Matrix: Contemporary Printmaking - Museum of Fine Arts - Florida ...
Matrix: Contemporary Printmaking - Museum of Fine Arts - Florida ...
Matrix: Contemporary Printmaking - Museum of Fine Arts - Florida ...
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Fall 2009<br />
Glossary<br />
Key Plate<br />
Kimono and obi<br />
Lithography<br />
<strong>Matrix</strong><br />
Monoprint<br />
Plate Mark<br />
Pro<strong>of</strong><br />
Rainbow Roll<br />
Relief<br />
Rubbing<br />
Serigraph<br />
Stipple Print<br />
Washout<br />
Woodcut<br />
Zincography<br />
The plate or block used to serve as a guide to register, or to line up, other<br />
plates or blocks when printing each color layer <strong>of</strong> a color print.<br />
In Japanese culture, the kimono is a long-sleeved, ankle-length robe worn<br />
by Japanese women and tied with a belt over an obi sash. The kimono has<br />
a tradition dating back more than 1,000 years and is usually decorated with<br />
motifs such as flowers and birds.<br />
The process <strong>of</strong> printing from drawings made with special crayons on stone<br />
or on metal sheets, using the water-repellent properties <strong>of</strong> the crayons and<br />
the greasy inks as a basic principle.<br />
In printmaking, the physical object upon which a design has been formed<br />
and which is then used to create a print, such as a zinc plate or limestone<br />
block.<br />
A method <strong>of</strong> printmaking which produces a work that cannot be exactly<br />
reproduced. Monoprinting can sometimes produce similar images, but can<br />
never produce multiples, or exact copies. Because <strong>of</strong> this inability to directly<br />
copy an image, monoprinting is <strong>of</strong>ten called the most “painterly” printmaking<br />
technique.<br />
The impression left in the paper by the pressure <strong>of</strong> the plate edges.<br />
A preliminary impression pulled for examination <strong>of</strong> various stages until final<br />
state is reached.<br />
Specialized technique in which a plate or stone is inked with strips <strong>of</strong><br />
several different colors at once. They are blended at the edges to produce<br />
a rainbow like effect.<br />
The raised surface which is the source <strong>of</strong> the image in relief process.<br />
The process <strong>of</strong> pulling a print from a bas-relief sculpture. The paper is<br />
placed against the clear sculpted surface and its back is rubbed with a flatedged<br />
crayon or pencil. The image appears un-reversed on the paper.<br />
The graphic process involving a stencil. The silkscreen process is referred<br />
to as serigraphic printing.<br />
To create a half-tone effect by engraving and etching little dots into the<br />
plate.<br />
In lithography, the process <strong>of</strong> removing the greasy drawing material from<br />
the completed image on stone or plate.<br />
Relief printing, the areas to appear in ink on the paper prints are those<br />
which are left in relief on the surface, in contrast to the cut-away areas.<br />
19 th -century term for lithography on zinc plates.<br />
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