimeLine 105
Page 9 and 10: Fall 2009 Different Types of Printm
Page 11 and 12: Fall 2009 Different uses for Printm
Page 13 and 14: Fall 2009 Artists’ Biographies Al
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Page 17 and 18: Fall 2009 Artists’ Biographies Ho
Page 19 and 20: Fall 2009 Artists’ Biographies ma
Page 21 and 22: Fall 2009 How Technology has change
Page 23 and 24: Fall 2009 How Museums Have Embraced
Page 25 and 26: Fall 2009 MUSEUM OF FINE ARTS EXHIB
Page 31 and 32: Fall 2009 Lesson Plan Pop Art Food
Page 33 and 34: Fall 2009 Lesson Plan _ My Favorite
Page 35 and 36: Fall 2009 LESSON PLAN Vocabulary: R
Page 37 and 38: Fall 2009 LESSON PLAN Worksheet pri
Page 39 and 40: FALL 2009 LESSON PLAN I’m a Littl
Page 41 and 42: FALL 2009 LESSON PLAN b. Demonstrat
Page 43 and 44: FALL 2009 LESSON PLAN Color, Color,
Page 45 and 46: FALL 2009 LESSON PLAN Worksheet 1
Page 47 and 48: FALL 2009 LESSON PLAN Green: Color
Page 49 and 50: Fall 2009 Lesson plan 3. Students s
Page 51: Fall 2009 HELPFUL INFORMATION 51
Page 55 and 56: FALL 2009 IMAGE LIST: HISTORICAL PR
Page 57 and 58: Fall 2009 Sources Saff, Donald, and
Page 59: Fall 2009 Sources http://commons.wi

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